So pretty much all the things that we are
doing, we are
doing ourselves, including photogrammetry, motion capture,
spatial sound
design, 3D modeling.
After studying industrial
design with Irene Aragão at the Pontifícia Universidade Católica
do Rio de Janeiro in Brazil, he continued his studies at Brown, focusing on learning curatorial practice with Mark Tribe and creative /
spatial dynamics with Ian Gonsher.
He continues: «Matisse's late work
does contribute quite prominently, if not iconically, to a certain strand in the conjunction of modernism and abstraction which blurs the distinction between art and
design, and more specifically between abstract painting and the decorative and applied arts... I've always considered Matisse's greatest contribution to art not his colour, which is undoubtedly exceptional, but his inventive painterly architectures reasserting what [painting]
does (what, in a way, it has always
done), what it delivers, by the act of continual reinvention; finding yet more new ways to keep it alive — and of course, keep it keenly separate from
design and the applied arts even when in the act of using elements of those very disciplines to elaborate and enrich the
spatial structures of his painting.»