Sentences with phrase «done costume designs»

It's not every day that an artist exhibiting in a local gallery has also done costume designs for Lady Gaga, but fiber artist Erik Bergrin has managed to do that and more.

Ms. Durran also did the costume design for this year's «Beauty and the Beast.»

So too does the costume design — literally.

Clothes on Film, Chris: Overall, how does the costume design differ for Sherlock Holmes 2?

Not exact matches

In 1917 when the carnage was three years old, Picasso was doing set and costume designs for the Ballets Russes as if nothing were happening.

I took A-levels in art and dressmaking and had originally planned to do a textiles or costume design degree.

With backgrounds in interior, graphic and costume design, the ladies of styleTRIFECTA consider the elements of design in all they do.

Caswill and her team wisely let these performances and this great writing do most of the lifting, but rest assured that the direction, cinematography, costume and production design, and the simple but intoxicating score are all capable at worst, lovely at best, and thoughtful all the way through.

Good performances (and great cinematography, costuming, and set design) nearly disguise the romantized telling of her finding her way, aid in the feeling of sympathy for her in what is essentially a Harlequin romance / Hallmark postcard, however well done.

Also, if Ruth Carter doesn't get an Oscar nomination for best costumes design, there's something wrong with the world.

My favorite part of the film had to be the production and costume design and I usually don't pay attention to aspects like that.

There's no trouncing the refined garbs and modish sets of «Fifty Shades of Grey,» but Shay Cunliffe's costumes and Nelson Coates» production design do fleetingly liven the sterile atmosphere.

It's cheap, which is not inherently a problem, but it certainly doesn't help when you run into the real barriers like acting, visual effects, audio quality, costuming and set design.

Gorgeous production design and superb costuming and girlie accoutrements help float this improbably romantic adventure and lend it an airy grace, as does a score from composer Michael Giacchino that classily evokes swirling romance without hitting antecedent influences directly on the nose.

Thanks to an Oscar worthy performance by Saoirse Ronan (also surrounded by heaps of supporting acting talent), gorgeous production design making both 1950s Ireland and Brooklyn pop off the screen with heavily detailed environments and costume design, and characters easy to root for in doing the right thing, Brooklyn will elicit laughter, tears, and fiery joy.

In terms of production design, did you find yourself having to scale back on things like vintage cars and elaborately costumed crowd scenes to maintain the focus the story needed?

Taking a cue from the enormously popular and critical success of the Jon Favreau directed «The Jungle Book» (which brought in almost $ 1 billion worldwide), Beauty and the Beast certainly does not disappoint visually, with amazing production values (credit Sarah Greenwood, «Sherlock Holmes»), art design (Niall Moroney, «Alice Through the Looking Glass»), set decoration (Katie Spencer, «Anna Karenina»), costumes (Jacqueline Durran, «Pan») and cinematography (Tobias Schliessler, «Patriots Day»).

At least it can deliver on that (and in spades), as the time period of the film essentially serves as its own character, and one that does not disappoint in the slightest — Michael Wilkinson's costume designs, Judy Becker's overall production design, and the entire coterie of hair stylists and make - up artists are all near - revelatory and exceedingly well - executed.

On the page their costumes would look similar, but why does an alien suit from Krypton and a costume designed by a teenager have the same texture?

While the extremely well - designed and well - rendered character costumes and weapons give some basic idea of what the characters are like, the voice acting for the characters is awful and doesn't convey much personality at all, especially the player character, Naja.

Besides your visit to the archive, how else did you prepare for the costume designs of The Young Victoria?

It's a shame it didn't get an Oscar nomination although not a big suprise since contemporary costume designs are nearly always overlooked by the costume design branch no matter how great they are.

Also, it's totally in line with the costume design that's been done so far in the Marvel Cinematic Universe, and more specifically in the Avengers movies.»

Did this extend to your costume design?

