Sentences with phrase «does this exhibition present»

At the end of each do it exhibition the presenting institution is obliged to destroy the artworks and the instructions from which they were created, thus removing the possibility that do it artworks can become standing exhibition pieces or fetishes.

Not exact matches

His article did add some interesting extra touches, such as an attempt to show that the solar corona at eclipse during the period was strongly suppressed compared with its present exhibition of major streamers.

Though Ghosts was presented in 3 - D for its IMAX exhibitions, the DVD does not attempt to duplicate the effects, so don't worry that the case is missing 3 - D glasses; they're not needed.

I want to use them for presents and maybe next time when I do an exhibition in the market house gallery (that is a Saturday morning only free space for Limerick Art Society members) I try the cushions there, too.

Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»

His 2015 exhibition at the Albright - Knox Art Gallery, Buffalo, presented a group of multicolored abstract paintings done in bubblegum, bridging the gap between Abstract Expressionism and sidewalk detritus.

SPANNING THREE GALLERY FLOORS, Chris Ofili's exhibition at the New Museum doesn't hold back, presenting his greatest hits and new works, fabulous canvases that refute any notion that painting is dead.

The exhibition contained 65 works and was presented in Galeries Nationales du Grand Palais, a prestigious space that was slowly becoming receptive to contemporary art.

This year 450 spaces representing thousands of artists will open their studios to the public, presenting everything from straight - up art exhibitions to musical performances — or just about anything the artist wants to do.

In doing so, the exhibition demonstrates the ways in which the past and present continually reshape each other, transcending geographic and social boundaries.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

Geraldine Swayne 27 February 2015 - 21 March 2015 We are excited to present our current exhibition, «What Do You Want...?»

Next, don't miss «New Land... New Life,» the stunning exhibition at Keith de Lellis Gallery, presenting vintage photographs by Marvin Koner documenting the migration of an Italian family to America — more now relevant than ever.

1980 - 1982 The Canadian Department of External Affairs presented the major retrospective exhibition Jean - Paul Riopelle: Painting 1946 - 1977, in collaboration with the Musée du Québec and the Musée national d'art moderne (Centre Georges - Pompidou, Paris).

The first two exhibitions I had at VAN HORN, back when it was an artists» space, were solo exhibitions of R. Crumb, and Rudolph Steiner — between those two very, very diverse aspects of how you can do something like present art [to a public], that was my statement.

Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse paintings from the 1960s.

The exhibition presents art from the collection of the Centro de Arte Dos de Mayo (CA2M) of the Regional Government of Madrid and ARCO Collection, Madrid.

Venues of recent group exhibitions include John Connelly Presents, New York, NY (2003); Hiromi Yoshii, Tokyo, Japan (2003); and Galerie du jour, agnès b., Paris, France (2003).

Tags: ceramics, chelsea, galleries meat packing district, ivy brown gallery, kenjiro Kitade Posted in Collecting Art, Exhibition, NYC Comments Off on Ivy Brown Gallery presents So do I

Corbett vs. Dempsey in Chicago present You Got ta Do What You Got ta Do, its first exhibition of new works by Joyce Pensato.

An exhibition entitled «The Lyrical Flight, Paris 1945 — 1956» (L'Envolée Lyrique, Paris 1945 — 1956), bringing together the works of 60 painters, was presented in Paris at the Musée du Luxembourg from April to August 2006 and included the most prominent painters of the movement: Georges Mathieu, Pierre Soulages, Gérard Schneider, Zao Wou - Ki, Albert Bitran, Serge Poliakoff.

Often, when art gets presented, the viewer doesn't get any hints from the curator; that information is the exhibition itself.

Corbett vs. Dempsey in Chicago present You Got ta Do What You Got ta Do, its first exhibition of new works by...

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

The artists in the exhibition, Tatsuya Higuchi, Takako Kimura, and Yuken Teruya do not attempt to present their works with grand gestures, but rather with a subtle and quiet yet at the same time powerful language.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

For example, while the press release presents «Proof» as «a three - person show featuring prints and artist's books made by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the exhibition checklist does not credit individual works to particular printers but, as is conventional, credits only the «artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.

Call it a retrospective at your peril: everything about the show, which presents Tillmans's output using a high - resolution digital camera since 2003, when he had a solo exhibition at Tate Britain, broadcasts his questing, restless desire to innovate and do things differently.

The artist has presented major solo exhibitions at numerous museums, including Museo Nacional Centro de Arte Reina Sofía, Madrid; Baltic Centre for Contemporary Art, Gateshead, United Kingdom; Yorkshire Sculpture Park, West Bretton, United Kingdom; Galerie Nationale du Jeu de Paume, Paris; Kunsthalle Mannheim, Germany; Institut Valencia d'Art Moderne, Valencia; Fundació Joan Miró, Barcelona; Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI; The Nasher Sculpture Center, Dallas, TX; and Espoo Museum of Modern Art, Helsinki, Finland.

Echoing the BnF French Landscape exhibition, which recounts 30 years of photographic missions on the national territory, the MuMa du Havre has chosen to present some of its photographic works, also part of public commissions.

