Sentences with phrase «done by a great artist»

Not exact matches

In the even that they do not, I've found plenty of great artists by simply searching the hashtags #makeupartist, #hairstylist, #wardrobestylist on Facebook and Instagram.

On the one hand, we're trying to keep doing better what we've been trying to do since we started Spotify — deliver great value to consumers and create value for artists by making sure that they are paid fairly for their amazing music and that we help them find new audiences in the process.

Part of what makes art so necessary in today's culture is that the artists behind great works don't allow themselves to be boxed in by conventionality.

To ask what status in truth a portrayal of Jesus by an artist who never saw him can conceivably have is inevitably to open the door to the wider question: Does anything we claim to know about him, theologically or historically (save perhaps that he once lived), have any great objective validity?

The Olympic tournament did many things — it assuaged Canada's damaged pride, erased memories of the ugly on - ice play and off - ice conduct by the Americans in Nagano and established the Swedes, who were shocked by Belarus in the quarterfinals, as the greatest choke artists since Isadora Duncan got her scarf caught in the car's rear wheel — but it can't be a blueprint for Phoenix Coyotes - Tampa Bay Lightning games.

The powers that be in Chicago do a great job of changing up some of the scenery by showcasing art pieces by various artists.

Portland Works is where Stainless Steel started and it's been recently bought by a community of craftspeople (they have a new share round now) and artists doing great things.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Film Editors Spencer Averick — «13th,» «Selma» Alexandre de Franceschi — «Lion,» «Bright Star» Keiko Deguchi * — «God Knows Where I Am,» «Fur: An Imaginary Portrait of Diane Arbus» Tracy Granger — «Still Life,» «Boys Don't Cry» Sabine Hoffman — «Maggie's Plan,» «Elvis & Nixon» Edie Ichioka — «The Boxtrolls,» «Toy Story 2» Janus Billeskov Jansen * — «The Hunt,» «The Act of Killing» Céline Kélépikis — «The Red Turtle,» «Now or Never» Melissa Kent — «American Pastoral,» «The Age of Adaline» Juan Carlos Macías — «Wild Horses,» «The Official Story» Jim May — «Goosebumps,» «The Chronicles of Narnia: The Lion, the Witch and the Wardrobe» Fredrik Morheden — «A Man Called Ove,» «The New Country» Christopher Murrie * — «Kubo and the Two Strings,» «Coraline» Tania Michel Nehme — «Tanna,» «Charlie's Country» Tia Nolan — «Annie,» «Friends with Benefits» Anne Østerud — «The Hunt,» «The Girl with the Dragon Tattoo» Gregory Perler — «Sing,» «Despicable Me» Jacopo Quadri — «Fire at Sea,» «The Dreamers» Fabienne Rawley — «Zootopia,» «MonsterHouse» Jake Roberts — «Hell or High Water,» «Brooklyn» Hayedeh Safiyari — «The Salesman,» «A Separation» Nat Sanders — «Moonlight,» «Short Term 12» Per Sandholt — «Land of Mine,» «A Funny Man» Suzanne Spangler — «Imperial Dreams,» «Smashed» Molly Malene Stensgaard — «Land of Mine,» «Melancholia» Alexandra Strauss — «I Am Not Your Negro,» «A Pigeon Sat on a Branch Reflecting on Existence» Christian Wagner — «The Fate of the Furious,» «Furious Seven» Monika Willi — «Amour,» «The Piano Teacher» Kate Williams — «The Whole Truth,» «Frozen River» Dan Zimmerman — «The Dark Tower,» «The Maze Runner» Lucia Zucchetti — «Their Finest,» «The Queen» Eric Zumbrunnen — «Her,» «Adaptation» Makeup Artists and Hairstylists Richard Alonzo — «Star Trek Beyond,» «Alice in Wonderland» Alessandro Bertolazzi — «Suicide Squad,» «Fury» Christine Beveridge — «The Monuments Men,» «Under the Skin» Felicity Bowring — «Gold,» «Tinker, Tailor, Soldier, Spy» Jerry DeCarlo — «Carol,» «Julie & Julia» Patricia DeHaney — «Sully,» «Interstellar» Naomi Donne — «Cinderella,» «Philomena» Linda Dowds — «RoboCop,» «Rampart» Audrey Doyle — «Legend,» «Mad Max: Fury Road» Tina Earnshaw — «The Promise,» «Titanic» Rick Findlater — «L'Odyssée (The Odyssey),» «The Hobbit: An Unexpected Journey» Paul Gooch — «Miss Peregrine's Home for Peculiar Children,» «Maleficent» Fae Hammond — «Fantastic Beasts and Where to Find Them,» «The Legend of Tarzan» Miia Kovero — «Inherent Vice,» «The Master» Michael Marino — «American Pastoral,» «The Wrestler» Frances Mathias — «Saving Mr. Banks,» «Beginners» Christopher Nelson — «Suicide Squad,» «Frank Miller's Sin City» Elaine Offers — «The Kids Are All Right,» «Far from Heaven» Conor O'Sullivan — «The Dark Knight,» «Saving Private Ryan» Daniel Phillips — «Florence Foster Jenkins,» «The Queen» Luigi Rocchetti — «Ben - Hur,» «The Nativity Story» Morag Ross — «Hugo,» «The Aviator» Nikoletta Skarlatos — «Free State of Jones,» «The Hunger Games: Mockingjay (Parts 1 & 2)» Vittorio Sodano — «Il Divo,» «Apocalypto» Shane Thomas — «The Dressmaker,» «Hacksaw Ridge» Kenneth Walker — «Loving,» «For Colored Girls» Kerry Warn — «The Great Gatsby,» «Australia» Carla White — «Hands of Stone,» «August: Osage County» Ann Pala Williams — «Live by Night,» «Click» Jeremy Woodhead — «Doctor Strange,» «Snowpiercer»

