There is phenomenal work being
done by female directors.»
Not exact matches
Shockingly, Jenkins
did not direct another feature in the 14 years between Monster and Wonder Woman — a gap that speaks volumes about the barriers faced
by female directors in Hollywood.
The Palme d'Or winning film's two
female leads, Léa Seydoux and Adèle Exarchopoulos, told The Daily Beast in an interview last week that
director Abdellatif Kechiche demanded their «blind trust,» didn't know what he wanted from many scenes and then pushed them too hard with takes
by the dozen — to the point where they wouldn't want to work with him again.
This is a film about
female gender roles made
by a male
director, who doesn't seem to know much about
female gender roles, despite the script being written
by a woman.
«Wadjda» Given that it was made
by a
female director in an environment as hostile to both women and film as Saudi Arabia (where women can't drive, and cinemas have been closed for decades), it's genuinely staggering that «Wadjda» — which made its U.S. debut at Tribeca on its way to a full release from Sony Pictures Classics — turned out as brilliantly as it
did.
One in particular seems not in keeping with the rest,
done by Canadian
director Vincenzo Natali (Cypher, Cube), isn't even rooted in reality, telling of a meeting between one young man, played
by Elijah Wood (Everything is Illuminated, Sin City), who comes across a
female vampire feeding on her latest victim (none other than Wes Craven, who would coincidentally, direct the following short).
But we don't need
director Richard Levine's Submission, a dim - witted film that reinforces insulting male and
female stereotypes as it follows a veteran college writing professor, naïvely malleable and easily seduced
by an attractive, ambitious, duplicitous
female student.
True, the festival didn't fare too well for
female directors: less than 25 % of the main program was directed / co-directed
by women.
The fun and forthright «GLOW» (premiering June 23 on Netflix) is a 10 - episode dramedy about the nascent days of televised
female professional wrestling, in which a disparate group of underemployed actresses, models, party girls and unwitting introverts are recruited
by a greaseball B - movie
director to try something that has never been
done before.