Sentences with phrase «done exhibition before»

To other student audiences throughout the school, from the youngest students to older students who had done Exhibition before.

We've done exhibitions before where we've made figures as an audience adoring a work of art.

Not exact matches

Bigger than ever before, the 16th LogiMAT — the International Trade Fair for Intralogistics Solutions and Process Management — will reaffirm its importance as a world - leading information platform and «working exhibition» where the intralogistics sector can do business directly.

We had six weeks of two - a-days before our first exhibition game, and every day Sid would tell Paul, «If you don't do something pretty quick, you're gone.»

But before the babies, Tere and I walked the exhibition floor gathering up new ideas and generally checking out all the cool things designers were doing.

The question of colour is everywhere in Southside With You — the African exhibition Obama takes Michelle to before the gathering, in a rundown part of town where the black community can't get a local centre built; the movie date, where they see Spike Lee's just - released Do The Right Thing, which prophetically highlights the race riots that would resurface during Obama's presidency.

We decided to do the 2 - day - hike with Alpaca Exhibitions, which included a tour through Machu Picchu, but before that one day hiking.

Julian Cox, co-curator of the exhibition, believes Mandel did not become better known because «she was a very private person, very modest by nature, and she really created her greatest work before there was such a thing as an art market for photography.

He has also collaborated with Dul Fin Wah to make a full soundtrack for the exhibition which he has not done before.

On March 10, 1965, a month before his 36th birthday, the Israeli artist Avigdor Arikha experienced a moment of profound transformation after viewing an exhibition of Caravaggio's paintings, «Le Caravage et la peinture italienne du XVIIe siècle,» at the Louvre.

«We now have the opportunity to do something that I don't think has been done before: four institutions of varying types and experiences with museum practices will interrogate an art exhibition together and separately, break new ground in curriculum and course development, and discover new best practices that can be shared and replicated to enhance undergraduate education nationally and beyond.»

So although I did several group exhibitions at Thread Waxing Space that I feel really proud of, exhibitions that were in conversation with exhibitions that had come before, such as Christian Leigh's I am the Annunciator, I wanted to talk back to certain curatorial strategies.

I wanted to make sure to see the George Bellows exhibition at the Metropolitan before it closes February 18, in order to see a few paintings that had been recommended to me by Susan Bee, in particular three paintings done between 1907 and 1909 of the excavation of the site for Pennsylvania Station.

Eckmann: The building afforded us to really try to implement a really rigorous exhibition program, which we were not able to do before we moved into the new building because of space limitations.

The TRAFO exhibition will put that major work in a kind of temporal «brackets», showing 2 works from before and two works done after.

His work has been shown in many international exhibitions, including Documenta 13, Kassel, Germany (2012); Before the Law, Ludwig Museum, Cologne (2011 — 12); Making Worlds, 53rd Venice Biennale (2009); Traces du sacré, Centre Pompidou, Paris (2008); 16th Biennale of Sydney (2008); 10th International Istanbul Biennial (2007); and Whitney Biennial, Whitney Museum of American Art, New York (2006).

A summer 2008 exhibition of «Sprawl» at the Jersey City Museum tried to explain it, as indeed did a show called «Sprawl» in Tribeca a few years before, and Robert Smithson reveled in it.

Organized by the Musée de Cluny, musée national du Moyen Âge, Paris, and featuring works rarely before exhibited in the United States, the exhibition will be on view from December 4, 2016, through March 19, 2017.

There's a persistent interest, I think, in giving a context for this material, as when Lynne did this exhibition with Rosemarie Trockel that came to the New Museum here, where it was juxtaposed with the work of someone like Judith Scott, who I presented here at White Columns before I co-curated her retrospective at the Brooklyn Museum.

To commemorate its thirtieth anniversary, in October 2014, the Fondation Cartier pour l'art contemporain asked Guillermo Kuitca to imagine a project, the likes of which had never been done before, building a network between his own work and the works of Tarsila do Amaral, Francis Bacon, Vija Celmins, David Lynch, Patti Smith, as well as the Armenian filmmaker Artavazd Pelechian, whose film Inhabitants (Les Habitants, in French) lent its name to the exhibition.

Here, he did not find the success he had hoped for, and it was not until 1959 that he obtained his first solo exhibition at the Saint - Germain Gallery - four years after his arrival and one year before his death.

A chronological exhibition such as the heirs had in mind, has been done before.

I've been in two two - person shows before this show, one with Hao Ni and one with Nadia Haji Omar, who will be doing the next On the Wall exhibition at Providence College Galleries, and both were great experiences.

When I meet the newly knighted 88 - year - old at the Ritz shortly before the opening of Tate Britain's new Picasso exhibition, his principal regret is that he didn't allow his actual body to be marked by «the greatest artist of the 20th century».

I know when I watch the films, such as We Are Not Two, We Are One, with the fusion of the boy and wolf, or in this exhibition with the bull in the shop of glass, I am always curious about how they got there and construct stories in my head about what happened before — do you ever think about this?

