Sentences with phrase «documents at the title»

Buyer beware: If you don't own the house, meaning you and the seller have not signed the closing documents at the title company, don't advertise it for rent.

Not exact matches

The plan, outlined in a document titled «A Vision for Change», aims to ensure all transgender people in Britain can live full authentic lives at home, at work and in public, free from discrimination or abuse.

As we reported this week, there is a document floating around titled «Crisis Strategy Draft,» in which Mt. Gox thinks its insolvency will lead to «the end of Bitcoin, at least for most of the public.»

«[Banks] are turning to the 79th page of a 2013 document titled «Regulatory Capital Rules» and looking at footnote 151.

The militants down at the Dead Sea, one of whose documents was titled «The War of the Sons of Light Against the Sons of Darkness,» would have understood its radical implications with regard to the Roman imperial machine.

I'll wait to see what this transfer window brings as its well documented that we need a few players to have a credible shot at the title.

It's well documented that at his time with Monaco, his bugbear was that down the road Marseille had loads of cash, which at the time he didn't — something which he was determined to prove wouldn't prevent him from winning the title.

In a document titled: «Strike Bulletin No. 1», which was signed and issued by Ogunyemi, ASUU said the strike action was to be a total, comprehensive and indefinite action whereby no form of academic activities including teaching, attendance of any meeting, conduct and supervision of any examination at any level, supervision of project or thesis at any level should take place at any of the nation's universities.

He now has enough financial backing to travel all over the world gathering footage for his work - in - progress — title as yet unannounced — documenting the effects of climate change, from Africa to Iceland to the Amazon, and what people are doing about it at the grassroots level.

Officials at the National Council of Teachers of Mathematics (NCTM) hope their 40 - page document, titled Curriculum Focal Points: A Quest for Coherence, will help change the «mile - wide, inch - deep» approach that they say has left most U.S. students without a solid preparation for higher - level mathematics.

Copy of technical paper by Research Director Paul Robinson on long - term groundwater contamination at two uranium mill tailings sites in New Mexico titled: GROUNDWATER RESTORATION LONG BEYOND CLOSURE AT THE HOMESTAKE - MILAN AND UNITED NUCLEAR - CHURCH ROCK URANIUM MILL TAILINGS PILES, NEW MEXICO, USA: FULL - SCALE PROGRAMS REQUIRING MORE THAN 20 YEARS OF ACTIVE TREATMENT (24k document) in: «Proceedings of Conference on Uranium Mining and Hydrogeology - II», Claudia Helling, eat two uranium mill tailings sites in New Mexico titled: GROUNDWATER RESTORATION LONG BEYOND CLOSURE AT THE HOMESTAKE - MILAN AND UNITED NUCLEAR - CHURCH ROCK URANIUM MILL TAILINGS PILES, NEW MEXICO, USA: FULL - SCALE PROGRAMS REQUIRING MORE THAN 20 YEARS OF ACTIVE TREATMENT (24k document) in: «Proceedings of Conference on Uranium Mining and Hydrogeology - II», Claudia Helling, eAT THE HOMESTAKE - MILAN AND UNITED NUCLEAR - CHURCH ROCK URANIUM MILL TAILINGS PILES, NEW MEXICO, USA: FULL - SCALE PROGRAMS REQUIRING MORE THAN 20 YEARS OF ACTIVE TREATMENT (24k document) in: «Proceedings of Conference on Uranium Mining and Hydrogeology - II», Claudia Helling, et.

RUSSIA Copy of research paper on uranium and thorium mines in the Chita region of Siberia and their associated environmental and health problems on behalf Baikalwatch, a project of the Earth Island Institute and the Baikal Center for Ecological and Citizen Initiatives in Irkutsk, Russia titled: «Environmental Damage and Policy Issues in the Uranium and Gold Mining Districts of Chita Oblast in the Russian Far East: A Report on Existing Problems at Baley and Krasnokamensk and Policy Needs in the Region» (91k document) completed November 1996.

Copy of technical paper by Research Director Paul Robinson on innovative aspects of the remediation and restoration of a mine and mill complex in northern New Mexico titled: «Innovative Administrative, Technical and Public Involvement Approaches to Environmental Restoration at an Inactive Lead - Zinc Mining and Milling Complex Near Pecos, New Mexico» (48k document) in «Proceedings of Waste Management» 95», University of Arizona / DOE / WEC, Tucson AZ, March 1995.

