Sentences with phrase «done by other artists»

«I didn't care what was being done by other artists or what was happening around me,» he told The Brooklyn Rail.

Not exact matches

Meanwhile, Apple's head of content, Larry Jackson, happily gloated to the Journal, by saying that Drake's success on the streaming service was the result of him consistently promoting the album to both his and Apple's large audience, suggesting Apple believes other artists should do the same instead of making deals with Tidal or Spotify.

Like the artist Gale, we can feel exposed by our unfinished product — the imperfect parts of us that others typically don't see.

She did so by hosting a party for Pussy Riot, a group of Russian performance artists known for staging public orgies and other transgressions.

Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.

It's main attractions other than the carved wooden statue of Rip Van Winkle at the top of Main Street are the ceramic cats done up by local artists in front of most of the stores on Main.

The best explanation for such an object, which doesn't appear at other wavelengths, is an intermediate - mass black hole (imagined by an artist, above).

SpaceX, which is owned by the famously secretive electric vehicle mogul Elon Musk, did not release any other details about the mission besides a Facebook post with two artists» renderings of the mission.

Dave Asprey: That's such an elegant way of thinking about it is just one rep.. The other thing that impress me about Sayoc is that the idea of a pattern, and I've done some training in judo, I'm not a mixed martial artist by a longshot.

I didn't get to see many of these in other blogs because they featured other artists:) thanks for sharing, I specially love the one Zhou Xun wore by Chanel!

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

And on the other end of the age spectrum, I didn't expect to be as touched as I was by Jane Fonda in Our Souls at Night, in a role tailored to her by the expert screenwriting team of Michael H. Weber and Scott Neustadter, who also wrote The Disaster Artist.

Brand new 2K restoration from original film materials High Definition (1080p) Presentation Optional English subtitles for the deaf and hard - of - hearing Audio commentary by director Brian Trenchard - Smith The Stuntmen, Trenchard Smith's classic television documentary on Grant Page (Mad Max, Road Games) and other Australian stunt performers Hospitals Don't Burn Down, Trenchard - Smith's 1978 public information film told in pure Ozploitation fashion Behind the scenes gallery by graffiti artist Vladimir Cherepanoff Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon

The camera craves naive, untainted flesh on the brink of destruction — or in other words, «that whole deer in the headlights thing», as worldly wise make - up artist Ruby (Jena Malone) puts it to tremulous ingenue Jesse (Super 8 and Maleficent's Elle Fanning), who responds by doing a very serviceable impression of just that.

I imagine it it does well, we'll see it for other devices in time, but I'm surprised by some of the reactions - getting the artists of Naruto, One Piece and Ouran Host Club to all sign onto digital editions must of take a lot of work and negociating with Shonen Jump Japan's editorial and Hakuensha [who did dip their toes into digital in the past with that english digital manga site that closed that they were involved in, mind you]

While Marvel and DC continue to focus on legacy properties that cater to a fairly narrow range of genre fans and are produced by artists who don't own the characters they work on, Image has gone in a different direction with an array of creator - owned comics that include superhero, science fiction, and other types of stories.

Sometimes the connection between writer and artist doesn't work out as well as one hopes, but other times, Torres says, «it's fulfilling to see what comes back» when his words are brought to life by an artist's pencil.

The store isn't obtrusive, but it does let you look up albums based on the usual factors or look up other albums by artists already in your collection with the touch of a button.

Daily Propaganda — Daily Propaganda travel blog provides a healthy does of fresh photography & travel writing from a passionate traveller David M Byrne — David M Byrne is a travel site by a passionate photographer, talented Getty Image artist and around the world traveller Daydream Away — Abby is a life - long travel junkie journalist who works hard to find adventure in everyday life after two years of travel De La Pura Vida Costa Rica — Come check out this great travel blog from a freelance graphic designer and teacher lbased in Costa Rica Delusional Journey — Travels with Harrison to Nepal Departing Melbourne — This is a wonderful travel blog featuring lighthearted narrative covering holidays and planning to inspire others Destination Savvy — Destination savvy is a travel site that will encourage and inspire you to explore & discover life on the road as a vagabond Destination Unknown — Travel blogger, photographer and solo wanderer Different Doors — A travel blog providing you with more stories per journey Digital Nomad Community — If you're an aspiring nomad — or just thinking about living that kind of lifestyle — this is the site for you Discount Travel Blogger — Travel cheap, fun and worry free... Let's go Backpacking Discovering Ice — A travel blog by Steph and Andres.

