Sentences with phrase «drama in my life other»

Not exact matches

Of course there are other reasons for my sporadic blogging this year: a surprise new baby coming which completely disoriented us, a new book to finish writing (and I will share all about that in January), travelling and speaking all over North America, stewarding the message of Jesus Feminist throughout her first year of life, creating the Jesus Feminist collection with Imagine Goods, a trip to Haiti, new opportunities as a writer, three tinies at home with their own lives and drama and growth and change, remodelling parts of our home, marriage, church, friends, life, work, laundry (oh, can we talk laundry?!)

Humans, because of their addiction to drama, suffering and conflict must realize they are all swimming in a limitless soup of energy and all are worthy of this, all humans must work to get rid of their addiction to drama, suffering and conflict and love and respect each other and help each other achieve happiness and live in peace.»

I served this the other night along with a flank steak (recipe to come), and Ella said that it was the best day of her life (can you sense the drama we have in our house??)

If we didn't have Drama Mom, we couldn't confidently threaten our significant others with canceling the cable TV, knowing we would never be wanting for adequate popcorn - popping entertainment with this woman in our lives.

The compulsion to view others may be a basic instinct among apes, which underlies our interest in watching social dramas, whether live or recorded.

I'm his20 years of age got ta his head on my shoulders and know what I want in life... I have one child I go to skool takeing up crime Justice io do wroked I don't drive at lest not yet... I do not do drama I'm later back fun loveing person but if u push me da wrong way I'll see other side of...

I am a happy guy, and don't like a lot of drama, I am drug and alcohol free and want to enjoy life to the fullest, I love the beach and going out to play in nature or sight see, Let's have a great time and see if we are good for each other.

Say what you will about Katy Perry, Taylor Swift, and any of the other celebrities caught up in the drama relationship problems, * cough Nicki Minaj cough; * but there are a few notes we can take to apply in our lives about being petty.

For that fact, I don't need any drama in my life of I spend too much time with my son and not enough time with my significant other.

Hey there well I'm sweet romantic guy thats not into the games well I have my own place I call home and I'm a hard worker my job is important to me because it pays my bills, I was raised in a good family environment and it taught me to work hard and get somewhere in life I'm looking for a down to earth person that I want to share my dreams with could that be you??? I'm not looking for any hookups or drama please I live a peaceful life and like to keep it that way anyways I love romantic dinners, walks on a beach especially at night with signaficant other, I love to do spontaneous things I'm a very easy going active guy but there are some nights just love to stay home and make a movie night.

im a nice guy whos waiting 4 that one girl that has had enough of the fights and other dramas in life and want that better life of love and honest companionship if that's you contact me thx

«The Affair» The Showtime drama is about the lives of its characters in relation to each other, not the outside world.

Following high - profile roles in Dirty Dancing: Havana Nights and Criminal (both 2004) the young star stepped before the camera for none other than Steven Spielberg for the 2004 drama The Terminal, which was inspired by the true - life tale of Iranian refugee Merhan Karimi Nasseri.

Academy Award ® winner Angelina Jolie directs and produces Unbroken, an epic drama that follows the incredible life of Olympian and war hero Louis «Louie» Zamperini (Jack O'Connell) who, along with two other crewmen, survived in a raft for 47 days after a near - fatal plane crash in WWII - only to be caught by the Japanese Navy and sent to a prisoner - of - war camp.

The Way Way Back does generate a fair amount of laughs throughout the film, but misses on the emotional level because of the underplayed drama between mother and son — a shame because Collette's character had real potential to be more than just a naïve mother who is content with looking the other way for everything in life.

Amazon has given a straight - to - series order for a period crime drama called Tong Wars to be written by Paul Attanasio (Bull, Homicide: Life on the Street) and directed by Wong Kar - wai (In the Mood for Love) that will apparently be based on the Chinese gang wars that occurred in the late 1800s in the Chinatown districts of San Francisco and other big U.S. citieIn the Mood for Love) that will apparently be based on the Chinese gang wars that occurred in the late 1800s in the Chinatown districts of San Francisco and other big U.S. citiein the late 1800s in the Chinatown districts of San Francisco and other big U.S. citiein the Chinatown districts of San Francisco and other big U.S. cities.

Among the other dramas he made during these early years were the romantic «All the Real Girls» from 2003, starring Zooey Deschanel and a then - unknown Danny McBride, and 2007's «Snow Angels,» about intersecting, doomed lives in a small town starring Kate Beckinsale and Sam Rockwell.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

The other major new release this week is László Nemes» «Son of Saul,» a Holocaust drama, which follows a day - and - a-half in the life of Saul Ausländer (Géza Röhrig), a Hungarian member of the Sonderkommando, who helped assist in the disposal of gas chamber victims.

