Not exact matches
Mosset, in addition to a series
of his infamous «circle paintings» from the 1960s, will present a
large - scale installation
of several
dozen Toblerones,
large cardboard
sculptures based on anti-tank structures used by the Swiss army.
Significant donors include Dr. and Mrs. Harold L. Tonkin, who bequeathed a
large portion
of their collection
of Asian ceramics and decorative arts along with numerous European paintings with Asian themes; Dr. William E. Harkins, who has donated more than 150 Japanese prints to the museum since the mid-1970s; Mary Jane Harris and her late husband, Morton, who have given several Italian Baroque paintings with a number more promised; Joseph and Janet Shein, who have donated more than two
dozen contemporary paintings and
sculptures since 2000; and,
of course, Barbara Palmer and her late husband, James, who have not only made great contributions to the museum's collection
of American art but also gave $ 2 million in 1986 to initiate the campaign to expand the museum.
Along with a
dozen discrete
sculptures and reliefs, the exhibition features two
large - scale installations made
of groupings
of individual
sculptures.
Ranging from photography to drawing to installation, the more than four
dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new
large - scale
sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level
of alchemy, the act
of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).
Installation view
of «Alexander Calder: Movement Lab», which houses a half
dozen sculptures and abuts another «palate cleanser», a terrace that hosts additional Calders and the
largest living wall in the United States.
«The Original Copy: Photography
of Sculpture, 1839 to Today,» at the Museum
of Modern Art, 11 West 53rd Street, through November 1, moma.org This stunner, organized by MoMA photography curator Roxana Marcoci, may be the surprise star
of the summer, assembling
dozens of works that document other pieces, from Lee Friedlander's snapshots
of public monuments to Robert Mapplethorpe's iconic portrait
of the late Louise Bourgeois with a
large sculptural phallus tucked under her arm.
In Deodorized Central Mass with Satellites (1991 — 99), an installation
sculpture made from untidy clusters
of toys suspended from the ceiling, a
dozen monochrome plush - toy spheres, linked by a system
of cables and pulleys across the ceiling, orbit around a central, rainbow - colored blob; ten
large, geometrically faceted, brightly colored wall - reliefs are actually monumental dispensers
of pine - scented air freshener, which automatically send their cleansing spray into the room at timed intervals.