A powerhouse cast is featured in
a dramatic film about the legal battle over whether to find in favor of the boxing champ in his appeal for conscientious objector status in the military draft.
He also starred in and received a Golden Globe Award nomination for HBO's
dramatic film about the Lindberg baby kidnapping, «Crime of the Century» directed by Mark Rydell.
Not exact matches
Also coming up is the his appearance in the independent
dramatic thriller
film «Emanuel and the Truth
about Fishes,.»
Now, while most of these
films look grand in scale, emotional to the core in the
dramatic department, and visually awesome... if you think
about it, they're all kind of doing the same thing.
Perhaps Jarecki could have completely discarded the facts of the Durst story and made a stronger
film about family drama and possible insanity but the fact is that his subject matter ended his true story in such an unusual way that it doesn't necessarily support a
dramatic retelling.
Then, over the course of a series of more
dramatic rebellions, the
film reveals more
about Moll's past, her capacity to justify violence, and the very real possibility that she might allow a serial killer to get away with his crimes, just so she can be with someone who says he loves her.
The first feature from Rupert Goold, artistic director of London's Almeida Theatre, the
film owes a
dramatic and stylistic debt to Capote, another stage veteran's big - screen debut
about the complicated relationship between a prisoner facing a murder rap and the writer looking to capitalize on his experiences.
This
film is
about Jonathan's life, and what led these two
dramatic story arcs to intersect on that fateful day.
It is unlikely for you ever to be able to say the words «Les Misérables» and have people know that you are talking
about the 1998
dramatic film.
What might hurt the
film, and what some have already complained
about in the press area at Cannes, is a sense of
dramatic inertness.
The
film is based on Nathaniel Philbrick's best - selling book
about the
dramatic true journey of the Essex.
«This a fresh and original
film from Gianni Zanasi
about accepting yourself and others —
dramatic, amusing and entertaining with a twist of mystery,» said a jury of four European exhibitors, adjudicating the award.
Sharing honors from the Society
Dramatic Authors and Composers, given annually to a French
film in Fortnight, were two very different tales of romantic possibility in Paris: Philippe Garrel's black - and - white «Lover for a Day» («L'Amant d'un Jour»),
about a 23 - year - old woman who learns that her father is dating a girl her age, and Claire Denis» «Let the Sunshine In» («Un Beau Soleil Intérieur»), starring Juliette Binoche as a divorced artist looking for love in many of the wrong places.
There is a very clear sense in which I am being unfair to The Congress as I am writing
about a
dramatic film rather than a philosophical essay but Folman's decision to critique
dramatic artifice whilst engaging in
dramatic artifice means that The Congress draws your attention away from the drama and towards the
film's flawed philosophical argument.
In spite of its failings on the
dramatic level, Disco is still a very entertaining
film, thanks to an appealing cast (which also includes Beckinsale's Much Ado
About Nothing love interest, Robert Sean Leonard, and a briefly - seen Jennifer Beals) and those wordy discussions.
Add to that a few
dramatic elements, and you have a movie that is thoroughly engaging and above all worth seeing for viewers that are skeptical
about these sorts of
films.
Regardless of whether the real story is too retouched or the quite good level of production, this musical commits the sin I hate most
about musicals and that affected my enjoyment a lot, besides that any
dramatic weight is thrown out the window and the
film never gets momentum or a real rumbling scene.
But that's not the big surprise
about the
film: this story of an arrogant, over-the-hill slugger (Mac) who comes out of retirement to chalk up his 3000th hit is more of a serious sports
film than a knee - slapping comedy, and Mac gets a rare opportunity to showcase his true
dramatic range as an actor.
For top
dramatic pictures, the selections made by the HFPA's fewer than 100 voters were the historical drama «12 Years a Slave»; the Somali piracy thriller «Captain Phillips»; the 3 - D space spectacle «Gravity»; «Philomena,»
about a mother's search for her son; and the car racing
film «Rush.»
She is completely fascinating in her first scene, performing a
dramatic monologue
about immigration while standing inside a corporate grocery store, and just as curious in the next, silently mashing her face into a pile of cheese curls while
filming herself with an iPhone.
This is blood, sweat and tears acting of the highest order from Gyllenhaal, but considering the
film is fundamentally
about a father trying to reconnect with his daughter, it's frustrating how little opportunity he's given to flex his
dramatic muscle.
The rugged flow and quiet struggles of daily life — whether among the children of recent immigrants or those who grew up there and never left — also come with unchallenged traditional ideas
about sex and gender, and they seem as deeply woven into the
film's visual texture as into its
dramatic framework.»
Israeli writer - director Elite Zexer's Sand Storm, a smart and sensitive
film about Bedouin women learning to live within the patriarchy, won the World Cinema
Dramatic Competition Grand Jury Prize -LSB-...]
A blot on Hollywood is that, until now, with «Selma,» no feature - length
dramatic film has ever been made
about Martin Luther King, Jr..
But the filmmakers adhere too prominently to the tropes of the sports genre, all leading up to the big,
dramatic encounter at the end, whereas tonally it felt the
film may have benefited from avoiding such an approach — for while a necessity Billie Jean King took place in the match, the entire endeavour was more
about putting Bobby Riggs in his place rather than to prove herself as an athlete.