Other Boston crime dramas set for release this year are Ben Affleck's Prohibition - era thriller, Live by Night, and Ben Wheatley's Free Fire, a»70s shoot»em up set in a warehouse starring Brie Larson and Armie Hammer.

Michael Douglas presented The Social Network with the Golden Globe for Best Picture of the Year - Drama and producer Scott Rudin accepted the award, saying: «Thanks (to) everybody at Facebook, especially to Mark Zuckerberg for providing us a great metaphor about how we relate to each other, today, in our lives.»

The Cake Eaters — 7/57 Releasing — Mary Stuart Masterson's small town drama about two families coming to grips with the trauma of change in their lives, starring Melissa Leo among others.

In addition to «A Woman's Life» (see earlier post), there were three other outstanding period dramas we enjoyed at COLCOA that are well worth seeing if you get the chance.

Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Other highlights are ADAMA a deeply moving animation about the life of a young boy in West Africa in 1914; Mamoru Hosoda's THE BOY AND THE BEAST, an exquisitely animated fable about a boy who has run away from home and is alone in the human world following the passing of his mother; Jury Feting's CELESTIAL CAMEL, a fascinating and thrilling tale about a 12 year old herder whose father has sold a young colt who may be the fabled «celestial camel»; Academy Award ® winner Gabriele Salvatores» THE INVISIBLE BOY, a charming coming of age tale about a shy boy, picked on by his peers, who gets his wish to hide from the world when he discovers a Halloween outfit that makes him invisible; Alexandre Heboyan and Benoît Philippon's hugely enjoyable CGI animated adventure MUNE, about a faun who lives in a faraway world; Studio Ghibli's beautiful drama WHEN MARNIE WAS THERE, directed by Hiromasa Yonebayashi; and the World Premiere of Tim Clague and Danny Stark's WHO KILLED NELSON NUTMEG?

Deadline reports that Hahn — whose other recent roles include The Visit, Captain Fantastic, and a turn as one of the titular Bad Moms — is in talks to star in Tamara Jenkins» new streaming drama Private Life.

David O. Russell's chaotic and jumpy style perfectly suits this story of a man suffering from bipolar disorder trying to correct his life amidst an unusual romance, a temperamental football - obsessed father, and any other type of everyday drama that can stand in the way of a positive and happy life.

I can see by all the other reviews that I'm dramatically in the minority here but if a teen drama around terminal illness is what you're looking for on a Sunday afternoon, then 2014's «The Fault in Our Stars» is much more deserving of your time with characters you'll actually care about and a story that will leave you thinking about life and how to make the most of it long after the end credits have rolled.

Other examples of historical characters in biographies in the 1930 - 40s included Norman Taurog's children's dramatic film Young Tom Edison (1940) about the famed inventor (Mickey Rooney), The Story of Alexander Graham Bell (1939), the historical drama Marie Antoinette (1938) about the famous Austrian princess who married future King Louis XVI, Michael Curtiz» costume drama The Private Lives of Elizabeth and Essex (1939), and Mervyn LeRoy's oft - nominated Madame Curie (1943) with Greer Garson as the title character researching radioactivity with her husband Pierre (Walter Pidgeon).

The only extras include the Blu - ray - only Making Every Second Count with Spencer Stone, Alek Skarlatos and Anthony Sadler taking us moment - by - moment through the real - life drama, just as they lived it and on both discs, Portrait of Courage with Eastwood and his creative team telling why they took the bold step of casting the three Americans to play themselves in the film and other approaches to the film.

Dazzlingly well made and perhaps deliberately less fanciful than the previous entries, this one is played in a mode closer to palpable life - or - death drama than any of the others and is quite effective as such.

Jeff Nichols ««Loving,» on the other hand, is a movie that looks like Oscar bait on paper (a drama about an interracial couple in the South in the 1960s who went to court for the right to live together) but plays far more subtly than that.

With echoes of Gus Van Sant's «Drugstore Cowboy,» «Animals» is a breakout film for everyone involved, a riveting drama about codependence in the life of two junkies who may love each other so much that they're dragging each other down into their addictions.

The Oscar - winning surveillance drama The Lives of Others (# 15) infiltrated the Top 25, along with Lost in Translation (# 14).

