Sentences with phrase «doing more conceptual»

Not exact matches

Not only does this make your advertising more effective; it also makes the conceptual process easier.

Until these external pressures became strong, our social location in the departmentalized university had more effect upon our way of working than did the conceptual models with which we worked!

Although Brown does not uncritically agree with everything said by theologians of liberation, he presents his form of process theology more as a supplementation and conceptual grounding of their insights than as expressing a different understanding of the theological task.

Although Whitehead never credits Bergson explicitly with these insights, it is clear that thinkers within a process framework are the ones who are obliged to come up with a solution to this sort of problem, while more traditional thinkers do not often or ever worry about the ways in which the intellect distorts reality by subsuming it in a spatialized conceptual scheme, or how the concrete process of thinking is distinct from thought.

Browning does not attempt to work through many of the systemic and conceptual problems generated by his project, and in this respect his book is more exploratory than definitive.

The opposition is between the view that the further back you go, you go to more and more rudimentary judgements and the view that there is a real difference between perception and thought; and also that you don't in perception come down to a (Kantian) inchoate manifold which you work up with conceptual schemes, but that you come down to something given in sense - awareness about which you can say a great deal more than that.

Indeed, if we remember the distinction between pure and hybrid prehensions, it is «more natural» to require mediated objectification only for the physical poles of occasions) 1 «For the conceptual pole does not share in the coordinate divisibility of the physical pole, and the extensive continuum is derived from this coordinate divisibility» (PR 469).

Hillis: But I think, you know, tying it to back to the whole computer thing, the idea of having conceptual systems that really are well thought out, so they're simple and easy to understand, so you don't have all these configurational problems that happen when you start combining them all together; because then it all of a sudden becomes more like a weather pattern: very unpredictable.

Even more importantly for the two researchers and their colleagues around the world: they did not find any conceptual errors in the models.

Sara Brownell, an assistant professor with the school and senior author of the study, said there is a national movement to create biology tests that are more cognitively challenging, as these types of tests can improve students» conceptual understanding of biology; however, doing so may harm the very students they are trying to help.

During the last 20 years, there hasn't been a shortage of proposed mission concepts by NASA that called for a more detailed exploration of this distant world and, sadly, didn't advance beyond their conceptual phase, mostly due to budgetary constrains.

Sublimely trashy, this conceptual sequel to 1997's surprise hit, «Anaconda,» doesn't expect to be taken any more seriously than its schlock predecessor, and keeps its tongue - in - cheek thrills flowing rapidly.

It's here where you realize that the game and the characters don't go anywhere interesting and it becomes even more apparent that the movie is a conceptual disaster.

The study, by Jo Boaler, now a professor of education at Stanford University, found that students at the project - based school did better than those at the more traditional school both on math problems requiring analytical or conceptual thought and on those considered rote, that is, those requiring memory of a rule or formula.

But behind those questions lurks a more conceptual one: In terms of overall execution, how do the exams crafted by the two main state testing coalitions — the Smarter Balanced Assessment Consortium and the Partnership for the Assessment of Readiness for College and Careers, or PARCC — stack...

Also, new tests seem to have applied some lessons from the previous generation — they are more comprehensive in their coverage and do a better job at assessing deeper conceptual understanding than previous renditions.

The conceptual videos that Microsoft have shared with the world are hugely impressive, but perhaps more importantly the hands on feedback from journalists that were invited to Microsoft's labs indicate that these videos are a pretty accurate representation of the what the device can do.

I definitely feel like sound is something that people don't talk about because it's more conceptual than concrete.

as for the wii u, id say that its not doing well bc A) there really isnt any software for it and B) the innovations with the wii u are more conceptual than the wiis and harder to grasp at sight

As I became more exposed to conceptual practice, I realized I don't necessarily need to be the creator of an image to be the employer of an image.

Interacting with the other pieces in the collection requires a more conceptual, abstracted approach — like the cryptically simplistic Thumbnail # 6 (2012), by Ron Ewert, a white background interrupted by cartoonish squiggles, and Elijah Burgher's intricate, multi-colored Don't confuse trust and control (2013), which leads the eyes towards all corners of the piece in maze - like fashion.

However, these pieces all followed the conceptual lead of his earlier works, although they did use a lot more colors than their predecessors.

She has interviewed all kinds of artists, thinkers, do - ers and creative types that run the gamut of inspired expression; people like performance artist Marina Abramovic, cognitive psychologist Steven Pinker, SVA faculty member and acting chair of the board Milton Glaser, renowned thinker Malcolm Gladwell, Obey Giant creator Shepard Fairey, conceptual artist and collagist Barbara Kruger, Dresden Dolls musician and singer Amanda Palmer, author Alain de Botton and hundreds more.

The artist's approach to abstraction is not a conceptual or analytical exercise, but a life - affirming method of communication with the viewer, each brush stroke containing much more than just visual information: «Paint strokes do a number of things, but they do not simply describe the form in my work: they affirm the human spirit, the involvement of the human spirit» (S. Scully, Resistance and Persistence: Selected Writings, London, 2006, p. 25).

