Sentences with phrase «does conceptual work»

She also does conceptual work, including set design for the short film Self - Deportation (which has screened at film festivals nationally and internationally, including the 15th Annual DC Asian Pacific American Film Festival and the Pineapple Underground Film Festival, Hong Kong).
«I really thought he'd start this program, do the conceptual work, and move on.
In the 19th century, it was as though women couldn't do the conceptual work.
I looked into this a few years back, and did some conceptual work, fleshing out the idea, exploring possible structures and feature sets in consultation with some other people.

Not exact matches

Until these external pressures became strong, our social location in the departmentalized university had more effect upon our way of working than did the conceptual models with which we worked!
Browning does not attempt to work through many of the systemic and conceptual problems...
Browning does not attempt to work through many of the systemic and conceptual problems generated by his project, and in this respect his book is more exploratory than definitive.
The opposition is between the view that the further back you go, you go to more and more rudimentary judgements and the view that there is a real difference between perception and thought; and also that you don't in perception come down to a (Kantian) inchoate manifold which you work up with conceptual schemes, but that you come down to something given in sense - awareness about which you can say a great deal more than that.
Only when midwives and obstetricians start working in partnership, and valuing each other's roles in supporting women, do we see women offered genuine choices, and offered the best care for themselves and their unborn baby (One example of research supporting this: Colter 2014, «Midwife - Physician collaboration — a conceptual framework for inter-professional collaborative practice»).
Surprisingly, there is relatively little conceptual work done on crimes against humanity and genocide to pinpoint what they are and what makes them particularly abominable.
It was devised by Andrew Dzurak, director of the Australian National Fabrication Facility at the University of New South Wales (UNSW), and Dr Menno Veldhorst, lead author of the paper who was a research fellow at UNSW when the conceptual work was done.
«Its existence was predicted by the standard model of particle physics and the fact that there's — we got a glimpse of it, it looks like it may very well be there — is a real victory for that model of science where you test, you put forward conceptual models of the way the world or the universe works and test those models against the observations and see the extent to which they can predict new observations and when they do, it gives you increased confidence in the models.
Other projects in the works (NextGeneration Light Source and Long Baseline Neutrino Experiment) are in earlier stages of development and do not yet have an approved conceptual design.
This work provides one conceptual framework by which to do this.»
It's always interesting to compare a film's conceptual stage to the final product, but these aren't always the most illustrative drawings and with rare exceptions, there isn't much panning work done to keep things lively.
Conceptual artist Ryan Meinerding has released design work he did for everything from «Iron Man» to «Avengers: Age of Ultron.»
Burris also skips over another critical distinction — proponents of the standards don't demand that students grasp all the components of rigor (fluency, conceptual understanding, and application) when working with numbers between 20 and 100, rather that they familiarize themselves with the larger quantities as a basis for future learning.
The study, which did not go through a peer review process, is wrought with methodological and conceptual problems, which I dismantled in the post, with a consumer alert.
We don't think Apple will make any huge conceptual changes — the current iPad works pretty well.
They don't understand how to make the conceptual leap from a job where we are told what to do to a life where we decide what to do — and seek to do something that connects, that makes an impact, and that yes, might not work
I do not consider myself a «Conceptual» artist, but to me, it is important to know why I am making the work.
I don't object to this work, although some of the conceptual art seems tired.
Although most artists want to sell their work, she implies that it's okay for a Conceptual work or a Rauschenberg to sell to IBM, but if a Noland is collected by that same company, it's not okay because it must have been sold just as decoration... I don't think so.
Finally, don't miss the linguistic neon works by Conceptual pioneer Joseph Kosuth, on view at Spruth Magers (C12) and in a striking (and social media friendly) solo booth at Almine Rech (C24).
The works of the eight artists on display don't share a particular overarching conceptual or topical alignment, nor do they make a grand, singular statement on digital culture or capitalism.
I also think the drawings and paintings she's always done alongside her conceptual works are powerful and expressive.
«When I realized that the first one was done in the»60s, I couldn't figure out if I was standing in front of a pop work, a conceptual work or a minimalist work, and I think that what I realized is that it was all three.»
However, these pieces all followed the conceptual lead of his earlier works, although they did use a lot more colors than their predecessors.