The drama starring Bill Hader and Kristen Wiig as long - estranged and troubled twins reuniting and putting each others» lives back on track took in $ 410,756 from 15 theaters for a strong $ 27,383 per - theater average for Roadside Attractions and Lionsgate.

Other notable films that will screen at TIFF include Tom Ford «s «Nocturnal Animals,» with Jake Gyllenhaal and Amy Adams; «Whiplash» director Damien Chazelle «s musical «La La Land,» with Ryan Gosling and Emma Stone; Peter Berg «s «Deepwater Horizon,» a true - life drama about the oil spill, starring Mark Wahlberg and Kurt Russell; Werner Herzog «s «Salt and Fire,» a drama in which Michael Shannon and Gael Garcia Bernal face ecological disaster in South America; Ewan McGregor «s Philip Roth adaptation «American Pastoral,» the actor's directorial debut; Denis Villeneuve «s sci - fi drama «Arrival,» formerly titled «Story of Your Life,» with Amy Adams and Jeremy Renner; Juan Antonio Bayona «s «A Monster Calls»; «Denial,» Mick Jackson's drama starring Rachel Weisz as a historian sued by a Holocaust denier; Irish director Jim Sheridan «s «The Secret Scripture,» with Vanessa Redgrave and Rooney Mara playing two different ages of a woman who keeps a diary of her time in a mental hospital; and «Mascots,» Christopher Guest «s comedy about the world of sports masclife drama about the oil spill, starring Mark Wahlberg and Kurt Russell; Werner Herzog «s «Salt and Fire,» a drama in which Michael Shannon and Gael Garcia Bernal face ecological disaster in South America; Ewan McGregor «s Philip Roth adaptation «American Pastoral,» the actor's directorial debut; Denis Villeneuve «s sci - fi drama «Arrival,» formerly titled «Story of Your Life,» with Amy Adams and Jeremy Renner; Juan Antonio Bayona «s «A Monster Calls»; «Denial,» Mick Jackson's drama starring Rachel Weisz as a historian sued by a Holocaust denier; Irish director Jim Sheridan «s «The Secret Scripture,» with Vanessa Redgrave and Rooney Mara playing two different ages of a woman who keeps a diary of her time in a mental hospital; and «Mascots,» Christopher Guest «s comedy about the world of sports mascLife,» with Amy Adams and Jeremy Renner; Juan Antonio Bayona «s «A Monster Calls»; «Denial,» Mick Jackson's drama starring Rachel Weisz as a historian sued by a Holocaust denier; Irish director Jim Sheridan «s «The Secret Scripture,» with Vanessa Redgrave and Rooney Mara playing two different ages of a woman who keeps a diary of her time in a mental hospital; and «Mascots,» Christopher Guest «s comedy about the world of sports mascots.

Academy Award ® winner Angelina Jolie directs and produces this epic drama that follows the incredible life of Olympian and war hero Louis «Louie» Zamperini (Jack O'Connell) who, along with two other crewmen, survived on a raft for 47 days after a near - fatal plane crash in WWII — only to be caught by the Japanese navy and sent to a prisoner - of - war camp.

The characters in Golden Exits aren't exactly artists but the sort of people who spend their lives preserving or recording artists» works as well as their odds and ends, spending their lives with the dramas other people created.

Other new shows premiering include: procedural Killer Women (Thursday, Jan. 7), about one of the first women to become a Texas Ranger; Christian Slater vehicle, Mind Games (Tuesday, March 11), about a team that uses unorthodox methods to help people make their dreams come true; half - hour comedy Mixology (Wednesday, February 26) about ten people at various points in their lives congregating in the same bar over the same evening; and Resurrection (Sunday, March 9), a one - hour drama series about life in Arcadia, Missouri when the townspeople deceased loved ones begin to return to them — unchanged from the moments of their deaths.

It isn't often a period drama (or any other major release for that matter) features the word «cunt» so prominently, but Joe Wright's adaptation of Ian McEwan's novel breaks that and several other taboos in exploring the effect a single act of dishonesty can have on many lives.