His work was recently presented with solo exhibitions at Galerie Catherine Bastide (Berlin, 2011, 2009, 2008, 2005), the South London Gallery (England, 2012), breathing house at centre d'art du Parc Saint Léger, (France, 2012), Kunstverein Langenhagen (Germany, 2012), Gallery Michel Rein (Paris, 2010), no drama house, Galerie Giti Nourbakhsch, (Berlin, 2009), or the Museum of Contemporary Art Rochechouart (2008), as well as in group exhibitions as Melanchotopia to Witte de With (Rotterdam, 2011), Anfang gut.

Group exhibitions featuring his work include The Creative Act: Performance — Process — Presence, Guggenheim Abu Dhabi (2017); do it بالعربي, Sharjah Art Foundation (2016); 1980 — Today: Exhibitions in the United Arab Emirates, UAE Pavilion, 56th Venice Biennale (2015); Une Histoire: Art, Architecture and Design from the 1980s to the Present, Centre Georges Pompidou, Paris (2014); and ADACH Platform for Visual Arts, 53rd Venice Biennexhibitions featuring his work include The Creative Act: Performance — Process — Presence, Guggenheim Abu Dhabi (2017); do it بالعربي, Sharjah Art Foundation (2016); 1980 — Today: Exhibitions in the United Arab Emirates, UAE Pavilion, 56th Venice Biennale (2015); Une Histoire: Art, Architecture and Design from the 1980s to the Present, Centre Georges Pompidou, Paris (2014); and ADACH Platform for Visual Arts, 53rd Venice BiennExhibitions in the United Arab Emirates, UAE Pavilion, 56th Venice Biennale (2015); Une Histoire: Art, Architecture and Design from the 1980s to the Present, Centre Georges Pompidou, Paris (2014); and ADACH Platform for Visual Arts, 53rd Venice Biennale (2009).

Barbican Centre, London 10 October 2018 — 27 January 2019 The Barbican is doing away with the myth of the solitary artist genius and presenting an exhibition of the complex, supportive creative exchanges between fellow artists in intimate relationships of all shapes and sizes.

The Barnes Foundation, which began its special exhibition program in 2012, will for the first time tour exhibitions originated by the Foundation: Renoir: Father and Son / Painting and Cinema (at the Barnes May 6 — September 3, 2018), will be presented at the Musée de l'Orangerie (Paris); and Berthe Morisot, Woman Impressionist (at the Barnes October 20, 2018 — January 14, 2019), will be presented at the Musée national des beaux - arts du Québec, the Dallas Museum of Art, and the Musée d'Orsay (Paris).

Curated by Søren Grammel, exhibition focuses on the installation Frankfurter Block, [2016] 2014, 2012, an expansive and multifaceted project Mucha did not complete in its present form until two years ago.

Amelia Jones: «How do the feminist artistic practices of the 1960s and 1970s impact on our supposedly post-feminist present, a period in which women artists are woefully under - represented in gallery and museum exhibitions?

Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.

There's a persistent interest, I think, in giving a context for this material, as when Lynne did this exhibition with Rosemarie Trockel that came to the New Museum here, where it was juxtaposed with the work of someone like Judith Scott, who I presented here at White Columns before I co-curated her retrospective at the Brooklyn Museum.

The Chicago Artists Coalition is pleased to present Do Something Else, a solo exhibition of new works by BOLT Artist - in - Residence, Brent Fogt.

The Chicago Artists Coalition is pleased to present Gods Do Handstands; Spices Simmer, a solo exhibition by BOLT Resident, Kaveri Raina.

Goodman Gallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional materials.

In 2014, Markiewicz was invited to spend two months residing at the Biermans - Lapôtre Foundation in Paris where he prepared his solo exhibition «Le Retour du Plombier Polonais,» presented at Centre d'art Nei Liicht in Dudelange and produced the first part of his docu - fiction film project Low Cost Symphony with the actors Luc Schiltz and Laure Roldan.

Pace is pleased to present Song Dong Doing Nothing, a two - venue exhibition surveying twenty years of work by the Chinese artist Song Dong.

korean artist do ho suh presents his first solo exhibition at lehmann maupin gallery in hong kong, a site - specific installation of sculptural artworks.

SARDINE is very pleased to present a solo exhibition of new work called Leaves Don't Thank the Sun by Kyle Vu - Dunn.

In the exhibition, Tate presents iconoclasm as largely a historical phenomenon, but in doing so overlooks acts of image - breaking that are taking place all too frequently today both outside and inside the gallery.

My biggest challenge was how does one present an artist like Sherman, who is so influential and well known, and make an exciting and new exhibition?

In his first solo exhibition with Sardine Gallery, Kyle Vu - Dunn will present «Leaves Don't Thank the Sun,» featuring new work by the artist.

In conjunction with the exhibition Otherwise, you don't see me, SOHO20 is pleased to present an event hosted by participating artist, Baseera Khan.

The San Francisco Art Institute (SFAI) is proud to present the first West Coast survey exhibition of Gutai (1954 — 1972), a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»