Students are expected to be developing their own ideas, just as professional artists do, by completing the necessary conceptual and technical research to finish their work at a highest level possible.
The exhibition brings together works in diverse media by three artists - Iran do Espírito Santo, Callum Innes and Wolfgang Laib - which, whilst seemingly very different, share many conceptual, intellectual, formal and emotional resonances.
The artist's approach to abstraction is not a conceptual or analytical exercise, but a life - affirming method of communication with the viewer, each brush stroke containing much more than just visual information: «Paint strokes do a number of things, but they do not simply describe the form in my work: they affirm the human spirit, the involvement of the human spirit» (S. Scully, Resistance and Persistence: Selected Writings, London, 2006, p. 25).
I was a young gallery assistant and Claude Rutault's work opened me up to conceptual art, although Claude Rutault doesn't see himself as a conceptual artist, but as a painter (which no longer surprises me, because Bernard Frize doesn't see himself as a painter).
Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, Milton Avery) give twentieth - century abstraction its place in the collection, as do later examples of Surrealism (Kay Sage, George Tooker), Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo - Realism (Robert Cottingham).
Now, if the New York trip doesn't pan out next week, I'll just go luxuriate some more in the slow - cooked pleasures of Georges Braque: A Retrospective at the Museum of Fine Arts, Houston — the only U.S. venue — and the myriad conceptual riddles of Magritte: The Mystery of the Ordinary, 1926 - 1938, which the Menil Collection co-organized with the Museum of Modern Art and the Art Institute of Chicago and is supplementing with its exclusive, collection - based Memories of a Voyage: The Late Work of René Magritte.
Garcia Torres's works have often considered the validity of the strategies of retreat and withdrawal that have pervaded the history of conceptual art, focusing on such figures as Martin Kippenberger (What Doesn't Kill You Makes You Stronger, 2007); Alighiero Boetti (¿ Alguna vez has visto la nieve caer?
Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).
From Wednesday night's opening exhibition on the work and collaborative legacy of early digital / conceptual artist Alison Knowles at The Graduate Center to Thursday night's absolute must - see double exhibition of Meleko Mokgosi [pictured] at both of Jack Shainman's Chelsea locations there's plenty to see and do.
Asked about it today, Mason de-emphasizes the power that any conceptual scheme could have over her work process: «Yes, analogous color is real, but I don't think like that, in terms of systems — I just do.
It's more about a conceptual practice that exists in a misty middle ground between art and architecture — think of Snarkitecture, among many others, doing fascinating work in this zone.
I did however expect to see an Agnes Martin piece alongside the Robert Ryman works, to demonstrate painting's interaction with other mediums and its impact on major art historical movements, in Martin's case: drawing and conceptual art.
Though Haacke is commonly considered a conceptual artist, he fails to see his own work that way — instead, he thinks of his practice as one that does not deal in objects but intellectual provocation.
Although Conceptual photography doesn't seem to fit in withthis lineup, some of its works have become old masterpieces in their own right, as the wide - ranging show «Conceptual Photography: 1964 - 1989» at Zwirner & Wirth proves.
The show ends 5 Sept Also with a solo show is the Cuban New York artist Felix Gonzales - Torres [1957 -1996] a ground breaking conceptual installation and minimalist artist — who famously gave away his art free and still does so posthumously [I have 11 of his works which I collected free over the last 15 years].
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Lorna Simpson has pursued a number of innovations in her conceptual photography practice, including printing on felt, which she did with the above work.
[3] As for whether Piper would ever withdraw her work from a show that was not ethnically focused, she did withdraw the work The Hypothesis Series (1968 - 69) from Joseph Kosuth's 1970 exhibition Conceptual Art and Conceptual Aspects as a means of protest against the Vietnam War and the Kent State shootings.
His earliest work, the Protoinvestigations, were done when he was only twenty years old and as they are considered among the first works of the Conceptual art movement they are included in collections such as The Museum of Modern Art, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collections.
Yes, but we also work with Piero Golia, a conceptual artist who shows with Gagosian in Los Angeles and Paris even though he is a totally non-Gagosian kind of artist — but that is what Larry should do now.
«Like the Minimalist artists before him, Gonzalez - Torres was interested in the conceptual as well as the aesthetic, yet unlike his predecessors, the artist did not alienate his audience by distancing them physically from his works.
While the mussel has its place in the history of conceptual art in the work of Marcel Broodthaers, here it more closely relates to the a territory announced by the exhibition's title, a quote from Gio Ponti's In Praise of Architecture that translates to «Sculpture that is not a shell does not sing.»
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