Sentences with phrase «doing smaller edits»

If you want to modify the files later (something simple like correct a typo or change the backmatter), learn how to use the epub editor Sigil well enough to do those small edits (it's not hard).

Either way, if you want to modify the files later, learn how to use the epub editor Sigil well enough to do those small edits (it's not hard).

Not exact matches

We're a do - it - yourself iPhone, iPad, Android & HTML5 app platform that allows any small business to simultaneously create, edit, and manage mobile apps without any programming knowledge needed.

According to Goetsch, a small businessperson could do everything themselves with an existing computer, $ 20 headset, free software for audio editing and creating a podcast, and host it on their existing website.

I had a very small portion of those words carefully edited to go along with today's post and then, five minutes ago, I deleted the entire thing because I was terrified that my words might make someone feel equally as shitty as I do right now.

Emily spends more time playing with her sons Sebastian and Walter than she does working on her in - progress novel and editing photos, but since children are only small once, she's willing to let everything else slide.

All I am suggesting is a small edit, I don't see why this should lead to a long argument or why I should refrain from making any suggestion because I don't know enough to fully answer the question.

Haven't watched the Borgias yet, but it's on the list... Used to love wearing florals but have edited them into smaller and smaller corners of my wardrobe — that scarf would definitely do the trick!

In all the years that I've edited kic, I don't think I've ever posted a summer must - haves collage without including a straw market basket — I even give the small ones as hostess gifts.

Felix Thompson's writing and editing feature debut King Jack has the kind of bare - bones plot that inspires potential audiences to think «been - there - done - that»: The film focuses on lonely, weedy small - town 15 - year - old Jack (Charlie Plummer), who's trying to dodge bullies and his overbearing big brother, and carve out a little emotional satisfaction in his barren world.

I was lucky because the first films I made were so small and so D.I.Y. that everyone did everything, so if I wasn't acting in a scene, or writing the next scene we were shooting, I was holding a boom or a camera, and sitting and working on the editing at night.

Resources include: Flash Cards for display and matching pairs activity (inc word document so that you can edit) Matching vocab and picture worksheet Fill in the correct transport worksheet Transport wordsearch Transport «Squares Game» Lesson Plan The objectives of this lesson are: By the end of the session most children will: • Be learning to use «I go by... (train, bus etc) • Be able identify some words for various forms of transport • Start to answer questions in French about different types of transport The planning is fairly flexible you can spend longer on some parts than others, do activities as a whole class or print multiple resources and work as smaller groups - whatever works for your group of children!

Resources include: Flash Cards for display and matching pairs activity (inc word document so that you can edit) Matching vocab and picture worksheet Filling in the missing menu items worksheet Food wordsearch Lesson Plan The objectives of this lesson are: By the end of the session most children will: • Be learning to use «I would like» • Answer what would you like with a food item in French • begin to learn a range of foods The planning is fairly flexible you can spend longer on some parts than others, do activities as a whole class or print multiple resources and work as smaller groups - whatever works for your group of children!

It does a decent job at it too, with support for in - session collaboration, handouts (of course material), breakout sessions (allowing a larger training session to spin - off into smaller groups), shared videos, and collaborating document editing.

If you make a few small errors, don't worry — these can be edited later.

Not only do the Big Six still produce some of the finest books in the world, but thousands of legitimate, well - edited small publishers exist, in all genres.

(I seldom did, with 12 books by major publishers... never any publicity, little editing, very little money over the small advance, sigh.)

Part of the stigma grew from the fact that vanity - published books were not vetted by the gatekeepers at a publishing house — whether large or small — and therefore did not benefit from editing, professional cover design, typesetting, and marketing.

I categorically don't include «diamonds in the rough» in the crap category, and in fact, I have personally professionally edited over two million words of novels and significantly improved those works — and no small percentage were publish - poor indeed prior to the polish.

Many editors will flag POV errors or small scale showing vs. telling during a line edit, but they will not do it to the degree that a developmental edit does.

Small publishers who do edit, print, market, and do all the other things that traditional publishers do, don't pay advances, but do pay royalties.

Although I don't like editing in Times New Roman (the punctuation is too small), so I set it in Tahoma.

Don't skimp on the polish: Regardless of your publication goals, have the line - edited manuscript copy edited; proofreading may be optional for pursuing an agent or small press if you've had a good line and copy edit.

