Sentences with phrase «doing studio shots»

As everybody is doing studio shots this season, it's good to finally see that done right!»

Not exact matches

Thank you for not doing some big studio shoot for the book.

The quilts that are so near and dear to my heart sadly missed out on a good and proper photo shoot as well, though I did manage to snap this one only in my studio before they went to the gallery.

If you don't want to stick around for the shoot, you will need to arrange for your products to be sent to the studio and collected or returned after the shoot, along with instructions about how you would like your products photographed.

Style: Do you want posed studio photos or more lifestyle shots?

The censors didn't wait to hear the rest of the offending sentence — «not just with missiles and tanks, but with sturdy alliances and enduring convictions» and proceeded to mute the Chinese interpreter, abandon the shot of the U.S. Capitol and seek refuge with a flustered studio anchor.

But the subsidies covering other costs make it easier for the films» studios to pay the actors and directors, and Nixon didn't even have to leave her hometown to shoot.

The studio will do traditional shooting, both at the DeWitt site and around the area, said Johnson, who has visited the Syracuse area four times this year.

So we used this abandoned photography studio for the shots in todays and yesterdays photo shoots to do photos.

We are always shooting indoors in a tiny studio, so being outside and doing our thing was great.

With the best shoot location i.e. Mehboob studio, to the super team consisting of «the» Atul Kasbekar behind the camera, stylist Chandini Sareen and our beloved Elton Fernandez doing our makeup, I had everything what I could wish for.

You don't want to look like you've tried too hard either, so head outdoors and avoid studio shots.

The main image is your front line fighter so why don't you visit a photo studio and do a professional photo shoot just for this purpose?

Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.

The script supervisor (Seth Rogen, in a wonderful supporting role) doesn't understand why he chooses to shoot on an alley set made to look exactly like the real alley right outside the studio.

At least that's what I assume, maybe I'm wrong, because the studio seems to think that what we want are shots of Ana in various states of undress, which I'm all for, but I also don't think that's a great base for a film.

«Star Wars» Sequel: All six previous «Star Wars» film have shot some scenes at U.K. studios, but almost all of the production on J.J. Abrams» upcoming sequel will be done in the country, including the visual - effects work.

I read somewhere that the studio didn't want to shoot the draft with the box, and David Fincher didn't want to shoot anything but.

He even said that he preferred it when the studio dropped a script off on his lawn the morning after he finished shooting the last one, a joke that didn't stray far from the truth.

We break down those nine big deals and handicap how they'll pan out — or at least what studios will need to do to give them the best shot of succeeding.

Considering that this photo shoot was meant mostly for superheroes, it would be strange for the studio to include villains, but that's exactly what they did.

What is making the headlines today is ALL THE MONEY IN THE WORLD, you are all aware of the sexual accusation around Kevin Spacey, Ridley Scott decided to reshoot all the scenes of Spacey with another actor, Christopher Plummer who was the first choice of the director but the studio executives wanted a bigger name, Plummer should shoot his scenes in the comming weeks, it looks like they want to keep the december release date, and Michelle and Mark Whalberg are expected to do some reshoots, i don't think michelle began working on Venom yet, it's crazy but i think Ridley is right to cut out Spacey of his film.

What do you do when the studio demands you take a break between the shooting and the editing of a huge superhero franchise movie?

Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on location shooting, use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.

The studio backed out, though, and the only other one who would bite with a budget of $ 70 million wanted Rodriguez to shoot the R - rated film in Germany, which he refused to do, effectively killing the remake plans.

on a subject of directors that need another shot: john mctiernan, hopefully when he gets out from prison, will be able to do another movie... btw verhoeven got fed up in states so he went back to holland, he wrote and published a book about jesus and i think he would love to make a movie about it, but do nt think that any studio would put money in it...

