Not exact matches
Watch any
film, soap or
drama on TV and any bedtime will
look exactly like this.
Magic Mike is a 2012 American
drama film directed by Steven Soderbergh and starring Channing Tatum, Alex Pettyfer, Matt Bomer, Joe Manganiello, and Matthew The 45 - year - old actress
looked absolutely fantastic while leaving a party with husband Joe Manganiello in Los Angeles on Saturday night.
AUSSIE escort duo to find no idea of it's not
looking for some
drama film database of sex with photos.
While the
film was not released until 1987 and received poor distribution, Doe's rugged good
looks and cool charisma registered well on screen, and he soon landed small roles in Oliver Stone's breakthrough
film Salvador and Wayne Wang's neo-noir
drama Slam Dance.
If you've enjoyed the book, then by all means, this adaptation is by far the best take on Fitzgerald's material, and it's a
film well worth your time if you've enjoyed the book or if you're
looking for a finely crafted
drama with some fine performances.
Maybe this whole
film would have
looked better as a conventional courtroom
drama.
Speaking of Burton, forget the Jews, because this
film really
looks bad for atheists, as I can see some Bible thumper saying that the most inaccurate thing in this (Snicker, snicker) Biblical
drama is Burton's character feeling guilty about killing Christ.
Olivier then becomes intensely curious about his new student... [/ font][font = Century Gothic][/ font][font = Century Gothic] «The Son» is a tense
drama that is
filmed with handheld cameras, so the viewer is
looking at Olivier's point of view throughout the
film.
The Atlantic
looks back on the key
film scenes of 2017, this time a moment in James Franco's biographical
drama - comedy.
The Atlantic
looks back on the key
film scenes of 2017, this time Meryl Streep's big moment in Steven Spielberg's 1970s newspaper
drama.
I was quite surprised at the amount of
drama in this
film because the trailers made it
look like a flat out comedy.
Take a
look at the intriguing mix of indie
dramas, horror
films, and action thrillers now available on demand!
But whereas that
film was a darkly comic
drama, bordering on a romance, his new
film looks to return him to much bleaker territory.
Despite this being a
film about Sherlock Holmes, the fact that it's not much of a mystery may disappoint die - hard fans, but as an astute
drama it's more than worth a
look because Ian McKellen...
Rochelle and Lee
look back at some of the key
films from this month, including Steven Spielberg's pop culture paean Ready Player One (00:46), Aki Kaurismäki's wry Finnish comedy -
drama The Other Side of Hope (05:49), Ruben Östlund's wry Swedish comedy -
drama The Square (08:08), Armando Iannucci's wry Russian comedy - satire The Death of Stalin (11:51), and Garth Davis's non-wry Biblical
drama Mary Magdalene (14:32).
The Way Way Back does generate a fair amount of laughs throughout the
film, but misses on the emotional level because of the underplayed
drama between mother and son — a shame because Collette's character had real potential to be more than just a naïve mother who is content with
looking the other way for everything in life.
Lionsgate has released the first -
look image from Roman Polanski's thriller -
drama «Based on a True Story,» which marks the French - Polish director's first
film in four years.
Yet the 2009 Oscars, for all their glitz and glamour,
look likely to be remembered chiefly for their celebration of one
film: a
drama about homeless oprhans in one of the world's most impoverished regions.
Other titles announced out of competition include: the closing night
film, Therese D, by Claude Miller, the French director who died earlier this month; Me and You, a new
drama from Bernardo Bertolucci; and Madagascar 3, which
looks to fill the regulation animation spot (previous cartoons to do the honours include Up and Kung Fu Panda).
A UK poster has arrived online for the upcoming
drama Denial along with a featurette which sees director Mick Jackson, stars Rachel Weisz and Timothy Spall, and author of Denial: Holocaust History on Trial, Deborah Lipstadt discussing the
film; take a
look below... Based on the acclaimed book Denial: Holocaust History on Trial, Denial recounts Deborah E. -LSB-...]
Those
looking to be inspired by a feel - good
drama based on real - life events may find it, while those
looking for a good story without the manufactured situations usually injected into these sorts of
films may not.
While the «Oldboy» helmer's particular brand of odd humor and unsettling
drama will most likely remain intact, certain aspects of the
film look to be taking a different approach, including the recent addition of one of the most talented composers working today.
This three - part
drama looking at the childhood, adolescence and adulthood of a gay black man from a tough part of Miami has been getting rave reactions out of the Telluride and Toronto
film festivals.
We
look at a handful of this month's
films, including Star Wars spinoff prequel Rogue One, Jim Jarmusch's contemplative
drama Paterson, science fiction
drama Passengers, and Amma Asante's true story adaptation A United Kingdom.
Compared to other historical
dramas, the
look of the
film works well enough but isn't all that impressive.
Anyway, Open Road is on a roll — they already shared great success on The Grey, End of Watch, Chef and recently Nightcrawler, and their upcoming slate is
looking good too, with Triple Nine, the upcoming crime -
drama heist
film directed by John Hillcoat and written by Matt Cook.
The
film's opening, with Ruth wandering around the moody twilight of the Howards End garden and
looking inside the house at a bright and lively dinner party, is a succinct and expressive way to begin a
drama that emphasizes both the need for and the difficulty of emotional connection across barriers.