On this list I would include Gary Oldman in Darkest Hour, Richard Gere in one of the best roles of his career as Norman, Diane Kruger magnificent in In the Fade, Annette Bening and Jamie Bell equally great in for Film Stars Don't Die In Liverpool, as are both Michelle Williams and Christopher Plummer (in a last - minute miracle of a save) in All The Money In The World, Timothee Chalamet in Call Me By Your Name, James Franco directing himself to a career best in The Disaster Artist, Margot Robbie and Allison Janney in I, Tonya, and Daniel Day - Lewis in what he says is his farewell in The Phantom Thread (say it ain't so).

Ultimately, the Beatles and John Locke got where they did not just by being great artists, but by being shrewd businessmen as well.

While the addition of a variety of talented artists from around the globe is of course great, I also continue to be impressed simply by the amount of cross-publisher work being done with eManga.

There was John Legend telling us if we didn't want to listen (or read or watch or whatever) «art» by liberal artists then we would have a great deal less «art» to enjoy.

HE IS A NOWHERE MAN, BOUGHT AND PAID FOR TO SIT IN AN OFFICE OF EMPTINESS AND GO ALONG WITH SELLING OUT THE VENICE BOARDWALKS, ARTIST, MEDICINE MEN, BEAUTY AND CREATIVITY THAT VENICE WAS BUILT UPON, THE SYSTEM HAS FAILED EACH AND EVERY ONE OF US, WE ARE ALL IN THE AMERICAN HOLOCAUST TODAY, BEFORE THE EUROS CAME, IT WAS JUST THE INDIGENOUS PEOPLES BEING MASSACRED, NOW IT IS YOU, YOUR GRANDCHILDREN AND CHILDREN OF YESTERDAY AND TOMORROW, YOUR GREAT GRANDPARENTS SLAUGHTERED THE NATIVE AMERICAN PEOPLES TO STEAL THERE LANDS, NOW IT IS HAPPENING TO YOU, KARMIC JUSTICE THE NATIVE CHOCTAWS PULLED TOGETHER EVERY THING THEY HAD TO SAVE THE IRISH POTATO FAMINE, TO SAVE THE IRISH PEOPLES, AND THEN THE IRISHMAN KILLED THE NATIVE S FOR THE SACRED GROUNDS, KARMA AND JUSTICE IS NOT A PRETTY PHOTOGRAPH OF WHAT YOUR ANCESTROS DID TO MY ANCESTROS ALL SACREDNESS NOW IS GONE THE AMERICAN HOLOCAUST CONTINUES, GREAT BOOK, BY DAVID STANNARD

Daily Propaganda — Daily Propaganda travel blog provides a healthy does of fresh photography & travel writing from a passionate traveller David M Byrne — David M Byrne is a travel site by a passionate photographer, talented Getty Image artist and around the world traveller Daydream Away — Abby is a life - long travel junkie journalist who works hard to find adventure in everyday life after two years of travel De La Pura Vida Costa Rica — Come check out this great travel blog from a freelance graphic designer and teacher lbased in Costa Rica Delusional Journey — Travels with Harrison to Nepal Departing Melbourne — This is a wonderful travel blog featuring lighthearted narrative covering holidays and planning to inspire others Destination Savvy — Destination savvy is a travel site that will encourage and inspire you to explore & discover life on the road as a vagabond Destination Unknown — Travel blogger, photographer and solo wanderer Different Doors — A travel blog providing you with more stories per journey Digital Nomad Community — If you're an aspiring nomad — or just thinking about living that kind of lifestyle — this is the site for you Discount Travel Blogger — Travel cheap, fun and worry free... Let's go Backpacking Discovering Ice — A travel blog by Steph and Andres.

