Sentences with phrase «done new cinematic»

Not exact matches

Boom boom, ready to use my body Using the entire city of Seoul as my stage Nod, nod, your head I don't want to be locked up Gather the crowds, let's break Highly Anticipated Film The new film in the Marvel Cinematic Universe, Black Panther, hits theaters on February 16, so let's explore the title character's

This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing decisions made that shows this films wants to be something new but can't let go it's predecessor.

The «70s New Hollywood Comedy» festival strand did what it could with a cinematic moment that is not exactly prized for its humour, with titles including Harold and Maude (Hal Ashby, 1971), Take the Money and Run (Woody Allen, 1969) and, most interestingly, Mike Nichols» The Fortune (1975), which brought together such big names of the period as Carole Eastman / Adrien Joyce, Warren Beatty, Jack Nicholson and Dick Sylbert.

Did the Marvel Cinematic Universe just find a fun new villain?

NEW YORK — When the filmmaking Duplass brothers sat down to list their top 10 movies of all time, one cinematic masterpiece didn't make the cut.

territory, complete with the (occasional hard - guffaw) comedic touches we all hoped New Zealand director Taika Waititi («What We Do in the Shadows») would bring to the Marvel Cinematic Universe.

You're not there because of the new ground - breaking cinematic techniques being utilized; you're there because the effects that are used have been done excellently in keeping with the fantastic nature of the story.

Guardians of the Galaxy introduced a whole new section of the Marvel Cinematic Universe; Thor created an entirely new civilization, Black Panther has to do both of those things while making them them feel realistic enough to exist on Earth.

The brief clip doesn't show too much new footage but we do see more of the vibrant and colorful kingdom and the warrior known as M'Buku (Winston Duke), as well as Killmonger breaking Ulysses Klaue (Andy Serkis) out so that they can continue their war on the African nation, which is known for its vibranium and advanced technology in the Marvel Cinematic Universe.

I want to start off this «review» of Suicide Squad, the third film in Warner Bros» new attempt at building a universe out of DC comics characters to rival what Marvel is doing with their cinematic universe, by apologizing for the somewhat lax approach I am about to take to writing this.

The best part about this cinematic universe is that the success is not slowing down and instead each new release ends up doing better than its predecessor.

«Sully» would be a better film if it paid more attention to the rescue workers, the air traffic controllers, or even the passengers involved, but doing so would downplay Sully as a New American Saint, and violate the cinematic purpose of repackaging our worst fears.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Not only do we have a brand new character joining the Marvel cinematic universe in Thor: Ragnarok, but it turns out another major character is leaving it.

(Welcome to Road to Infinity War, a new series where we revisit the first 18 movies of the Marvel Cinematic Universe and ask «How did we get here?»

While this isn't the reincarnation of Snake Eater most fans have been hoping for, and the gameplay (if you can call it that) doesn't seem to be anything to write home about, the videos do provide a nice look at the new cinematics of the beloved PlayStation 2 - classic.

Not only does it feature the first African - American lead in the Marvel cinematic universe — a franchise that has still made $ 13.5 billion USD at the global box office over the past 10 years while seemingly ignoring 13 percent of the United States population — but it also reveals a new set of rules for how drum up fan enthusiasm.

Originally conceived as a manga graphic novel by Junji Ito, the new Japanese horror film Uzumaki doesn't survive the cinematic translation.

New director Jonathan (U-751, Breakdown) Mostow does a workman - like job, serving up the bland cinematic equivalent of a McDonald's burger.

While the spot doesn't feature too much new footage, we get another closer look as to what could well be the best - looking film in the Marvel Cinematic Universe to date.

You've got your Volcano and Dante's Peak, you've got Deep Impact and Armageddon, and for those of you who don't see Disaster Movies as the be-all end - all of the cinematic form you've got Capote and Infamous... in which that southern writer was tossed at New York Society like a killer meteorite from outer space.

