Not exact matches
Despite the
actors being plagued with stiff dialogue exchanges from a screenplay that's almost impenetrable, Neustaedter and the whole cast salvage what they can from it, and at times, even
manage to evoke a spark of emotion, in this otherwise drab and confused
drama.
After the rush to switch out
actors and recut the entire movie in the process, many feared that All the Money in the World, a biographical
drama about the kidnapping of John Paul Getty III, would be unsalvageable - and yet Scott
managed to pull it off.
Jon Hamm
managed one final win for Mad Men in Best
Actor in a
Drama Series, his first win since 2008 for the first season.
The first two acts of The Maze Runner play out exactly as you'd expect them to, with all of the various details and requisite dynamics sketched in through the thin characterizations of the group's leader Alby (Aml Ameen, who along with Sangster are the only
actors who
manage to escape this unscathed), the rote and relentlessly irritating (for no reason other than
drama) group villain Gally (Will Poulter, whose acclaim and popularity continues to baffle me as he turns in another dreadful performance), the trite cliche of the young innocent Chuck (Blake Cooper) and so on.
It's an incredible tonal balancing act, half cinéma vérité, half reality TV confessional, and it's
managed almost perfectly by
actors who commit to the premise (devised by screenwriter Steve Rogers, best known for romantic
dramas like Hope Floats), and director Craig Gillespie, who is no stranger to odd tones, having directed Lars and the Real Girl.