The art museums, the Neka and Agung Rai, among others, display traditional as well as contemporary work done by not only local but also expatriate artists.

- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

It's all about this style from this one guy - which is fine by itself - but all the other artist have to try and imitate it and get approval for every little thing and do countless iterations on it.

While Alan Wake's original score was created by Petri Alanko, the game did feature a few songs from other artists such as David Bowie, Roy Orbison, Nick Cave, and Depeche Mode which could be problematic for renewing the music licenses.

Other tools: similarweb.com Facebook graph search for pages liked by your friends, pages liked by people who like your page, groups your friends have joined look at the blogs of artists you like, who is on their blog roll or who do they talk about?

The success itself is questionable because of the means through which it often occurs: a dealer will buy a large number of works by a rising artist for himself (once again, male dealers seem particularly partial to this approach), and encourage others to do the same.

There is so much free information to be learned by artists and galleries if they simply pay attention to what others are doing.

Most galleries like to work with established and known artists to be safe.How does an upcoming artist break through this glass wall created by galleries?Either I have to be terrific in my work for them to want me or I have to go gallery hopping to show them my works.What are the other options?

So along with my own web searches and studying other artists works and techniques (those who share), I learn by doing.

@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.

But as I listened to this podcast and how Crystal reads other blogs by artists doing cool stuff other than what she does then I realized this is where I have to change.

Do you have other examples of favorite writing by artists about their own work?

Art and the Feminist Revolution at LA MOCA and P.S. 1 in 2006 did not include her paintings (as they omitted work by other feminist artists like Judith Bernstein, Anita Steckel, and Betty Tompkins whose work may have appeared too transgressive).

At the back, don't miss a group show of other gallery artists, including lovely works on paper by Elise Engler, Robert Strati, Colin Keefe and Noah Loesberg.

Harlem Shake Down — The viral sensation «Harlem Shake,» which recently climbed all the way to the top of the Billboard 100 pop chart (thanks in no small part to the addition of YouTube views when calculating the rankings), has been hit with some controversy as the song's writer and producer Harry Bauer Rodrigues, better known by his recording name Baauer, illegally used samples from two other artists who are now demanding compensation, including the art world's own Internet sensation: Jayson Musson, a.k.a. Hennessy Youngman, who can be heard on the track urging the listener to «do the Harlem Shake.»

Never intentionally nostalgic or sentimental, close examination does reveal that each artist's personal experience and desire to replicate the rural landscape is often intuitive and informed by senses and emotions other than the strictly visual.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

While other artists this season pursue darker, more obscure visions, Robert S. Neuman does it the hard way, by navigating the twists and turns in along career as a painter.

Don't be fooled by the reckless attitude and cool looks, Christian Rosa is not just any other emerging artist.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.

Artists working in this style do not try to hide what was used to create the painting by smoothing out any texture or marks left in the paint by a brush or other tool such as a palette knife.

So now that I got that off my chest, on to an important question: Why do some artists go by their nicknames (Ken Price, Andy Warhol, Jeff Koons) and others, who are known personally by their nicknames, go by their full names (Robert (Bob) Irwin, James (Jim) Turrell, Barnett (Barney) Newman)?

KT: How did your collaboration with Laurie Jo Reynolds [an artist and campaigner for change in prisons] come about through Tamms Year Ten [a coalition, set up by Reynolds, of prisoners, ex-prisoners, families, artists and other concerned citizens who came together to protest about the Tamms supermax prison in Illinois where men were kept in permanent solitary confinement]?

The new critics elevated their protégés by casting other artists as «followers» [11] or ignoring those who did not serve their promotional goal.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

JE: «Initially, his portraits were appreciated by other artists and some critics, but the general response was negative because Cézanne wouldn't do what portrait painters were expected to do, which was to give a sense of the sitter's internal psychology.

On the other hand, the front space does well by its artists, and two more back spaces have allowed solo shows and well - attended events.

Opening one floor of the biennial is a large installation by the Occupy Museums group, part of their ongoing «Debtfair» series which began in 2015 (Debtfair Whitney, 2017); amongst other elements, it includes a slideshow featuring testimonies from artists across the country describing the financial straits they are in, and what jobs they do to get by.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.