Sentences with phrase «does public sculpture»

How does public sculpture play into that?

«I think it's so compromised, doing public sculpture.

Not exact matches

The sculptures represent the first installment of a traveling exhibit, Washed Ashore: Art to Save the Sea, which illustrates how plastic pollution has become one of the gravest threats facing ocean and freshwater animals, while helping the public understand what they can do to be a part of the solution.

Did You Know: Frisco is a showcase for local art, and some of the most notable public exhibits can be found at the Texas Sculpture Garden and along the Gaylord Parkway, where you can view the longest continuous - themed bronze sculpture collection inSculpture Garden and along the Gaylord Parkway, where you can view the longest continuous - themed bronze sculpture collection insculpture collection in the U.S.

A panel of public art practitioners provided concrete advice to an audience of artists who do not support themselves through their work, including: don't be one of those sculpture gardens with a Calder, a Bourgeois, and an Oldenburg; money exists to buy time, so make a budget for artist fees and childcare; don't go into debt on your public art commission because you will not make it up in volume.

Twenty years later, Obrist is releasing Do It: The Compendium (public library)-- a wide - ranging medley of artist instructions spanning performance art, sculpture, urban intervention, philosophical reflection, and even recipes from, contributors like Lawrence Weiner, Louise Bourgeois, Ai Weiwei, Douglas Coupland, David Lynch, and Sol LeWitt.

Jeff Koons really does think of his accessible public sculpture as democratic.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

He still makes sculpture, but public commissions have since become an important part of what he does.

The New York Avenue Sculpture Project will feature four examples of her monumental public sculptures with mosaic done in polyester, mirror, ceramic, and glass.

Throughout his career, he also worked with metal sculptures, and did several projects in that field for public spaces in Bogotá.

I wanted to do a piece of serious sculpture in the public.

To give another example, when Subodh Gupta shows with Hauser & Wirth and Anish Kapoor creates a public sculpture for London costing over 30 million US dollars, why does nearly every presentation of an Indian artist in the United States appear in the context of a «contemporary art from India» exhibition?

Numerous public collections own works by the artist, including the Addison Gallery of American Art (Andover, MA); Art Institute of Chicago (Chicago, IL); Brooklyn Museum (Brooklyn, NY); The Cleveland Museum of Art (Cleveland, OH); Detroit Institute of the Arts (Detroit, MI); Fogg Museum, Harvard Art Museums, Harvard University (Cambridge, MA); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (Washington, DC); Los Angeles County Museum of Art (Los Angeles, CA); The Metropolitan Museum of Art (New York, NY); Musée franco - américaine du Château Blérancourt (Blérancourt, France); Museum of Fine Arts (Boston, MA); Museum of Modern Art (New York, NY); National Gallery of Art (Washington, DC); The Nelson - Atkins Museum of Art (Kansas City, MO); Neuberger Museum of Art, Purchase College, State University of New York (Purchase, NY); Newark Museum (Newark, NJ); Pennsylvania Academy of the Fine Arts (Philadelphia, PA); Philadelphia Museum of Art (Philadelphia, PA); The Phillips Collection (Washington, DC); Princeton University Art Museum (Princeton, NJ); San Francisco Museum of Modern Art (San Francisco, CA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT).

Increasingly drawn to sculpture, he executed multiple large - scale commissions for public spaces in France, including the Place du Marché in Nîmes and the Blbliothèque national de France in Paris.

AMc: Do you think events such as Susan Philipsz winning the Turner Prize for a purely audio work in 2010 and Bruce Nauman's filling the Turbine Hall at Tate Modern with a series of sound sculptures in 2004 have helped the public accept sound art and audio pieces as art?

An artist who receives a contract for a commission to create a public mural or sculpture must read the contract and understand what it does and does not cover.

In a similar case, a sculptor received two commissions for public art, but the contracts did not contain a clause requiring the owner to provide routine maintenance of the sculptures.

For my practice, it is probably something to do with how ambitious I am with regards to bending and breaking the rules because I want to challenge what public sculpture can be.

In the 1950s, Lozano did a number of public works, including several pieces of sculpture for churches in Havana.

Public works include a mural, We Hold These Truths To Be Self - Evident, in collaboration with Natalie Frank at the Ford Foundation Live Gallery of New York Live Arts in the neighborhood of Chelsea, and Champ, an outdoor version of her neon sculpture of the same title, done in partnership with Art Production Fund and The Standard Hotel.

For Martin, the graffiti artists demonstrated that public spaces were not the preserve of monumental and leaden sculptures by Minimalists such as Richard Serra (1939) but could also be animated by light and dynamic paintings that did not require cranes or other equipment for their installation.