Copy of research paper on uranium and thorium mines in the Chita region of Siberia and their associated environmental and health problems on behalf Baikalwatch, a project of the Earth Island Institute and the Baikal Center for Ecological and Citizen Initiatives in Irkutsk, Russia titled: «Environmental Damage and Policy Issues in the Uranium and Gold Mining Districts of Chita Oblast in the Russian Far East: A Report on Existing Problems at Baley and Krasnokamensk and Policy Needs in the Region» (91k document) completed November 1996.

I stumbled upon the link searching the title of the document and «PDF» at the end and that is what came up.

The 95 - page document, titled Crafting an Innovation School, was completed by researchers at CU - Denver for Denver Public Schools, A + Denver, the Colorado Education Association and the Denver Classroom Teachers Association.

As documented under Section 1115 of Title I, Part A of the Every Students Succeeds Act (ESSA), a local education agency receiving Title I funds «may use funds received under this part only for programs that provide services to eligible children under subsection (b) identified as having the greatest need for special assistance... Eligible children are children identified by the school as failing, or most at risk of failing, to meet the State's challenging student academic achievement standards on the basis of multiple, educationally related, objective criteria established by the local educational agency and supplemented by the school, except that children from preschool through grade 2 shall be selected solely on the basis of such criteria as teacher judgment, interviews with parents, and developmentally appropriate measures».

The rubrics are aligned to the research based practices documented by Drs. Patricia Gandara and María Estela Zárate in their recent publication titled «Seizing the Opportunity to Narrow the Achievement Gap for English Learners: Research - based Recommendations for the Use of LCFF Funds» from the Civil Rights Project at UCLA.

This able F - 150, with its grippy 4WD, will handle anything mother nature decides to throw at you *** Safety equipment includes: ABS, Traction control, Curtain airbags... Other features include: Auto, Air conditioning, Tilt and telescopic steering wheel, 2.7 liter V6 DOHC engine, 4 Doors... All advertised prices exclude government fees (registration, title, license), taxes, finance charges, and dealer document preparation charge ($ 125) or any dealer installed options, $ 1595 Polysteel Protection.

Offered in virtually perfect as - new condition this Shelby GT500 40th Anniversary prototype is accompanied at auction by many outstanding documents including copies of the original purchase documents by Carroll Shelby copies of original titles the original window stickers signed by Carroll Shelby stories of how the vehicle came to be and more.

Marwell's argument was, let's just say, poorly received by the library community, as documented by (at last count) 100 mostly negative comments, and OverDrive responded March 1 by removing HarperCollins titles from its Library Marketplace catalog, effective March 7.

To finalize your mortgage, a closing will be scheduled for you to sign all the documents at either a title company or any RBFCU branch.

When you purchase a home and you sign your documents at loan closing, one of the documents that you are going to sign is a deed for your home, but what is the difference between a deed and title to a house.

It can be purchased at any time, so if you aren't sure if you have title insurance, might be worth a look through your mortgage documents.

Authorizes the loan funds to be released to the title / escrow company and reviews the final signed documents after all parties (buyer and seller) have signed at the closing table.

The mortgage company wants a deed that has only your cousin on it, so all of the paperwork is prepared in advance so that the mortgage papers are signed at the same time as the quit claim with a title company or escrow company overseeing the signing of all documents at the same time, after which, the mortgage will fund, and the sibling will receive a payment from the proceeds of that mortgage.

With a car title loan at LoanMart, we just want to make sure you have the ability to repay your car title loan, so we will ask you for a few documents to verify information about you, your car, and your income.

Once you have provided all the necessary documents, our customer service representative at will inform you if you qualify for a car title loan.

Attend the closing at the BMO Harris branch or title company as scheduled and sign all mortgage and legal documents

Any person on title will need to sign documents at closing.

Destiny 2 is by no means a flawless game; my issues with the title have been well - documented on our podcast and across the internet as whole in recent months (I share many of the same concerns the community at large harbors, specifically with regards to the endgame and its rewards).