Fox, often a genre - friendly studio, have a few pictures which are kinda - sorta aiming for the Comic - Con crowd — the underpromoted «The Watch,» which opens two weeks later, plus «Taken 2,» «Life Of Pi,» the animated «Epic» and «Machete Kills» further down the line — but with «The Wolverine» only shooting right before the event, and the «X-Men First Class» sequel not shooting until next year, they don't really have the kind of big draw movie they've had in the past.

«The Wolverine» is already shooting so we're not sure when consulting he could have left do on that one, though he's obviously close to Matthew Vaughn (the director was eyeing two Millar adaptations to direct last fall — «Superior» and «The Secret Service» — which just happen to be set up at the studio along with «Nemesis «-RRB- so we presume they'll collaborate in some capacity on the «X-Men: Days of Future Past,» which shoots next year.

Similarly, Sam Mendes mostly made studio pictures, even if the low - budget «Away We Go» was the film he did before «Skyfall,» and Chris Weitz shot mostly within the studio system before «The Golden Compass.»

This short segment (most of which was taped in Massachusetts, before I was brought into New York to do an in - studio shoot), combined with the New York segment in which I appeared, was nationally syndicated by Harpo Productions from coast to coast at various times of the day on Friday, October 4.

Seeing folk's eyes light up when I tell them that I was a former physique model who shot with the photographer who did Michael Bergin's first shoot — in the same studio — or that I'm a meteorologist by schooling, or that I faced 3 future NBA players during my days on the basketball court, that's kinda fun.

The Motion Shoot Come on over to our high - tech motion capture studio and we'll put YOU (yes, physically you) in the game, doing an animation for an attack or special skill.

Citing Nintendo, and the Wii in particular, as an example of design in games prevailing over big budget graphics, Spector said he was «a little worried» that «once we can do Pixar - quality graphics rendered in real time with interactivity», development costs may shoot over the $ 200 million mark, with a greater emphasis on landslide sales to earn that money back, something that only a small handful of studios will be able to achieve.

I agree, I hope hyper dbz gives them verification that there are still 2d fans, and begin making a game to specifically cater to them, variety is always good if done well, and i think all fans would be satisfied with a game similar to burst limit (just with more content, and a fighting system overhaul) if they gave it a chance, though i think they should give another studio a shot so we can get something new and innovative, its selfish of me but with what i've seen of xv I want dimps to stay with 3d for the next few years, or however long it would take o make xv2 (I assume that they're approaching the content grouping like the heroes games, dbz then db / non canon)

What that demo did show us — fast - paced shooting, explosive action, silky smooth 60 fps visuals, experience points and responsive controls — are exactly what I expected from the studio founded by the people who made Call of Duty the biggest game on earth.

I struggle talking about this because I don't want to shoot down other people's readings of my work, because I think they are valid and important, but it is not what I think about in my day to day studio experience.

Additionally, it is the first work in which he doesn't himself perform and it's the first time that he has shot entirely in the studio.

This too leaves her open to accusations of aesthetic nostalgia, but after nearly two decades of making films Dean is presumably past caring; the rhythms of shooting, processing, laborious sound design and film editing (done by Dean herself on an old Steenbeck at her Berlin studio) are part of an artistic practice that has a relentless coherence.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

At the time, Sultan was deep in the creation of The Valley and didn't want to lose momentum, telling Wallpaper he would agree to the shoot only if he could photograph the furniture at Vivid Entertainment, an adult film studio where he had been photographing intermittently.

Now I'm doing still lifes, so I only shoot sets I build in the studio and things I sometimes direct or stage outside.

If you thought that portrait shots looked a little artificial then these are even more so, but they're well done within the constraints of, you know, not actually having a photo studio and # 1000 of lights!

After we're done shooting the room makeover segment, we'll head to the CBN studio to film the Christmas segment.

The only thing I don't like is that I have no usable natural light so all shoots are now done with studio lighting....

If you don't happen to have an all white room at your house, for less than the price of a photographer, you can rent out a photo studio and either talk a friend into snapping some photos or do what we did and shoot yourselves with a timer and tri-pod (sure did make for some funny candid moments).