Around 2000, as time passed, I started to do more solo shows, and I came up with a lot of conceptual shows that were more about «the rule of the game,» and time - based exhibitions too, like «Do It» and «Cities on the Move,» co-curated with Hou Hanrdo more solo shows, and I came up with a lot of conceptual shows that were more about «the rule of the game,» and time - based exhibitions too, like «Do It» and «Cities on the Move,» co-curated with Hou HanrDo It» and «Cities on the Move,» co-curated with Hou Hanru.

Now, if the New York trip doesn't pan out next week, I'll just go luxuriate some more in the slow - cooked pleasures of Georges Braque: A Retrospective at the Museum of Fine Arts, Houston — the only U.S. venue — and the myriad conceptual riddles of Magritte: The Mystery of the Ordinary, 1926 - 1938, which the Menil Collection co-organized with the Museum of Modern Art and the Art Institute of Chicago and is supplementing with its exclusive, collection - based Memories of a Voyage: The Late Work of René Magritte.

It's more about a conceptual practice that exists in a misty middle ground between art and architecture — think of Snarkitecture, among many others, doing fascinating work in this zone.

The art world was opening up from the more doctrinaire late -»60s - early -»70s thing, where you had to be much tougher, and do prescribed minimal conceptual art.

How do these twelve artists — six from the HATCH residency program plus six more curated in — each individually maneuver within the interdisciplinary language of contemporary art towards shared thematic orientations or conceptual frameworks?

Pure abstraction suffers from its association to «Zombie Formalism,» what the painter and critic Walter Robinson called abstraction made to feed the market, while the bulk of contemporary figurative painting does little more than illustrate the conceptual and / or political leanings of the artist.

This is more of a conceptual question, but I was watching your Notes on Gesture video, and it occurred to me that you can see some of the same repetitions in publishing as you do in social gestures.

While the mussel has its place in the history of conceptual art in the work of Marcel Broodthaers, here it more closely relates to the a territory announced by the exhibition's title, a quote from Gio Ponti's In Praise of Architecture that translates to «Sculpture that is not a shell does not sing.»

Conceptual artist John Baldessari recently conducted an interview with NPR, making us love the Santa Claus of contemporary art even more than we already do.

Ms. Charlesworth was born in East Orange, N.J. in 1947, and graduated from New York's Barnard College in 1969, where she studied with Douglas Huebler, the conceptual artist who famously stated, «The world is full of objects, more or less interesting; I do not wish to add any more.»

At this time he began using photographs, both found and created, as source material for his paintings, which he has continued to do throughout his career, in tandem with more abstract and conceptual works.

Community artists joined ASU alumni and graduate students for a group exhibition that used «the visual, conceptual, and material language of the office place» to explore the relationships between being and doing, art and life, and more.

Rather than focus on some overarching political or philosophical theme as most group shows tend to do, Visible Range on view at Deli Gallery in Queens chooses a more lighthearted conceptual focus; rainbows.

People like Chuck Close, Brice Marden, Bob Mangold, Bob Ryman, and Agnes Martin didn't really have the attention that the more conceptual artists had.

As a new exhibition, Christopher Williams: The Production Line of Happiness, at the Museum of Modern Art in New York suggests, perhaps no artist has done more over the last 30 years to explore the specific «social relations among people» that our image culture and media embody and conceal than the American - born and Düsseldorf - based conceptual artist Christopher Williams (b. 1956).

By integrating painting — a traditional form — with a more improvisational and conceptual contemporary sensibility, Casualism presents a principled alternative that stretches, even distorts, traditional boundaries but does not ignore them.

So that it shows that there is this more complex story, that as much as we might like to think otherwise, even Conceptual art didn't completely vanquish the object.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Today, data is commonly used as raw material for artists, and the artists in this exhibition do more than merely turn data into visual work — they reshape it, both in form and function — to create compelling conceptual artworks that materialize the Internet.

Her quotations are notable for going beyond mere one - liner mimicry or conceptual appropriation; they radically de-Europeanize and contemporize their sources, as Roy Lichtenstein did with his Pop Art versions of Matisse's «Dance,» only more so.

For me it was like taking the Conceptual Art motto of Douglas Huebler, «The world is full of objects, more or less interesting, I do not wish to add any more», and using it towards a different end - like a Pop artist gone Conceptual.

If there are common threads between the works being created in his studio, aside from Adams's formal consideration of color and geometric form, it's the art's conceptual point: the black body can do more in contemporary art than signify struggle.

This depersonalization and mechanization of art's form and content did more than simply complicate the claims of authorship and authenticity so dear to high modernist aesthetics; it inserted the idea of the multiple into the once autonomous space of the unique, and introduced the plural into the singular in a way that dramatically impacted our conceptual appreciation of these binary terms.

Tomaselli: To me, there is not a substantial difference between what many sophisticated conceptual artists do in order to bring a more palpable vivid imagery into the world, and say, a person considered an «outsider artist.»

Because before when I didn't care as much about the materials, when I was more of a conceptual artist, I was interested in the idea, and the end product.

Another Times columnist comments that the shortlist «puts craftsman - like skills over conceptual waffle,» thereby knocking back 600 or so years of artists trying to do more or less the exact opposite in one fell swoop.