If Call of Duty 4: Modern Warfare was a breathtaking painting done by a master, then the sequels are all pale imitations created by amateur artists looking to replicate their beloved idol, always failing to realise that no matter how good the imitation it will never be truly great in its own right.

The paintings by this great Color Field innovator, now 80, looked as every bit as fresh as they did when they were first made in the»60s and»70s — prompting some fair goers to ask the gallery, «who is this young artist you are showing?»

And we're putting in great programming, whether it's something of ours like a Ryan McGinley show or something by an artist that we don't represent like Torbjørn Rødland, or we show someone out there who eventually becomes part of the program, which is what we did with Sam McKinniss.

From Group Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gArtists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gartists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.

It has been a great honour to have been able to select with the family, museum quality works by the artist, to show London and, by doing so, to have the opportunity to expose his work to a new generation of collectors, further strengthening awareness of Chillida's work around the world» Chillida considered his relentless search for the unknown in art to be an adventure in learning, and his sculptural study of temporal and spatial relationships have transformed the field of sculpture; he is hugely respected by many artists working today including Sir Anthony Caro, David Hockney, Ellsworth Kelly and Richard Serra.

All in all, Acid Free serves as a great opportunity to view works by three young artists using craft materials as a means to produce what is traditionally considered «fine» art and has as much in common with painting and sculpture as it does craft and fashion, representing this latest trend in the blending of high and low in art.

[2] By the 1930s, Davis was already a famous American painter, but that did not save him from feeling the negative effects of the Great Depression, which led to his being one of the first artists to apply for the Federal Art Project.

When I meet the newly knighted 88 - year - old at the Ritz shortly before the opening of Tate Britain's new Picasso exhibition, his principal regret is that he didn't allow his actual body to be marked by «the greatest artist of the 20th century».

Although none of the paintings sold (perhaps not surprisingly given that they were created by a novice and Parsons generally did not have a great track record for sales), Rauschenberg's work registered with fellow artists, and the show led to several important friendships.

The fully illustrated catalogue does them more justice, featuring essays by seven writers, including Philippe Cézanne, the painter's great - grandson, which discuss in full detail Fiquet's relationship with her husband, the procedures used by her husband to make these pictures, and the influence of these paintings on Juan Gris, Henri Matisse, and a host of other later artists.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Commenting on the Hennessy Art Fund for IMMA, artist Kevin Atherton said: «For me the recent purchase of my work by the Irish Museum of Modern Art, made possible by the generous sponsorship of Hennessy, means a great deal, acting as it does as a confirmation of the welcome I felt when I first moved to Dublin from London in 1999.

«Making a commitment to acquire works by these artist demographics is a good thing, to be sure; however, the BMA's decision to sell notable works by white men in order to fund such acquisitions is a great, radical thing — it demonstrates a deep conviction to do what it can to right a widespread historical wrong / imbalance.»

Baselitz, who was lauded by the Royal Academy five years ago as one of the greatest living artists, dismissed women painters, saying that they «simply don't pass the market test, the value test», adding: «As always, the market is right.»

I post this list as the fruit of my labor, but it is impossible for me to accept my own list of the «greatest» works that does not include Gerhard Richter, Mark Rothko, Alice Neel, or Donald Judd, just because I can't pick one single work by these artists that has had as big an impact on me as the other more stand - alone works that clawed their way onto my list.

Great work is made by a relatively small percentage of people who identify as artists, but talent doesn't discriminate.

The artist herself adds that she was involved in «a lot of presentations with the Capacete group in Rio de Janeiro» and did four short films in Brazil: Plages, inspired by Burle Marx's great design for the Copacabana beachfront; Marquise, in Ibirapuera Park, São Paulo, Gloria in Praça Paris, Rio de Janeiro, and Brasília at Parque da Cidade, which is part of the Moderna Museet collection in Stockholm.»

They also do a great artist talk series hosted by Joe Nolan.

[9] By doing this Eleanor Ward established a reputation for the Stable Gallery as a meeting place for both great emerging and established artists of the time.

The group exhibition at the Gallery Marian Goodman in Paris, although it does not seem to have any meaningful concept, is really very good, because the viewer has the opportunity to see works of great artists which are either complementary, like the «Spiegel» (1989) by Gerhard Richter with Dan Graham's «Pavilion Influenced by Moon Windows» (2000), either as stand - alone well - known artworks like «Oltremare» (1979 - 2017) by Giovani Anselmo, which every time you see it, it looks like you are seeing it for the first time.

Imagine a video by the great South African artist William Kentridge, only done with a whiff of Abstract Expressionism instead of a narrative.

Finally, the question of Warhol's authenticity as a great artist doesn't help with the more immediate complication addressed by Richard Dorment some time ago in the New York Review of Books where he explored the question of the «red Self Portraits» that have been denied authenticity by Warhol's estate.