In other launch - related news, a recent blog post at Jeux - France states that GameStop has sent out documents claiming an October 2nd release date for three Wii launch titles: Rayman Raving Rabbids, Avatar: The Last Airbender, and SpongeBob SquarePants.

The insano Sega acolytes over at UK - headquartered website Kikizo sneaked over to document the Virtua Fighter 5 arcade playtest that happened at Tokyo's Club Sega last weekend, and professed themselves extremely impressed with the Lindbergh - based arcade title, as yet officially unconfirmed for next - gen consoles.

A few other titles explore artists featured in her collection, among them, «Kerry James Marshall: Mastry,» Gordon Parks's «Segregation Story,» and «Alma Thomas,» the exhibition catalog documenting the artist's recent survey at the Tang Teaching Museum and the Studio Museum in Harlem.

The curator Okwui Enwezor's provocative 2008 exhibition at the International Center of Photography «Archive Fever: Uses of the Document in Contemporary Art» (the title of which references philosopher Jacques Derrida's 1995 book, Archive Fever) highlighted numerous examples of artists who employ archival documents in their work.

For example, in the show at the Museum of Contemporary Cuts, two of the works on exhibit mashup Conceptual art documents with John Stuart Mill's Principles of Political Economy out of which emerge a subset of tag clouds titled Conceptual Art Mill.

The show at the Hayward Gallery, titled Jeremy Deller: Joy in People, will bring together documents of past collaborative events, films, books and banners.

At the urging of his close friend, the artist Paul McCarthy, Puusemp gathered newspaper clippings, letters, and public notices that chronicled the Rosendale project, publishing them as a single volume titled Beyond Art — Dissolution of Rosendale, N.Y.. Now, in an exhibit titled «Against the Romance of Community,» the Swiss Institute explores those documents alongside other artworks focused on how communities behave, interact, and identity themselves.

This two part publication documents the survey exhibition of Michael Krebber under the same title that took place at the Museo de Serralves, Porto and the Kunsthalle Bern in 2016/2017.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Publications include Nihilistic Optimistic, published by Blain Southern London on the occasion of the inaugural exhibition at Hanover Square of the same title October 2012 with an interview by Hans Ulrich Obrist, an essay by Jon Savage and foreword by Gustav Metzger; Turning the Seventh Corner, published by Blain Southern, London, 2011, with texts by David Adjaye and James Putnam which comprehensively documents the conception and realisation of the artists» exhibition at Blain Southern, Berlin, 2011; British Rubbish, an updated survey of the artists» work from 1996 to 2010 with an essay by Jeffrey Deitch, and new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 2006.

Documenting Urs Fischer's solo exhibition of the same title at the Kunsthalle Wien in 2012, Skinny Sunrise presents a survey of the artist's oeuvre.

A slide installation documents Michael Smith's classic 1979 performance dance - off, as he competes for the title in the USA Free - Style Disco Championship at the legendary Copacabana nightclub in New York City.

She made the piece (which bore the wonderfully open - ended title of Art Is...) with a grant from the New York State Council for the Arts and nothing in the way of publicity, at a time when documenting performance art was almost an afterthought and marketing it was a joke.

At first glance, the large - format charcoal drawings of Belgian artist Rinus van de Velde (born 1983)-- based on photographs — seem to document part mundane, part absurd occurrences in his own life, but the titles reveal these meticulously recorded and drawn situations as experiences of fictional characters.

For me, it felt like crossing a boundary — or at least it did this afternoon when I was emailed a YouTube link documenting my performance in Christian Falsnaes's «The Title Is Your Name».

Sustainability Victoria in a document titled «Wind energy myths and facts» of May 2007 reported 1.2 bird deaths per turbine per year at the Codrington Wind Farm.

Published in the journal Tellus under the title, «Atmospheric carbon dioxide variations at Mauna Loa observatory,» the paper documented for the first time the stark rise of carbon dioxide in the atmosphere at the Mauna Loa observatory in Hawaii.

If you miss them you can find the original at the Document Hotel a service of VulnerabilityNet.org Eli has downloaded the paper and is reading the thing (for this you should pay me big time), but here he just wants to point out that before Energy and Environment took over the title of Journal of Denial, JPANDS was there.

However, Millett LJ goes on to say that there is implied authority to communicate all title documents to both clients in the case at bar.