There is not a single character, plot twist, or even a line of
dramatic dialogue in Blue Dragon that has not been used before - countless times.
On a far higher level, intellectually and spiritually, is that very noble philosophical poem called the Wisdom of Solomon, and that still nobler monument of ancient Hebrew thought, the Book of Job,
a dramatic dialogue in splendid and sonorous verse upon the theme of suffering and its place in a providential order.
Not exact matches
The most interesting part... lies
in the sharp
dialogues and
in the central character that functions as the guiding thread of a story that hides
dramatic trimmings within the same comedy... [Full review
in Spanish]
This is perfectly
in keeping with the style of the Broadway production, which features much more of this style than the film does, with Condon beefing up the
dramatic dialogue for purposes of an easier narrative and deeper characterizations.
Similar to «Foxcatcher» two years ago, there are lengthy
dramatic pauses
in between most of the lines of
dialogue.
Not only does it begin with an account of how bits of movie
dialogue (from «Rio Bravo,» «His Girl Friday») have entered her life, and the lives of her friends and colleagues, but it then segues into a great quotation from Steve Roman on SCTV (playing Juan Cortez, the first Puerto Rican Chief Justice of the US Supreme Court
in the
dramatic television series, «There's Justice for Everybody»): «It's got good actors, and that spells good acting.»
And when the deceit at the heart of the plot comes to light, it's revealed not through detective work or a
dramatic reversal, but by a guilty young American gunsel (Richard Jordan) who knew it all along — again,
in dialogue.
Where Happiness shocked
in measured spurts of excruciating, gripping
dialogue, Wartime is wasteful; squandering genuine
dramatic tension with profanity for the sake of shock value.
It's embarrassing to watch, and Dignam's clunky, stilted
dialogue — which the actors (including Jean Reno and Jared Harris
in supporting roles) struggle
in vain to rescue via
dramatic pauses — only makes matters worse.
Rarely has the seemingly unstoppable evil force
in a comic - book superhero film been given such a richly
dramatic background and so many scenes
in which there's actual
dialogue and not just CGI - laden battle sequences.
Ultimately, the movie needed a stronger overall structure and more defined scenes to allow the
dramatic beats to come through the improvised
dialogue more clearly (akin to Mike Leigh, another British filmmaker, who shoots fully realized scripts built through improvisation
in the rehearsal process).
A spiraling volley of
dialogue gradually whips up as all of the characters (plus a few random outliers) engage
in a dizzying scene that sees all of the story's
dramatic threads escalate at once,
in one room.
It looks like a lot of terrible acting
in between overly
dramatic slow motion sequences and ridiculous
dialogue.
Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas's evocative zither score; Graham Greene's razor - sharp
dialogue; and Robert Krasker's
dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows
in stature as the years pass.
Earle's screenplay adaptation of Life Is But A Dream won three awards
in the AOF (Action on Film) International Film Awards, for «Best
Dialogue for a Feature», «The Arthur Rosenfeld Award for
Dramatic Writing» and runner - up for «The AOF Award for Excellence
in Writing».
In her review, Hale writes that Cowell fleshes out «the artist's biographical outline with fresh imagery, well - paced
dramatic scenes and carefully calculated
dialogue.»
The action sequences, the background music, the
dramatic sliced - up
dialogue... it all feels like something I should be watching with sour patch kids
in hand while waiting for my movie to start.
While it may not be entirely true - to - form, seeing cutscenes rendered
in the Fox Engine with the same
dramatic cuts and
dialogue can truly capture the vibe found within cutscenes of the past.
Those would be
dramatic words
in any context, but spoken during a conversation titled «Cultural Diplomacy: Culture as a Vehicle for
Dialogue and Peace» and including many of today's leading figures
in global culture,
Dialogues in Drawing is inspired by the struggles and victories of women artists living and working through social turbulence, contested identity politics and
dramatic political change.
In the 1960s Lichtenstein also created many works of dramatic scenes inspired from film and comic books depicting women in love affairs in dialogue with their husband
In the 1960s Lichtenstein also created many works of
dramatic scenes inspired from film and comic books depicting women
in love affairs in dialogue with their husband
in love affairs
in dialogue with their husband
in dialogue with their husbands.
This INTERSECT: MOCA Business Innovation Series program features visionary technology and data scholar Youngjin Yoo and internationally renowned artist Simon Denny
in dialogue, exploring
dramatic shifts at the intersection of business, design, and technology.
His installation of fluorescent lightworks
in the church were Vivaldi taught music creates a
dramatic dialogue with the architecture, an effect which delighted Tate director Nicholas Serota who opened the show.