Other World Premieres that have us intrigued: Walter Hill's «(re) ASSIGNMENT» with Michelle Rodriguez & Sigourney Weaver; Tony Elliott's sci - fi mindbender «ARQ»; Vikram Gandhi's Obama drama «Barry»; Greg McLean's star - studded Midnight Madness entry «The Belko Experiment»; Alexandre Lehmann's «Blue Jay» with the great Sarah Paulson & Mark Duplass; Susan Johnson's «Carrie Pilby,» starring Bel Powley & Gabriel Byrne; «City of Tiny Lights» with the fast - rising star Riz Ahmed; Rachel Lambert's «In the Radiant City»; Bronwen Hughes» «The Journey is the Destination»; Rob Reiner's «LBJ,» with Woody Harrelson as the controversial leader; Juan Carlos Medina's «The Limehouse Golem» with Olivia Cooke & Bill Nighy; Garth Davis» «Lion»; Antoine Fuqua's star - studded «The Magnificent Seven»; Avi Nesher's «Past Life»; Lone Scherfig's «Their Finest» with Gemma Arterton; Adam Leon's «Tramps.»

Related Reviews: High School Musical: Remix - 2 - Disc Special Edition DVD • High School Musical: Soundtrack CD High School Musical 2 (Extended Edition) • High School Musical 2 (Deluxe Dance Edition) • High School Musical 3: Senior Year High School Musical: The Concert • High School Musical DVD Game High School Musical: 2 - Disc Special Edition Soundtrack • Disney's Karaoke Series: High School Musical CD From Director Kenny Ortega: Newsies • Hocus Pocus • The Cheetah Girls 2 Starring Ashley Tisdale and Featuring Zac Efron: The Suite Life of Zack & Cody: Taking Over the Tipton Disney Channel and Other TV Productions: Once Upon a Mattress • Little House on the Prairie • Halloweentown & Halloweentown II: Double Feature Cadet Kelly • Return to Halloweentown • The Muppets» Wizard of Oz • Angels in the Endzone Disney Goes to High School: Sky High • The Princess Diaries (Special Edition) • Ice Princess • Remember the Titans (Director's Cut) Boy Meets World: The Complete Third Season • Confessions of a Teenage Drama Queen • Halloweentown High Sweet Valley High: The Complete First Season • Popular: The Complete Second Season Other Musicals from Disney and Its Various Branches: Pete's Dragon • The One and Only, Genuine, Original Family Band The Happiest Millionaire (Roadshow Edition) • Mary Poppins (45th Anniversary Edition) • Bride & Prejudice

GOD FRIENDED ME stars Brandon Micheal Hall in a humorous, uplifting drama about Miles Finer (Hall), an outspoken atheist whose life is turned upside down when he receives a friend request on social media from God and unwittingly becomes an agent of change in the lives and destinies of others around him.

Up for four other prizes — including Best Director and Best Original Screenplay — the Austrian end - of - life drama will likely follow in the footsteps of the three previous Best Foreign Film / Best Picture double nominees (Life is Beautiful, Z, and Crouching Tiger, Hidden Dragon), easily taking the Foreign Film Oscar and leaving the big one for domestic prodlife drama will likely follow in the footsteps of the three previous Best Foreign Film / Best Picture double nominees (Life is Beautiful, Z, and Crouching Tiger, Hidden Dragon), easily taking the Foreign Film Oscar and leaving the big one for domestic prodLife is Beautiful, Z, and Crouching Tiger, Hidden Dragon), easily taking the Foreign Film Oscar and leaving the big one for domestic product.

His latter - day police drama, To Live and Die in LA (1985) was no French Connection but featured two memorable chases — one involving a fleet of pursuers through an obstacle course of trucks and narrow lanes, the other an airport foot chase culminating in a memorable men's room arrest.

Those early years included a turn as Hugh Laurie's son in the short - lived series, Fortysomething; starring as Stephen Hawking in the TV movie, Hawking, and Vincent van Gogh in the TV movie, Van Gogh: Painted with Words; and roles in period dramas Atonement, The Other Boleyn Girl, War Horse and Parade's End.

Brandon Micheal Hall stars in a humorous, uplifting drama about Miles Finer (Hall), an outspoken atheist whose life is turned upside down when he receives a friend request on social media from God and unwittingly becomes an agent of change in the lives and destinies of others around him.

About midway through Tom McCarthy's award - winning newspaper drama Spotlight, one of the film's crusading journalists makes a shocking discovery: Right down the block from where his children live and play is a rehab house for Catholic priests — a place, in other words, where disgraced clergymen lay low after the church...

Jung's rise up the ranks and his various indulgences in all a big - time drug dealer's life has to offer give Blow an inevitable resemblance to other dark dramas that touch on drug use; with its voiceover narration and the presence of Ray Liotta (who plays Jung's working class father Fred), GoodFellas is a clear influence on Demme and screenwriters David McKenna and Nick Cassavetes (adapting the book by Bruce Porter).