Photographs
documenting various installations, happenings, and exhibition openings reveal the ever - changing artistic approaches and methods presented at the MCA over the decades.
Not exact matches
Weaver is constructing a fictive history for the Black Bottom community using a variety of fake elements: handmade museum vitrines, handmade maps and
documents of the community,
various faux sculptures and textiles, as well as
installation and audio components.
This companion volume to the artist's largest exhibition to date is a feast taken from countless visual
documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive
installations in
various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.
The exhibition brings together publications, posters and press materials, artist correspondence,
installation plans and photographs, and other rarely seen
documents, along with works in
various media by 21 artists who exhibited at SVA: Vito Acconci, Stephen Antonakos, Jared Bark, Rosemarie Castoro, William Conlon, Donna Dennis, Cris Gianakos, Carol Haerer, Nicholas Hondrogen, Alfred Jensen, Joan Jonas, Donald Kaufman, Sol LeWitt, Charles Luce, Dennis Oppenheim, Lucio Pozzi, Michael Singer, Eve Sonneman, John Torreano, Stan VanDerBeek and Lawrence Weiner.
The World of Edward Hopper: Selections from the Collection of the Whitney Museum of American Art, March 5 — August 29, 1982 This exhibition, prepared for travel only, is
documented by correspondence with the
various venues at which it was shown, as well as checklists, material relating to expenses,
installation photographs, and a manuscript for the show's catalogue.
She works with
various media including
installation, cartography, video, digital photography, industrial materials, performance, archival
documents, and ethnography.
The show displays
documents and artifacts concerning
various aspects of the German Shepherd Dog in a space - consuming
installation.
This
document reviews ventilation strategies for different climate zones and includes schematic drawings and photographs of
various ventilation
installations.
• Successfully trained QA and UAT teams and
documented software
installation instructions for
various environments.