Not exact matches
More compelling
than the general run of fictional
drama, and often funnier, sadder and more poignant, Cops at first seems to be an unassembled jigsaw puzzle... This is a
documentary being pieced together before our eyes.
There's also an odd episode or two that is more
documentary than drama, which is an odd mix since the film makes no attempt at realism.
Not merely a
documentary portrait, but an engrossing
drama with more twists and turns
than your average thriller.
Film - geek auteur projects, psychotronic fanboy - friendly blockbusters, over-the-top midnight movies, under - the - radar indie
dramas and more music
documentaries than you can shake a D.A. Pennebraker - approved stick at — the annual SXSW Film Festival (kicking off on March 10th) has always specialized in a sort of eclectic, lo - fi - meets - high - art - for - a-Shiner-Bock vibe when it comes to their programming.
Godfrey Cheshire, RogerEbert.com: «All in all, wouldn't the subject of drone warfare be more effectively treated by a well - reported
documentary than by a
drama that poses questions of accuracy throughout?»
Other highlights in this strand include: Miguel Gomes» mixes fantasy,
documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful
documentary about the pleasures and perils associated with the «chemsex» scene that's far more
than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a
drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
Police corruption
documentary Precinct Seven Five plays out with more adrenaline and thrills
than the stark and meditative Black Mass, while crime
drama A Most Violent Year is more arrestingly stylish.
The movie performs its act of documentation almost frighteningly well, to the point where the scenes occurring before the viewer bear a stronger resemblance to a
drama than the conventional ideal of
documentary.
Rather
than spending your time scrolling through categories, trying to track down the perfect film to watch, we've done our best to make it easy for you at Paste by updating our Best Movies to watch on Netflix list each month with new additions and overlooked gems alike, bringing you our favorites from across genres: Oscar - winning
dramas, independent and art - house films, action blockbusters,
documentaries, comedies, sci - fi flicks and animated movies for both kids and adults.
ASSOCIATE EDITOR JAKE LINGEMAN: «Rush» plays out more like a familiar movie
drama than an all - out F1 - geekfest like the «Senna»
documentary.
Indeed still, some of its
drama and sporting coverage has much to commend it, however in the serious field of the
documentary and news reporting, there is little to say other
than is no longer worthy of being believed.