The San Francisco Art Institute (SFAI) is proud to present the first West Coast survey exhibition of Gutai (1954 — 1972), a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»

British dancer and choreographer Siobhan Davies went the other way, studying art before moving into dance, and has done much to position her own company as a site of crossover — from exhibitions with Victoria Miro to art exhibitions and experimental collaborations with artists at her own company studios in South London.

The San Francisco Art Institute (SFAI) announce the first West Coast survey exhibition of Gutai (1954 - 1972)-- a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»

«The State is not a Work of Art» does right by its intentions, but it also leaves me cold: I have seen this exhibition before, albeit in various guises.

Angus Fairhurst may have actually been the genuine progenitor of the entire movement, having organized a student exhibition a few months before Hirst did.

He does not accept the Sunroom as a neutral platform for exhibition, but as one bound up in the history and context of the private estate that existed here before Wave Hill became a public institution in the mid-twentieth century.

At least a year before my appointment I asked Broodthaers if he would do the first exhibition were I to take up the position at the ICA.

I was there and wrote about it before, but words didn't capture the awe I felt, just as Humeau's words in her lengthy and extensively researched accompanying story didn't capture the sophistication of the design, the sonic and visual architecture of the resulting exhibition.

The collective Don't Follow the Wind, whose inaccessible, Fukushima - based 2015 group exhibition has been written about before in these pages, is now made accessible via A Walk in Fukushima, 2016 — 17, a 360 - degree video experience of what has been, since the 2011 nuclear - plant disaster, an uninhabitable area, with crafty headsets made in collaboration with artist Bontaro Dokuyama and three generations of a Japanese family who live in a zone deemed «safe to live» by the government but still subject to restrictions due to its proximity to a radioactive locale.

Documenting an exhibition across multiple venues is something we hadn't seen a museum do before, and we felt that it allowed us to take a much broader and fuller view of the impact of «Now Dig This!»

Reluctant to address the difficulties of the controversial situation before this exhibition, Snow writes, «I feel so overwhelmed, I don't know where to start, from what angle to approach it?

I am attempting to do a series of three works for an exhibition but have not used this method before.

Last night at Baxter St at the Camera Club of New York's opening of «Do Not Destroy,» California artist Sadie Barnette's first solo exhibition in New York City, Rodney Barnette stood in between two large framed photographs of himself from nearly 50 years ago: one, dressed in the uniform of the U.S. Army before he was sent to fight in Vietnam, and after, outfitted in the black turtleneck, black leather jacket, solidarity - fist button, and black beret that were the de-facto uniform of the Black Panther Party, of whom he was once an organizer.

Last year, the Nevada Museum of Art did what no arts institution had done before, hosting a show devoted to the Burn in an exhibition titled «City of Dust: The Evolution of Burning Man.»

«Frankly,» she says, «I was surprised that the exhibition hadn't been done before.»

An exhibition curated by Massimiliano Gioni Organized by the Fondazione Nicola Trussardi and Fondazione Triennale di Milano For the Visual Arts Program of the Triennale directed by Edoardo Bonaspetti Photo: Francis Alÿs In collaboration with Julien Devaux, Felix Blume, Ivan Boccara, Abbas Benheim, Fundaciéon Montenmedio Arte, and children of Tanger and Tarifa Don't Cross the Bridge Before You Get to the River Strait of Gibraltar, 2008 Video and photographic documentation of an action Courtesy Francis Alÿs and David Zwirner, New York / London

«I've done environments before, but this is the most three - dimensional,» said Ms. Thomas, who recently had a much - praised exhibition at the Brooklyn Museum.

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

«The strenuousness of an exhibition idea has never swayed us from doing anything before, so I don't know why it would now,» Knowles told me through laughter.

Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.

In contemporary reviews of that exhibition, the curator and art historian Andrew Wilson claimed that Rae's paintings upset «the traditional figure - ground relationship» (Wilson 1996 — 7, p. 9), while the critic Andrew Graham - Dixon described Untitled (emergency room) as «a picture of something about to take shape before it has actually done so» (Andrew Graham - Dixon, «On the Surface», Independent, 19 November 2006, http://www.independent.co.uk/arts-entertainment/on-the-surface-1353083.html, accessed 15 June 2015).

«I think it's going to be quite different in the respect that it will be done on a larger scale, have fewer exhibitions and a combination of selling and non-selling exhibitions,» said Schimmel, who served as MOCA's chief curator from 1990 until his controversial resignation last summer and has never before worked in a commercial gallery setting.

Bourgeois at Women House Rarely do many of us living in Europe have a chance to see exhibitions at NMWA, so UK Friends of NMWA are popping over to Paris to catch Women House before it travels to NMWA in March 2018.

«Before this, in the same year, for the KUB group exhibition That's the way we do it, she produced an almost 20 meter long by 4 meter high digital print that addressed the issues around so called» intellectual property «and the distributional powers of the internet.

GF: We have talked about scale before with your work and I was pleased to see that you created some larger works for the exhibition, how did you decide on the scale of this series?