If you can get pass or forget the «let me tell you something» tone of the piece, you've got a nicely
done oater.
Not exact matches
As if on cue, a swell of new
oaters has tumbled into view this year to prove as much, and each of them in their own way plays less like a period piece than it
does a mirror.
But the conventions of the Western — even the ones that are very specific to a period — don't work like the conventions of horror; they aren't based on tone, which is actually why
oaters hybridize so easily.