Although Ms. Freilicher (pronounced FRY - licker) studied with Hans Hofmann, the influential teacher and theorist of abstraction, she put her expressionist style of paint - handling and allover approach to the canvas at the service of recognizable images, a course that made her an outsider in an era
dominated by abstraction.
FROM THE 1940s ONWARD, as contemporary art came to be increasingly
dominated by abstraction, conceptualism, and minimalism, a group of painters in London doggedly pursued the depiction of the human figure and everyday landscape, forging startling new approaches and styles.
Grimes writes: «Although Ms. Freilicher... studied with Hans Hofmann, the influential teacher and theorist of abstraction, she put her expressionist style of paint - handling and all - over approach to the canvas at the service of recognizable images, a course that made her an outsider in an era
dominated by abstraction.
The quilts are composed of fragmented suits once worn by close male figures and mounted on sound panels as fabric paintings
dominated by abstraction and pattern.
Gagosian, meanwhile, presents an exhibition of paintings, drawings, and photographs by Balthus, a modern maverick who continued to produce figurative works in a period
dominated by abstraction (26 April — 29 July).
Roberts was one of the most respected painters within this group, but as Borduas and Pellan rose to prominence in the early 1940s, the society's exhibitions were increasingly
dominated by abstraction.
Spearheaded by Leon Golub and united by a shared interest in the figure during a period that is often seen as
dominated by abstraction, the group created deeply psychological works that drew on classical mythology and ancient art.
Not exact matches
«My impression is that so much of the literature that has really
dominated our thinking about the church derives from generalized
abstractions about what the church ought to be or about what the evils of the church are
by theologians who are at best uncomfortable in trying to apply that to particular congregations.
The show's first section, «Gestural
Abstraction,» is
dominated by two brushy, wall - filling paintings — one
by Lee Krasner, the other
by Joan Mitchell — of a kind that has been a staple at the museum since the 1940s.
Baselitz hit the big time after a decade
dominated by geometric
abstraction.
First of all, in a global «discourse» of painting
dominated by generic forms of largely fungible and thoroughly diluted
abstraction, such socially and geographically specific intimism feels refreshingly focused.
This week David Zwirner dedicated his spacious booth to a solo presentation of work
by German photographer Thomas Ruff
dominated by the artist's notorious «supernudes,» blurry, large - scale photos of hard - core pornography that straddle the line between
abstraction and graphic figuration.
The photographs are
dominated by intense color and a gentle
abstraction.
The landscape
dominated American painting throughout the 19th century and well into the 20th, and though it continued to have practitioners thereafter (Fairfield Porter, for example), it was overshadowed, along with figurative painting in general,
by various styles of
abstraction from Cubism to Minimalism.
During the 1950s and 60s, representation in painting was overshadowed
by abstract expressionist and minimalist
abstraction; during the following decade, conceptualist non-object forms
dominated contemporary art.
While Bearden's early work consisted of figural paintings inspired
by the social realism that
dominated the 1930s, a trip to Paris in 1950 inspired him to move closer to
abstraction.
After a period in which the medium has been
dominated by process - based
abstraction, the figure — and representation with it — is ascendant again.
Her
abstraction is vaguely architectural and figural and
dominated by a masterful sense of color.
Abstraction dominates, as do canvas and other stretched fabrics, along with an air of studied nonchalance, especially in works
by Michael Majerus, Michael Krebber, Blinky Palermo and Reena Spaulings (spots of red wine on a tablecloth — how daring).»
There is not a single message, more a hunch that if abstract art is to re-appear as a real force in contemporary art it would need to be diverse and excitingly visual, that its engagement with the past of modernist
abstraction should be both direct (not
dominated by pastiche) and somehow wayward.
In particular, stories of
abstraction have been
dominated by larger than life male artists — in the case of abstract expressionism it is hard not to focus on Jackson Pollock or Willem DeKooning, but there were several important women working during that time as well.
Dominated by mid-career work, the exhibition's outstanding range of paintings show how Berthot balanced formal
abstraction and cold geometrics with reverie - inducing, liquefied coloration and dappled, earth - toned surfaces.
Riley describes Little Rock's mainstream art scene as
dominated by contemporary Southern artists, regional artists, landscapes, geometric
abstraction, smaller scale abstract expressionism, and neo-impressionism.
They took this stance in opposition to the widespread practice of what they regarded as a banal formalist
abstraction dominated by the American followers of Mondrian such as Uya Bolotowsky and Burgoyne Diller.
After a period in which the medium has been
dominated by process - based
abstraction, the figure — and representation with it — is ascendant again.
Male artists
by no means
dominate, though; Cheim & Read also shows fantastic works
by their pioneering female artists, including iconic corporeal sculptures and works on paper
by Louise Bourgeois; polyurethane foam and cast aluminum sculptural pours
by Lynda Benglis; a work from Jenny Holzer's «TOP SECRET» series; and iconic expressive
abstractions by Joan Mitchell.
Creating work at a time when abstract painting
dominated the art scene, Katz forged an ingenious way to wed
abstraction with recognizable imagery
by paring down his compositions to their fundamental elements.
Much of this history of
Abstraction has been
dominated by the forceful masculinity of the artists who came to
dominate the genre, artists like Mark Rothko, Jackson Pollock and Clyfford Still.
In a world
dominated by conceptual and installation art, Philip Gerstein is an abstract painter, loyal to the modern pioneers of
abstraction and color perception, for example, Wassily Kandinsky.