Commonly cited examples, which are repeated in the catalog, include, among others, Lynda Benglis» pouring of pigmented
latex directly on a floor, on which it hardened; Richard Serra's works in which he cast molten lead into the corner where floor met
wall (one of which has been reproduced at SFMOMA); Robert Smithson's pouring of viscous asphalt
down a hillside outside Rome; and Eva Hesse's «Rope Piece,» in which lengths of rope were let to hang loosely in a space in three - dimensional mimicry of the skeins of pigment in Pollock's drip paintings.