You also get to learn about the costuming process for the future war outfits, to the seventies disco - era clothes, and there's a section on the production design, and how they tried to mimic what had come before, but also the new designs for the X-jet, and the fun of doing period.

What function does Luca Mosca's minimalist costume design serve in this superlative action franchise?

«Getting Real: Recreating an Era» (11:13) doesn't just deal with the film's recent period setting, but with its look as established by cinematography, costume design, and that Oscar - nominated editing.

There's a lot to take in visually — the film was nominated for the costume design and art direction Academy Awards — but it doesn't really complement a narrative of murder plots and treachery that fails to resonate dramatically.

That John Mollo, who did most of the costumes for this movie, designed the space suits for the first Alien movie shouldn't come as a surprise.

«Dressing the Galaxy» (6:27) talks costume design, sharing some insight into why characters wear what they do.

Sure, last year's win for «Elizabeth: The Golden Age» proved that the Academy does equate «most / biggest costumes» with «best,» but like «Marie - Antoinette» the year before, «The Duchess» deftly employs dress (and undress, in a manner Stella Bruzzi might approve of) to define boundaries of character and gender; the costume design is by far the most intellectually sophisticated element of the film.

Sorry to say this now but i did nt remember when you did 2001: i think Star Wars Episode I deserved a nomination in best costume design and it should have won.

To blend platforming, flying, shooting and swimming in one stage, Mario would require some fairly segmented level design and a host of tactically placed power - ups and costumes, each of which would come with usage stipulations and restrictive requirements that Rayman just does nt have.

From the costumes and production design to the cinematography to the film editing (done by End of Watch alum Roman Vasyanov), not to mention the score (from last year's category winner Steven Price), sound effects, and visual effects, it's all top notch.

Surprising, given the importance of clothes in establishing character and mood, the Academy did not award an Oscar for costume design until 1948.

At the same time, Miller does not rely on CGI or use it in an annoyingly overextended way either, and the production design of costumes, sets, make - up, etc. is essential and brilliantly accomplished in the capturing of this futuristic vision.

A lifeless lead performance from Storm Reid and utter lack of humour doesn't help; garish set / costume / production design proves nauseating.

Like Mirth, this is a rich looking film and as all great cinematographers do, makes the rich costumes, locations, set and production design all that richer - looking.

Boasting sumptuous period production design, cinematography in the irregular 2.0:1 aspect ratio by accomplished Italian cinematographer Vittorio Storaro (Apocalypse Now, The Last Emperor, and a number of Warren Beatty films), and costumes, Café Society could get recognized in some technical award categories, even if it doesn't add to the long list of original screenplay nominations (and wins) Allen has earned with apparent apathy.

The film's structure, dialogue and even costume and set design is hugely reminiscent of Woody Allen films and isn't done particularly well.

Again, it's a film with top - notch production values (the costume design is particularly notable), but it doesn't quite have the magic of the original.

How did that inform the way you designed the costumes for Wakanda, a fictional, futuristic society but one with strong ties to a culture shaped by its own unique history?

Even our design and costumes — you don't really notice it.

The DC animation team also does a splendid job at replicating artist Frank Quitely's 1920s pulpy costume and character designs.

From the point of view of production design, the work done by Stephen Grimes and Dennis Washington is flawless, and the Oscar ® - nominated costume design by Dorothy Jeakins is also to be lauded.

«Greasin» Up the Joint» (4:39) describes what was done to distinguish this incarnation, considering everything from production design to costumes.

Similarly, anyone holding out hope that Where the Wild Things Are will get a costume design nomination should know that Casey Storm didn't design or make the creature costumes, Jim Henson's Workshop did and they are credited under visual effects.

Does he take much interest in costume design?

This film doesn't have any flaws, it's perfect, from the soundtrack to the cinematography, the performances, the costumes / production design, the direction, the story, everything works in harmony.

This (or perhaps costuming) is one of the more curious choices for The Revenant, a film that spends the majority of its runtime in natural woodland settings that honestly don't require a ton of production design.