«Printworks 2002,» 36 prints made by more than two
dozens artists using techniques including silkscreen, monoprint, woodcut, lithograph, etching and wood engraving.
Not exact matches
Magazines such as Frank Leslie's Illustrated Newspaper and Harper's Weekly went a step further: They sent
dozens of intrepid professional
artists and illustrators into the field — Alfred Waud and Winslow Homer were only the most famous — and employed the fairly new technology of «electrotyping,» which
used a combination of chemicals and electric current to make more detailed and easily reproduced prints.
There are a half
dozen excellent cringe - inducing scenes in Ruben Östlund's art world satire The Square, from the foul - mouthed interruption of an
artist's talk to a round of tug - of - war over a
used condom.
Calculated to stand out from the several
dozen white male
artists at the Biennial (and in every other high - profile show and job applicant pool), Scanlan
uses «Woolford» to usurp the visibility accrued to minority
artists in the contemporary art spotlight by the fact of their relative absence.
Excerpt — «Ballpoint Pen Drawing Since 1950,» features work by nearly a
dozen artists created with the humble ballpoint pen... Here you have ballpoint masters like Il Lee, whose abstract «BL - 120» (2011)
uses the pen's minute hatching capabilities, as well as the shininess of its ink, to full effect... — Martha Schwendener full article: http://www.nytimes.com/2013/04/07/nyregion/a-review-of-extreme-drawing-at-the-aldrich-contemporary-art-museum.html
Rugoff's effort presents examples of the «
use and translation» of photographic imagery in recent painting and considers each of its twenty - two
artists in surprising depth: Most have about half a
dozen canvases in the show.
Using humor, emotion and myriad materials, the
dozen artists and their collaborators put a surprise around every corner.
There are at least a half -
dozen artists in the show
using fabric, collage, embroidery, and other malleable materials to make art out of bits and pieces so that «Trigger» exhibits a strong subset of
artists who indulge a fabulous Proustian drive to devour materials and processes in minutiae — including Ellen Lesperance's reversal of this process
using super-close-up pictures of knitted fabrics to make geometric drawings.
According to a federal complaint filed last week in New York, Spoutz, 32 — also known as Chad Smith, John Goodman and James Sinclair — sold
dozens of works of art that he falsely claimed were by famous
artists like Willem de Kooning, Franz Kline and Joan Mitchell,
using forged documents to convince buyers of their authenticity.
A new digitally - minded exhibition by the art writing team at Art F City features more than two
dozen works by
artists who
use animated GIFs to create work — from Brenna Murphy's dizzying electronic architecture to Jacolby Satterwhite's pulsing alternate universe.
Also on view is the exhibition «Material as Metaphor,» which features nearly a
dozen artists exploring contemporary iterations of fiber art
using materials such as vinyl, industrial felt and wire.
OVER THE PAST
DOZEN OR SO YEARS, the
artists who made the most of new technologies were often those who least knew how to
use them.
For his third solo exhibition with the gallery, New York
artist Yoshiaki Mochizuki has created a
dozen new paintings on wood panels featuring his signature
use of layered gesso, burnishing clay, ink, pigments and precious metal leafing.
There are
dozens of services and software to
use in building your web portfolio, but Creative Capital's Internet for
Artists (IFA) team only recommends two.
The first project of Matthew Higgs, the new curator of art and design at the college's Wattis Institute for Contemporary Arts, «To Whom It May Concern» assembles work by two
dozen individual and collaborating
artists using explicit communications.
For a case in point, at the Richard & Dolly Maas Gallery on the SUNY Purchase campus in Upstate New York, an exhibition called «Physical Painting» presents the work of a
dozen artists who for the most part
use materials other than paint.
Some of the two
dozen artists craft works that appear fragile, while others merely forgo delicacy,
using household or industrial materials.
Its tentacles snake through the streets of Ljubljana, paralleling the river as it runs past the city's charming Baroque buildings, growing with every careless action of local residents, whose discards have created the creature within their midst: The Plastic Bag Monster.Working with the environmental group Ekologi Brez Meja (Ecologists Without Borders), which had previously organized clean - up days in the area, Slovenian
artist The Miha Artnak collected 40,000
used plastic bags and 7,500
used plastic cups from three
dozen schools, a handful of city offices, and more than 500 individuals.