That means all the stuff a publishing house would normally do for you — from small things like proofreading and line editing to bigger things like design, publicity, promotion, and getting your book on the shelves in brick - and - mortar stores — that's all gonna be on you.

You can't have too many eyes looking at a book and yes, small presses will do editing, but I would also have a friend or three pore over the manuscript looking for typos.

I am still in the industry, doing freelance editing, typesetting, cover design, web design and e-book creation for self - publishers and small presses.

We find small errors all the time, but the main criticism I see about ebooks is that they are poorly edited or that the author didn't pay attention to his own details.

Frankly, I see a lot more «good» writing and editing coming out of indie and small press books right now than I do the stuff coming from legacy publishers.

support all authors whether they are self - published, used a subsidy press, or were published by a small, medium, or large traditional publisher - but, please, please, be sure your book is edited professionally (and that doesn't mean spell - check, it means a professional editor)

Having done final, final, final edits for my agent on my latest novel (all smiles here on that front — and no small measure of relief!)

Doing otherwise shows your lack of interest and attention to small details, which are likely to make the agent think you will have the same approach to editing your novel and thus be a project client with little reward.

However, I just got back a set of edit notes on a work going through a small e-press and I'll be damned if the editor didn't ferret out a writing tic that I didn't even know I had.

Yes, I know many freelance editors offer sample edits of small bits of something, but many (pro or not) don't, and apart from referrals from writer friends who are successfully (And PROFESSIONALLY) published, whether indie or traditional, I wish there was a Writer's Digest Guide to Freelance Editors, that would help narrow it down some, and if anyone who works at or has connections to «Writer's Digest» I think it's time to add that to your anual roster of guides.

But the smaller, focused edits don't matter if the story itself is weak or nonsensical, if the characters aren't well - developed or consistent, or if the pacing is slow and riddled with tangents.

This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?

I'm quite happy to edit or proof a small sample free of charge (and with no obligation) so you can see what I can do.

I was just talking with an author this weekend who's been with both small & large publishers, and she said the small publisher actually did a far more thorough job w / editing that big pub imprint.

Both of the small publishers I've worked with also do mutliple layers of editing.

I typically don't like using spreadsheets on a small screen, but technically you can open and edit them too.

Question: Do these small publishers provide the editing services for the MS?

Aside from editing costs, formatting and professional cover design (I would do all these things with or without a print edition), my costs are very small.

And don't forget there are wonderful small digital publishers like mine who pay great royalties and take all the financial risk by providing cover design, editing, formatting and even some marketing.

I could write over 1,000 words regarding the original Outcast and how it came to be (which I did before editing it out) but I think I'll save that, possibly for another day, as it's quite interesting and goes into detail on how a small unknown game became a cult classic.

To complete the game you need to collect [EDIT: 70 out of 120 possible stars] in the game, (although there is a small speed - running niche that does all 120 star completions) so the first step for any speed - runner is to map out their path.

please show us some trailer or gameplay at TGS:D:D just a small edit @killzoner99 ^ ^ dude you're a super butthurt not just just a butthurt, how do you compare an open world game that plays like witcher to an FPS like TF?!?!?!?!!?!?!?!?!?!?!?!?!?!

Small and Personal and Tranquil is a short documentary filmed during the 2017 Creative Coast Festival, written, directed and edited by Bram Ruiter, and examines a festival in Sweden that's doing things a little bit differently:

Artists» Sessions at Studio 35 (1950) and Subject Matter of the Artist: Writings by Robert Goodnough, 1950 — 1965, edited by Helen A. Harrison (Soberscove Press booth)($ 10 each)-- Reprints of two classic books documenting the world of the New York School of art, the Chicago - based Soberscove Press has done us all a favor by making these small books available to a wider public.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

Our clients tell us that 98 % of the documents they create require no editing and, for the small proportion that do, changes are managed through the controlled edit function.

However, that legal writing centers may in part draw upon positivist theory does not mean that they should be the remedial writing centers that appeared in universities in the 1940s and 1950s.91 Nor should the law school writing center be offered as a proofreading, cite - checking, or line - editing service for students; though tutors can provide generalized feedback and answer questions on issues of small - scale organization such as sentence structure and word choice, legal writers must be responsible for the polishing of their own documents, for both professional and ethical reasons.