That question lies at the heart of «Avengers: Infinity War,» the at - once dark, maddeningly open - ended yet fiercely entertaining new chapter in the Marvel Cinematic Universe (MCU), which pits the titular global do - gooders - still scattered hither and yon after their 2016 falling - out with one another in «Captain America: Civil War» - against a cosmic villain who has been coyly signaling his evil intentions ever since the very first «Avengers» movie, in 2012.

This mid-century British era is so laden with cinematic reverence and valorization at this point that it tends to groan and creak, doesn't it, overworked and yielding little new insight.

(sigh) Film School Rejects on Disney's self cannabilization and the particular folly of trying it with Fantasia Variety TV is invading Cannes with many auteurs now doing both Vulture Tilda Swinton and Steven Yeun on making art in the new impossible - to - avoid - politics era AV Club Janelle Monáe and Leslie Mann are joining Steve Carell in Robert Zemeckis's next film MNPP Tom Hardy to play Spider - Man villain Venom in a standalone film Jezebel the only reporting on the Roseanne revival which includes Luis Buñuel asides Cinematic Corner visual parallels between Logan and Mad Max: Fury Road Hugh Jackman «see you soon Japan» - he's still on his Logan promo tour!

What does Thanos want?That question lies at the heart of Avengers: Infinity War, the at - once dark, maddeningly open - ended yet fiercely entertaining new chapter in the Marvel Cinematic Universe (MCU), which pits the titular global do - gooders — still s...

A new Ant - Man and the Wasp trailer debuted today, and for those still reeling from the heavy events of Avengers: Infinity War, it appears this Marvel Studios sequel will do exactly what the first film did following Avengers: Age of Ultron: allow some levity and fun to permeate the Marvel Cinematic Universe.

In other words, «Homecoming» works by doing something that no Marvel (or DC) movie has done before, something that shows how this monolithic cinematic universe might hope to sustain itself once Thanos has been vanquished to the great space armchair in the sky and modern cinema's biggest mega-franchise becomes desperate for new ways to feel fresh.

That question lies at the heart of «Avengers: Infinity War,» the at - once dark, maddeningly open - ended yet fiercely entertaining new chapter in the Marvel Cinematic Universe (MCU), which pits the titular global do - gooders — still scattered hither and yon after their 2016 falling - out with one another in «Captain America: Civil War» — against a cosmic villain who has been coyly signaling his evil intentions since the very first «Avengers» movie, in 2012.

Directed by cinematic Jack of all trades Simon Verhoeven, this bedtime horror tale does little to introduce new concepts of evil and even less regarding fresh dialogue and overall plotting.

One per - centers are taking it on the chin at the movies these days with recent releases like «The Founder» and «Get Out,» and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz (Salma Hayek, «Savages»), a new - age holistic healer who works at a cancer rehabilitation center, does private massage therapy on the side, lives with her pet goats and drives a broken - down Volkswagen.

Despite a lot of pre-release buzz — including a new award for cinematic excellence at the Rome Film Festival and the Hollywood Film Awards» animation prize — Guardians does not add to the upward creative trend.

A burial in the February boneyard of cinematic crap is not a confidence builder, but then, the new teaser trailer for Zoolander II doesn't commit to that date, instead saying only «Coming in 2016».

Marvel's new «Project Gamma» (which, sadly, has nothing to do with the Hulk — at least not directly) aims to bring a cinematic level of music to the world of comics.

This new «cinematic» trailer doesn't show too much and only gives us a little tease as to what the titular character will be facing.

While the campaign is crafted with an excellent sense of cinematic detail and tons of flashy yet horrific sequences that capture the essence of war, it's an experience that really doesn't offer anything new to what has already been seen already in games that have already covered the second World War, and the A.I. — especially friendly soldiers — is occasionally wonky.

While this time around Kiryu doesn't have four combat styles at his disposal like in Yakuza 0 and Kiwami, players get to customize their fighting style with experience points gained from combat, eating, and side quests, opening up tons of options — like new attacks, parries, and the always awesome Heat moves — to demolish enemies in cinematic style.