MUG is a fine
film that gets the
drama right, the comedy right, and makes some pointed statements about religion and our collective obsession with the way we
look.
Just the third
film from fascinating director J.C. Chandor, it's a
look at the merits and moral compromise of the American Dream in a gritty
drama set in NYC's crime - ridden 1980.
The teaser trailer certainly makes the
film look like an embarrassment of riches, with the entire cast seemingly having the time (and hairstyles) of their lives, and if anyone can walk the fine line between serious
drama and screwball comedy, and deliver something that audiences and critics alike will love, it's Russell.
When Zero's backstory is given time to be explained, the
film looks to be heading in the direction of full - on
drama but thanks to the strength of the screenplay and the awareness of Anderson, we never quite go there.
Sophie and Lee
look back at some of the key
films released in January, including Pablo Lorrain's Jackie Bouvier Kennedy biopic Jackie, Martin Scorsese's meditative Catholic
drama Silence, and Kirsten Johnson's unique memoir Cameraperson.
We
look at this month's
films (according to UK release dates), which include Shane Black's detective buddy comedy The Nice Guys, Studio Ghibli's animated
drama When Marnie Was There, and the Australian adaptation of Timothy Conigrave's memoir Holding the Man.
One of those mopey independent
dramas that drifts through a mere hint of a plot, this
film is worth a
look for its unusual setting and a superb central performance from Paul Dano (last seen...
The Adventureland-esque pic
looks to be a nice little summer
film with a healthy mix of comedy and
drama, and there's a refreshing lack of cynicism in this trailer.
Corset - y period
dramas of repression and oppression are not normally our go - to bag but aside from the leads, who we'd queue to see read an old - timey phone book, the
film's setting is much grimier and more sordid than the drawing room / china teacup variety of period
drama (in keeping with the naturalism and class setting of Zola's novel) and gives the advance
look we've had an impressively distinctive
look and feel.
There is virtually no precedent for this
film, with past Christian movies
looking to inspire, move, or awaken with sentimental family
drama, Biblical stories, and apocalyptic tales of the Rapture.
What's surprising is that her latest vehicle is a straight - on
drama titled «I Smile Back,» a sobering, seriously downbeat feature
film in which Silverman plays the lead — and makes it
look as easy as delivering a raunchy joke about Paris Hilton.
In case you were wondering what the movie version of The Sopranos might have
looked like, director Luc Besson and producer Martin Scorsese are giving you a taste with The Family, a
film that seems to follow the HBO
drama's lead, albeit with a madcap comedic spin.
I got a
look at a handful of
films on offer this year, including a tremendous Colombia prison
drama starring...
Filmed gorgeously in black and white and often framed with wide vistas, the evocative
drama «1945» sometimes has the
look and feel of a Western — only in this case, the ultimate showdown pits a pair of Orthodox Jewish visitors against Hungarian villagers who fear that postwar vengeance is coming their way.
That this moody
drama is the last
film of James Gandolfini should not overshadow coverage of what
looks like a terrific crime thriller, written by Dennis Lehane and directed by Michaël R Roskam, whose Bullhead was a very sturdy Belgian Oscar nominee a few years back.
Another Swedish director to
look out for is Lisa Langseth, who has made her first English language
film, Euphoria, a dark
drama about two estranged sisters starring her friend and regular collaborator, Alicia Vikander, alongside Eva Green and Charlotte Rampling.
Yeah, I don't know, it's funny because I
look at the four movies that I've made this year or last year and I wouldn't say that they were like all intense
dramas, and so for me, it feels like the impact for a finished
film feels particularly tense, but I didn't... I don't know why, to be honest.
Pfeiffer does enough storytelling with a simple
look that the
film doesn't need to belabor every
drama with a cacophony of sounds and dark, «gritty» shots.
Todd Haynes» Carol is a
film about love and longing, the latter of which is a feeling Chicago cinephiles know all too well, as they've been
looking forward to seeing the acclaimed director's latest
drama for quite some time.
Answering our call was Annette Bening, who plays former Hollywood leading lady Gloria Grahame romantically linked to a much younger man in her final years in «
Film Stars Don't Die in Liverpool»; Jessica Chastain, who plays real - life poker entrepreneur Molly Bloom targeted by the FBI in «Molly's Game»; Diane Kruger, who won the Cannes
film festival's top acting prize for her portrayal of a woman whose husband and child have been killed by terrorists in «In the Fade»; Margot Robbie, who stars as disgraced figure skater Tonya Harding in the quirky «I, Tonya»; Saoirse Ronan, as a Sacramento teen
looking for her place in the world in «Lady Bird»; and Kate Winslet, who stars in Woody Allen's 1950s Coney Island
drama «Wonder Wheel.»
Lore is an emotive German language
drama by Australian director Cate Shortland and though it is primarily an investigation into how suffering, poverty and humiliation can work towards altering our ingrained political ideals, it's also a
film which takes a topsy - turvy
look how we identify with «strong women» in cinema.
In this week's DVD column Glenn
looks at an indie
film which mixes coming - of - age
drama with zombies.
At the
film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this
film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was
looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A
dramas, and more.