Not exact matches
The top half was really satisfying to me, the way the
thick paint was
dragged over a semi-landscape.
To achieve the clotted density of xeroxed text, Jack Whitten
dragged afro combs and saws through
thick sheets of black and white
paint.
In other words I carefully applied a
thicker coat, and I confess that I did brush backwards on the same stroke in a few areas which tends to
drag the
paint down to the original finish (old habits die hard!!)