Based on what Smith says in the interview all we can expect in this expansion is a handful of strikes, one measly raid and a new area which will more than likely contain very little to do and most of the story (which is now voiced with cinematics, something they completely forgot during the original DLC's hence why you don't hear Peter Dinklage phoning in his performance again) will take place in locations you've already visited time and time again.

The result is an experience that's remarkably cinematic, fueled by the game's new Fox Engine which certainly doesn't skint on the details.

Yes, any LBP1 costumes purchased on the PlayStation Store will be compatible with LittleBigPlanet 2 — We can't wait to see you what you guys do with the various costumes combined with the new cinematic tools!

From those three, KH3 certainly seems like the one closest to completion so I don't think it's unrealistic to hope for a new cinematic trailer at the very least.

The cinematic trailer does not contain any gameplay footage, although it does give a good idea of the new features coming to the game.

Although the original didn't have an Earth - shatteringly new story, it displayed it with a much stronger cinematic presentation, and the character addition of Rosalina provided not only the series» most fleshed - out character, but also brought a genuinely touching side - story to the table.

We do know that the newest game will expand its sights to include other super heroes recently making their way into the Marvel Cinematic Universe, such as the titular Doctor Strange.

Much as they did with Age of Ultron, Zen Studios announced they are working on a new Pinball FX 2 table to coincide with the release of Marvel's latest cinematic release, Ant - Man!

Really shiny things that don't mean anything, Public Commission, Trybuna Honorowa, Plac Defilad, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL Ryan Gander, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK Icarus Falling - An Exhibition Lost, Maison Hermès, Le Forum, Tokyo, JP Meaning... surrounds me now, 1223 Gendaikaiga, Tokyo, JP New Collisions in Culturefield, Johnen Galerie, Berlin, DE Locked Room Scenario, Artangel, London UK Now there's not enough of it to go around, Annet Gelink Gallery, Amsterdam, NL You have my word, Dazaifu Tenmangu, Fukuoka, JP Attempting to remain light on ones feet: Work from Daiwa Collection, Okinawa Prefectural Museum, Okinawa, JP Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how a contemporary gesture came into being, an illustration of the physicality of an argument between Theo and Piet regarding the dynamic aspect of the diagonal line and attempting to produce a chroma - key set for a hundred cinematic scenes, Taro Nasu Gallery, Tokyo, JP

This quest for new forms of Black subjectivity is one that Jafa has been seeking through his cultural criticism, his archive and previous cinematic accomplishment Daughters of the Dust and, more recently, Solange's Cranes in the Sky and Don't Touch my Hair.

But these new cutouts don't much resemble his earlier, Pop - inflected works; attached to wide, U-shaped aluminum stands, they have a flickering, cinematic presence that's enhanced by warm spotlights.

... Resuming Fragmented Histories, Steirischer herbst & Künstlerhaus, Halle für Kunst & Medien Last year at Marienbad, Bureau for Open Culture, EFA Project Space, New York, US ArtBO International Art Fair Bogota, CO In the Cut, ACCA Australian Centre for Contemporary Art, Melbourne, AUS The Sea is my Land, MAXXI Museum Rome, Rome, IT En suspension... a Marc Camille Chaimowicz's statement, Frac Carquefou, FR Cinematic Scope, Georg Kargl Fine Arts, Vienna, AT Zero Point of Meaning, Camer Austria, Graz, AT Europen Kunsthalle in Bregenz, KUB Arena Kunsthaus Bregenz, Bregez, AT Speak Memory, Miriam and Ira D. Wallach Art Gallery — Colombia University, New York, US Tomorrow Was Already here, MARCO, MX Sin Motive aparante — For no Apparent Reason, CA2M Centre de Art Dos de Mayo, Madrid, ES

While it's not clear who will be playing Spider - Man in his first Marvel Cinematic Universe appearance, in a statement Sony does refer to him as «the new Spider - Man,» so it appears that Andrew Garfield, who played Peter Parker in the last two Sony films, is out.