Not exact matches
Conceptually, my
work has remained consistently reflective of the problematic space of Western mass (consumer) culture and our relative lack of agency as
subjects within that context, as simultaneous prisoners of and (un) willing participants
in our
dominant ideological structure.
With their restrained facture and emphasis on commonplace
subjects, these
works offered an alternative to the visual and critical rhetoric of Abstract Expressionism, the
dominant mode of painting
in the 1950s.
Through her
subjects and formal explorations, her
work has greatly contributed to the history of painting and feminist debates by confronting and subverting the
dominant cultural narratives
in Art History and Western society.