I had been
doing abstract works for a long time and began to go to these workshops which introduced me to an idea of a spontaneous, intuitive way of painting.
After
doing those abstract works the first figurative painting I did was called A Portrait of the Artist as a Shadow of His Former Self.
When he first came on the scene here, the artists
doing the abstract work, they resented him.
She has primarily
done abstract work ever since.
They didn't understand why
I do abstract works.
I'm only
doing abstract work, because I don't want to touch it,»» says Marty Schnapf while walking me through his recent solo show «Fissures in the Fold» at Wilding Cran Gallery in Los Angeles.
Not exact matches
«I want to take all the process
work, all the paper, the dribble, off someone's plate so they can
do more decision making and, ultimately, more
abstract problem solving.»
For the fundamental import of the Aristotelian energeia is not a mere
abstract «state of being in
work,» but that the entity in question is that which inherently has the driving, the moving impulse; it is that which has the power, force, to initiate the
work, the
doing; it is that which is the primary spring, or source of the
doing.
Then too, while the word «act» as a philosophical technical term refers primarily, as I have indicated, to the «
doing,» «moving,» «
working,» of an entity which has the inherent power and is the spring or source of that «
doing» or «moving,» the word is readily used in an
abstract sense, and also derivatively as pertaining to other than these entities.
While I suspect you agree with synergistic balance in
doing evangelism and good
works, it
does not come through in what you say in your book
abstract from your new e-book above.
Among the philosophers whose
works contain the seeds of this dichotomy is David Hume: «If we take in our hand any volume» of divinity or school metaphysics, for instance» let us ask,
Does it contain any
abstract reasoning concerning quantity or number?
It is true that in «A Whiteheadian Christology» my discussion of the human is very
abstract, but I
do not see that this criticism applies to my major
work in anthropology, The Structure of Christian Existence.
«To excite them about the
work they are
doing I may encourage a postdoc to submit an
abstract and attend a conference or to talk to a guest speaker and go out for dinner,» says Gamero.
How
do these
abstract mathematical relationships produce
works of art?
«That is what we call
working memory representations or short - term memory representations — they are
abstract, they are imaginary and they don't exist in reality, but in our minds.
This doesn't necessarily tell us much about the more
abstract work of Rothko, Pollock or Mondrian, since these artists
do not offer even the merest glimpse of a recognisable object for the brain to latch on to.
This is why the application of spatial and navigational memory to retain more
abstract information
works so well - and why there's potential for all of us to remember a whole lot more than we already
do.
One surefire combination: «Florals and animal prints
work very well together, but you could also
do an
abstract ink - blot print.»
And like a gallery wall, you can
do a mix of photography prints,
abstracts, and typographic art... If the thought of accumulating enough framed pieces to pull off the look scares you, just take it one piece at a time (like the last photo), start out symmetrically (like the first photo) and
work your way ledges and large groupings (all the photos in between!).
There are times when I already feel like I'm wearing the same things over and over — in an obviously repetitive way — and while no one at
work has commented on it (or, I expect, noticed it), I just don't feel inclined to take chances for the sake of some
abstract goal.
Tokyo Police Club's signature sound, the niche that they carved out for themselves in a constantly fluctuating music scene (an emphasis on rhythm and
abstract, maze - like lyrics with real emotion at their center) is almost completely gone, replaced by a rabid pop sensibility that sometimes
works and sometimes really, really doesn't.
I was very skeptical because so much of Duras's sad, beautiful
work is often too
abstract, contradictory, ambiguous, and yet Annaud
did manage to make episodes linear, comprehensible, but not trivial.
The actors, fearless and fierce,
do exceptional
work to convert the
abstract idea of slavery into concrete shape and form.
I am sure I am not alone in that I spend far more time watching
abstract films and short experimental videos than I
do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily
work in feature films; but instead
work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.
In
abstract, I consider volunteerism is the act or practice of
doing volunteer
work in community services.
Working with a student with a learning disability
does not affect a teacher's ability to read, nor
does teaching a student with mental retardation affect one's ability to think in
abstract terms.
Teachers who use applied - learning techniques don't need to
work so hard to motivate students since the curriculum is no longer
abstract, meaningless, and disconnected from their experience.
