Sentences with phrase «dramatic character moments»

On the heels of The Avengers, arguably the perfect synthesis of action, comedy, and dramatic character moments, Joss Whedon was tasked with catching lightning in a bottle... again.

Not exact matches

Moments of laugh - out - loud humor are broken up with truly dramatic, affecting moments that make the character ultimately more complex than he initiallyMoments of laugh - out - loud humor are broken up with truly dramatic, affecting moments that make the character ultimately more complex than he initiallymoments that make the character ultimately more complex than he initially seems.

In movies where a famous character is being portrayed, there is always the dramatic «reveal» moment when we see... why, that's Warren Beatty!

What initially feels like a definitive portrait of those character building moments which occur before the sun rises soon becomes something more high risk and dramatic, but we won't tell you exactly what goes down.

It's telling that most of the powerful moments in this dramatic love story occur when Lili and Gerda (Alicia Vikander) are not together or when they are interacting with other characters.

The action sequences are well - staged and some of the more dramatic and symbolic moments feature characters surrounded by bright and beautiful visuals.

Director Gillespie infuses «I, Tonya» with a risky mix of dark comedy, deadly serious dramatic moments and having its characters often breaking the fourth wall to speak directly to the audience.

Lynn Collins stars as Princess Dejah, but while her character is intriguing, her acting is quite poor at times (though she does have a couple of solid dramatic moments).

Later, longtime second - banana and character - actress Judy Greer finally gets a big dramatic movie moment, and nails it.

Granik never strains to dot the story with regular dramatic peaks and troughs, instead managing to create and sustain an atmosphere where every moment and every character is charged with raw and real emotion.

Not fearless enough to nose the camera in the dramatic mire, like a soldier to the cause in a personal guerrilla war, Diego Luna «s film beckons a paint - by - numbers summary of the man's greatest achievements, the spark notes of a six - plus year period that glosses all with thin coats, rarely taking the opportunity to remain in the moment and settle in with the hard - won emotional beats of the characters.

It's fun, funny, exciting, and dramatic, balancing genuinely spectacular action scenes with moments of quiet character development.

It's a recipe that provides an entertaining experience, but the dramatic moments depend perhaps too much on character and plot from previous films, so that they lose a great deal of punch if viewers haven't seen The Maze Runner or The Scorch Trials in some time - or at all.

The dramatic moments are scary, the characters are unbelievable, their «problems» are pathetic.

Prickly, acerbic, and not without its rough edges, it's an enjoyably dark humored film wisely settling for small moments of emotional realism rather than exaggerated dramatic flair or tragicomic satire of its flawed characters.

The reality of his handlessness heightens his character's story and adds dramatic power to his every moment onscreen.

The characters (and actors) are pretty much faceless mice placed into an experimental maze, and the heavyhanded «dramatic» moments meant to correct the situation just end up hurting the film.

In truth, as a comedy, it's standard sitcom, and the broadly stereotypical characters are far beneath the talent of the stars, but the story does gain a bit of traction in the more dramatic moments in which these men, nearing the end of their lives, realize that they're no longer the spring chickens they used to be.

Luckily, the dramatic elements eventually coalesce into an interesting and thought - provoking drama, and we're rooted into the characters and their plights sufficiently to be interested in what happens to them, even if there are occasionally herky - jerky moments from time to time.

3 Days To Kill Drinking Game: 1) Drink whenever you hear a «boom» in the soundtrack to punctuate dramatic moments 2) Drink any time someone says a character's nickname («The Wolf,» «The Albino,» «The Accountant,» etc.) 3) Drink every time Kevin Costner's daughter's ringtone is heard Finish Your Drink When: You hear one of the more awkward title drops in a film to date.

It's what silent cinema does at its best: delve into the depth of the moment, drawing out action to explore the dramatic textures and letting the actors reveal the emotions of the characters, to show the audience rather than explain in intertitles.

Of the dramatic plot twists that routinely occur in suspense fiction, one character in Harriet Lane's Her complains that they are «unsatisfying... nothing like life, which — it seems to me — turns less on shocks or theatrics than on the small quiet moments, misunderstandings or disappointments, the things that it's easy to overlook.»

Between the character themes and the music that plays during the more dramatic moments, I like to call it my second - favorite RPG soundtrack.

One of these additions highlighted is the introduction to special dramatic cutscenes during certain moments of the game or if certain finishing moves are used against specific characters.

The most dramatic moments in Sonic Forces, for example, happen in cutscene form, with the player pulling off wild and dramatic jumps without any control over the character's movement, sans the occasional QTE.

Created in collaboration with his wife Nancy Reddin Kienholz, the work's dramatic parade of characters and objects at moments reveals Kienholz's influence on LA artists like Mike Kelley and Paul McCarthy.

Kleist's characters, like the Marquise von O, a young widow who mysteriously finds herself pregnant, are shown in moments of deep crises, plunged into states of extreme uncertainty, while the dramatic narratives often end without resolution.