By this I mean: she «made it» as a woman artist when almost no one else did, forged a highly chronicled six - decade career, maneuvered the art world with great skill, and remained true to her particular artistic vision.

2016 A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR Art for a Nation: Inspiration from the Great Depression, High Desert Museum, Bend, OR Unraveled: Textiles Reconsidered, Contemporary Arts Center, Cincinnati, OH Contemporary Native Art Biennial, 3rd edition, curated by Michael Patten Art Mûr, Montréal, Canada From the Belly of our Being: Art by and About Native Creation, Oklahoma State University Museum of Art, Stillwater, OK I want to do to you what spring does with the cherry trees, PDX CONTEMPORARY ART, Portland, Oregon Transferring Thought: Prints by Indigenous Artists, University of Colorado, Boulder, CO Finding a Contemporary Voice: The Legacy of Lloyd Kiva New and IAIA, New Mexico Museum of Art, Santa Fe, NM

For visual artists: I do not currently have representation by a commercial gallery in the greater Philadelphia area.

By the early 1940s, Smith began to receive much critical attention, including from the influential Clement Greenberg, who wrote in The Nation «If [Smith] is able to maintain the level set in the work he has already done, he has a chance of becoming the greatest of all American artists.»

Contrary to popular belief that Pollock was a solitary genius, the artist — whom Life magazine posed as the «greatest living painter in the United States» in 1948 — was keenly aware of what other artists were doing and was influenced by those he befriended and worked with throughout his abbreviated career.

Moon, by the Brazilian artist Adriana Varejäo (born 1964), doesn't appear abstract — a great disc, its surface cracked, revealing a secret dust beneath — until you stand back and witness its eerie geometry.

New York, curated by Anne Ellegood New Prints Winter, 2003, International Print Center, New York, NY 2002 Keine Kleingkeit (Not Really Small), Kunsthalle, Basel, Switzerland (catalogue) 2001 Ball Point Inklings, Geoffrey Young Gallery, Great Barrington, MA 2000 Points, Lines, Planes, Les Filles du Calvaire, Brussels, Belgium (catalogue) Bad Touch, Lump Gallery Projects, Raleigh, North Carolina Studio International, Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK (catalogue) Mapping, Territory, Connections, Galerie Anne de Villepoix, Paris, France Points, Lines, Planes, Les Filles du Calvaire, Paris, France (catalogue) Painting Function, Spaces Gallery, Cleveland, Ohio, curated by Saul Ostrow Joanne Greenbaum, Charlene von Heyl, Amy Sillman, James Van Damme Gallery, Brussels, Belgium Examining Pictures, Armand Hammer Museum, UCLA, Los Angeles, CA curated by Francesco Bonami and Judith Nesbitt 1999 Examining Pictures, Museum of Contemporary Art, Chicago, Illinois, curated by Francesco Bonami and Judith Nesbitt Nacht Bild (After Image), Kunsthalle, Basel, Switzerland curated by Peter Packesch Examining Pictures, Whitechapel Art Gallery, London, UK, curated by Francesco Bonami and Judith Nesbitt 1997 Current Undercurrent, Brooklyn Museum, Brooklyn, New York Painting Now and Forever, Part 1, Matthew Marks Gallery, New York, NY Exploiting the Abstract, Feigen Contemporary, New York, NY 1996 Explosion in a Tool Factory, Hovel, New York, NY Un Oeil Americain, Galerie le Carre, Lilles, France 1995 Wacko, The Workspace Gallery, New York, NY Other Rooms, Ronald Feldman Gallery, New York, NY Natural, Arena Gallery, Brooklyn, New York Jane Fine, Joanne Greenbaum, John Paul Philippe, Arena Gallery, Brooklyn, NY Pleasant Pebble, The Workspace Gallery, New York, NY 1994 New York Abstract Painting, Salvatore Ala Gallery, New York, NY 1992 Vibology, White Columns, curated by Bill Arning AWARDS AND FELLOWSHIPS 2010 Artist in Residence, CCA Andratx Art Center, Andratx Mallorca, Spain 2009 Joan Mitchell Foundation Grant 2007 Artist in Residence, The Chinati Foundation, Marfa, Texas 2005 Artist in Residence, Greenwich House Pottery, New York, N.Y. 2004 The Pollock - Krasner Foundation, Inc..

Curated by Sara Reisman, don't let the conceptual heaviness scare you away from this exhibition's great range of both established yet under - shown and fascinating, still emerging artists.

This is one of the long - standing egregious deceptions of authority - abusing solar - terrestrial obfuscation artists who prey on dumb audience members who naively expect something that can be strictly ruled out by the simplest possible diagnostics that could be done by a good (great not even necessary) Stat 101 student.

The window is from the old house and the chalk print was done for my great grandmother by artist Louis Rowell when he came through Balsam in 1916.