Often taking as his starting point the urban environment and therefore architecture — particularly those of Havana and Madrid, the two cities where the artist both lives and works — Garaicoa
documents city landscapes, creating works steeped in provocative commentary which reflect a frustration with social, economic and political issues.
Not exact matches
Following a stint in the Navy, Baltrop returned to New York in the 1970s and immersed himself in the
city's decaying
landscape,
documenting a post-industrial wasteland of vacant manufacturing buildings that included the piers located along the Hudson River in lower Manhattan.
Earlier video works contextualise Tallerås's on - going investigations into the urban
landscape, walking the back streets, and
documenting the concealed communication at play across the
city.
As
documents of a lived
landscape, they call to mind Freud's analogy of the aggregation of psychological experience with the architecture of the Eternal
City.
Rather than
documenting the
city as we see it day - to - day, Winterbottom combines compelling compositions and unique perspectives to infuse the urban
landscape with mood and challenge the prevailing (and rather stale) sense of the
city.
During the 1930s, these artists
documented and depicted American
cities, small towns, and rural
landscapes; some did so as a way to return to a simpler time away from industrialization, whereas others sought to make a political statement and lent their art to revolutionary and radical causes.
Instead, they are striking portraits that
document his life, social circle, and surroundings, as well as the
landscapes and streetscapes of his wartime sanctuary
city.