A new boxing drama, Hands of Stone,
about notorious champ Roberto Durán (played by Carlos's Edgar Ramírez), is now in theaters; start with these
films for a fuller
dramatic experience.
On the
dramatic film side, I could have lived without Jerusha Hess's «Austenland,» a feather - light dingbat comedy
about a Jane Austen - themed resort in England.
How the
film's compelling star Jennifer Lawrence may feel
about this sentiment is another matter, but this is a tale that, like any number of fanciful genre outings, both pulls you in with its intriguing central
dramatic situation and pushes you out with some mightily far - fetched plot contrivances.
But while there isn't much to distinguish Born To Be Blue's
dramatic stakes from any number of stories
about self - destructive, self - centered artists (or «movies
about jazz musicians,» as they're more commonly known), the
film is given a spark of life by the inspired casting of Ethan Hawke.
This
dramatic short
film about a son's desperate quest to help his sick father is set to debut April 22nd on the JASH Youtube channel.
Julia Stiles stars as the title character in «Blue,» a new web series produced by the YouTube channel Wigs, which is described as «a digital channel producing high - end, original, scripted
dramatic series and short
films about the lives of women.»
«The Social Network,» the acclaimed drama
about how Harvard computer nerds created the social networking site Facebook, had been the front - runner during the awards season, winning countless critics honors, including the Los Angeles
Film Critics Assn., New York
Film Critics Circle and the National Society of
Film Critics awards as well as the Golden Globe for
dramatic film.
What I like in Frederick Wiseman movies is that he's
filming a whole layer of content, but he's adding a layer of decisions
about how to structure the
film, where to cut, that doesn't relate to relaying
dramatic information.
For all those worried
about it being too juvenile and not up to the
dramatic standard of Wall - E or Up... you are failing to see that the trailers are meant to sell the
film to the biggest possible audience and the first people they need to rope in are the younger crowd.
But while the choices Rosa makes in that regard drive the movie to its
dramatic conclusion, there's not that much in the
film about her, or even
about the friendship.
This
dramatic and introspective Canadian movie
about a Civil War vet making his way through a zombie apocalypse plays like a 19th century feature
film version of The Walking Dead.
Other examples of historical characters in biographies in the 1930 - 40s included Norman Taurog's children's
dramatic film Young Tom Edison (1940)
about the famed inventor (Mickey Rooney), The Story of Alexander Graham Bell (1939), the historical drama Marie Antoinette (1938)
about the famous Austrian princess who married future King Louis XVI, Michael Curtiz» costume drama The Private Lives of Elizabeth and Essex (1939), and Mervyn LeRoy's oft - nominated Madame Curie (1943) with Greer Garson as the title character researching radioactivity with her husband Pierre (Walter Pidgeon).
Fortunately, the two filmmakers have a
dramatic tale to tell
about the travails of delivering a
film with outstanding production values and name actors for a remarkably low six - figure budget.
Of the
dramatic films that I saw, and, like everybody else, I missed a slew of likely contenders, the best was probably Nicole Holofcener's «Please Give,» a pleasant enough comedy
about a married Manhattan couple, played by Catherine Keener and Oliver Platt, who resell estate - sale furniture.
Oh yeah, that's right, because sitting through a
film about competitive butter carving sounds as appealing as sitting through a movie starring the Kardashians in
dramatic roles.
«The
film satisfies the
dramatic and salacious stuff that interested me, but it also had an emotional resonance to it that I felt didn't just make it a dark and nihilistic story,» Edgerton told Entertainment Weekly
about the project.
Oscar - winning filmmaker Daniel Junge (
About Face) and Oscar - nominated filmmaker Kief Davidson (Open Heart) made a
dramatic turn in the tone and style with their new
film, Beyond the Brick: A LEGO Brickumentary.
• Patrick Goldstein defends his paper's perceived hit campaign against «The Hurt Locker,» calls quoted second - hand information that wasn't properly vetted «the most in - depth piece written
about the
film's complex mixture of questionable
dramatic license and vivid authenticity.»
Funny folks Jack Black and Sarah Silverman take
dramatic turns in feature
films; Bobcat Goldthwait premieres a documentary
about comic Barry Crimmins; and comedian Tig Notaro stars in her own documentary, «Tig.»
Because of his
dramatic weight loss for that
film some questions naturally arose
about his ability to regain not only weight but pure muscle - fifteen pounds of it.
The scene in which she writes the title song for and
about Johnny is the
film's
dramatic and musical high point.
Chappaquiddick is, at its best, a reminder of what a unique, and largely unexplored, character Ted Kennedy can be on
film; to compare him to our scandal - riddled president, or any other politician, does a disservice to what are hopefully many more
dramatic stories
about Kennedy to come.
Mind you, it's also a
film I think is great too, but it also uses violence as a
dramatic crescendo whereas «Bluebird» is much more honest and less melodramatic
about the organic and natural direction where the narrative needs to take these characters.
Then there is the unobtrusive cinematography by Sam Levy, which also has moments of fancy in overhead shots but can also keep a distance in movingly
dramatic scenes that allow the actors all the space they need to perform, which may be a bonus
about having an actress at the helm of the
film.
Affleck talks
about the actors and the choices which were made to give the
film a realistic and
dramatic tone.