The point for us is not to be so sure that
the dominant image of the world given to us by the science of the past, which is called the modern worldview, is a picture of the real world.
Not exact matches
This
image, radical as it may seem (in light
of the
dominant metaphor
of a king to his realm) for imagining the relationship between God and the
world, is a very old one with roots in Stoicism and elliptically in the Hebrew Scriptures.
It's more necessary, because we live in a
world in which
image production is the
dominant activity and the quantity
of images you see really does matter.
Back in December, I wrote an article in which I suggested that, after a number
of years in which abstraction has been the
dominant mode
of painting in the «contemporary art
world,» we might start to see an upswing in
image - based painting.
The resulting volume (to be released in fall 2017) offers a resource for students, scholars, or any engaged reader, to consider
dominant threads in aesthetic theory along side related works
of art, including selections from structuralist and post-structuralist explorations
of representation, to German media theory, the study
of cultural techniques, and the still - burgeoning realm
of new media theory, together offering a wide array
of theoretical and methodological approaches to the
world of images, and a sense
of how those approaches have evolved over time.
MashUp will explore how artists incorporate found
images, objects, sounds and words into their work, starting with the movement's emergence at the turn
of the twentieth century and showing how it has become a
dominant force in our
world today.
MashUp is a thorough investigation
of how artists incorporated found
images, objects, sounds and words into their work, starting with the movement's emergence at the turn
of the twentieth century and showing how it has become a
dominant force in our
world today.