Among the group exhibitions we mention: 99 Cents or Less, MoCAD, Detroit, MI (2017); FRAC Poitou - Charentes, Poitou - Charentes (2016); Global Positioning Systems, Perez Art Museum, Miami, FL (2015); Joie de Vivre, Palais des Beaux - Arts, Lille (2015); Ugo Rondinone: I love John Day, Palais de Tokyo, Paris (2015); Room To Live: Recent acquisitions and works from the collection, MOCA, Los Angeles (2013); Retour du monde, a commission for public transport in Paris, Musée d'art moderne et contemporain, Geneva (2013); Hors les Murs, FIAC Jardin des Tuileries, Paris (2012); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi / Punta della Dogana, Venice (2009); Château de Tokyo / Tokyo, Redux, Ile de Vassivière (2008); The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington DC (2006); 5 Milliards d'Années, Palais de Tokyo, Paris (2006); Whitney Biennial, Whitney Museum of Art, New York (2004); Terminal 5, JFK Airport, New York (2004).

In fact, Smith did not exhibit his sculpture in public until 1964, when he participated as a relatively unknown artist in the group art show «Black, White, and Gray» at the Wadsworth Atheneum in Hartford, Connecticut.

What we don't need in our public art is more bronze sculptures of the olden days.

His accumulations of untransformed materials are organized horizontally, forcing the viewers to look down, not straight ahead or even up, as colossal public sculpture forces them to do.

It will get the crowds, of course - everything in the Turbine Hall does - and some people will be so impressed by the size of the collection of public sculpture and the drama of the setting, so determined to enjoy the latest the 21st century has to offer, they will kid themselves it's worthwhile.

Kunsthalle Bielefeld, Bielefeld Easyfun - Ethereal Guggenheim Museum, New York 25th Sao Paulo Biennial, Sao Paulo Autour du Mondial Forum Grimaldi, Monaco; Gallery Hyunay and Chosun Ilbo Art Museum, Séoul La Part de l'autre Carré d'Art - Musée d'art Contemporain, Nîmes 2001 Jeff Koons Kunsthaus Bregenz, Bregenz (catalogue) Easyfun - Ethereal Fruitmarket Gallery, Edinburgh; Guggenheim Museum, Bilbao New Paintings Gagosian Gallery, Los Angeles 2000 Easyfun - Ethereal Deutsche Guggenheim, Berlin (catalogue) Puppy Rockefeller Center, New York (public sculpture) Split - Rocker Papal Palace, Avignon 1999 Easyfun Sonnabend Gallery, New York Jeff Koons, A Millennium Celebration Deste Foundation, Athens 1998 Jeff Koons: Encased Works Anthony d'Offay Gallery, London 1997 Puppy Guggenheim Museum, Bilbao [permanent exhibition]; Galerie Jérôme de Noirmont, Paris (catalogue) 1995 Puppy Museum of Contemporary Art, Sydney 1994 Jeff Koons: A Survey 1981 - 1994 Anthony d'Offay Gallery, London 1992 Jeff Koons Retrospective Stedelijk Museum, Amsterdam; traveled to: San Francisco Museum of Modern Art, San Francisco; Staatsgalerie Stuttgart, Stuttgart; Aarhus; Walker Art Center, Minneapolis (catalogue) 1991 Made in Heaven Galerie Max Hetzler, Cologne; traveled to: Sonnabend Gallery, New York; Galerie Lehmann, Lausanne; Christophe Van de Weghe, Brussels (catalogue) Galerie Lehmann, Lausanne Christophe Van de Weghe, Antwerp 1989 Jeff Koons - Nieuw Werk Galerie» T Venster, Rotterdamse Kunststichting, Rotterdam 1988 Jeff Koons: Works 1979 - 1988 Museum of Contemporary Art, Chicago Banality Galerie Max Hetzler, Cologne; Sonnabend Gallery, New York; Donald Young Gallery, Chicago 1987 The New: Encased Works 1981 - 1986 Daniel Weinberg Gallery, Los Angeles 1986 Luxury and Degradation Daniel Weinberg Gallery, Los Angeles International With Monument Gallery, New York 1985 Equilibrium International With Monument Gallery, New York Feature Gallery, Chicago 1980 The New (window installation at 65 Fifth Avenue) New Museum of Contemporary Art, New York

In 2005 Richter, in an interview by the German political magazine Spiegel, urged the citizens of Salzburg to «do something about» a sculpture by Markus Lüpertz, and described the work as expressing the deprivation of public art sponsorship in Germany.