Then, some of the
work I've
done looking at input to toddlers and preschoolers has built off of [Professor] Catherine Snow's previous research with the Home School Study of Language and Literacy Development to show that using rare or sophisticated vocabulary words and using talk that is
abstract or beyond the here and now is very helpful at these ages.
problem solving, classifying and categorizing information,
working with
abstract concepts to figure out the relationship of each to the other, handling long chains of reason to make local progressions,
doing controlled experiments, questioning and wondering about natural events, performing complex mathematical calculations,
working with geometric shapes
If you pick a simple,
abstract, one word title that doesn't say anything about the type of book or story, the cover art has to
do all the
work.
Point being, if your not willing to go all out on something, or at the very least explain viably why feature / whatever X was removed, then that gives users an opening to discredit your
work (that is a special layer of interface they don't teach you about in «tech school» Think of it as
abstract layer 8b «Or is it 7b?
What the XRGB Mini helps facilitate, and what it's helped me experience first hand, is that the
work of generations past doesn't just inform what's being made today in a distant and
abstract way.
In 1995 I
did a series called «A Song for My Mother,» where I finally felt I'd successfully integrated the figure and the
abstract in my
work.
Einspruch also notes that the murals «were
worked up from sketches in gouache on colored paper [that] reveal a kind of premeditation that we don't always associate with the giants of
abstract expressionism.»
So how
did the Skylight, located inside the James A. Farley post office, end up with
works like Tracey Emin and Louise Bourgeois's
abstract watercolor painting And so I kissed you, whereas NeueHouse was allotted the likes of Nobuyoshi Araki's photos of hentai bondage?
Am an artist of both realistic and
abstract, i really love my
work and some people say that my
work is great, i have
done many projects but i have failed to earn enough from it, what should i
do?
After seeing hundreds of shops and meeting thousands of people on this journey, I have all the confidence in the world that letterpress printing will remain a viable art form; I'm especially thrilled by people who are
doing experimental and
abstract work - those novel ways of
working with the medium are what will carry it into the future and keep the art form vibrant.
I
did that for many years but then wanted to let the
work break open and not be as controlled so for the next several years I
did large
abstract paintings that I couldn't fully explain but were very freeing.
«We are privileged to showcase
work from the extraordinary collection assembled by Preston and Joan Haskell through this exhibition and publication, and in
doing so, we are asking our audiences to consider
abstract painting in a new light.»
But my
work is non-objective, so what I'm really trying to
do is different than Pollock or the
abstract expressionists, who were expressing; they were expressionists.
For her exhibition with Gavlak Gallery, Tompkins is showing
works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more
abstract manner recall Courbet's «L'Origine
du Monde».
In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape paintings, which don't present landscapes so much as a kind of floating
abstract world reminiscent of the
work of the Chilean modernist, Roberto Matta, in their atmospheric effect.
Most of her
work is
done in the
abstract concentrating on the inspirational theme.
Conversely, one of the advantages of
abstract sculpture is that it
does not impose itself in this way: it demands and rewards a different, more considered, more open - ended form of contemplation (an exception to this is the vertical monolith, one of most venerable forms of
abstract sculpture and seen in City Sculpture Project in the
work of Peter Hide (b1944), Bernard Schottlander (1924 - 99), Kenneth Martin (1905 - 84) and Liliane Lijn (b1939)-RRB-.
You would be forgiven for missing it — Harris Lindsay
does not possess a shopfront, and, picking one's way through a beautiful assortment of antiques, it seems unlikely that a collection of Jaray's minimalist
abstract works lies in wait.
RD: And this
worked the other way around, too, and when I
did abstract painting again, I, a good many times I [thought, when] I was going back to representation....
He doesn't display his
work at home, preferring to hang canvases by fellow
abstract painters Kenneth Noland and Jules Olitski in his living room.
And I should have known, because I had been an
abstract painter before, but it didn't
work that way.
I don't know if it is an appropriate way to look at or experience
abstract sculpture but I felt there was a sense of movement when I saw Mark's two
works discussed here.
Your
work successfully merges
abstract and representational forms —
do you look at source material or references when you create a composition?