Sentences with phrase «dramatic film here»

Not exact matches

Here's the problem: Citizens United is spending $ 350k to promote this film, and while the online (Google) ads are dramatic and the movie itself well - produced, the landing page that connects the two is a failure.

(And although Galifianakis too often falls back on his ostentatiously off - kilter shtick, the comedian fares much better here than he did in The Hangover and actually does a decent job with the film's dramatic moments.)

No points for timeliness here; made - for - TV docudramas and the independent film «Longtime Companion» have already explored the subject, and «Philadelphia» breaks no new dramatic ground.

Sudeikis, in particular, shines in this unusually dramatic role and exhibits a depth he touched on in films like «Sleeping with Other People» and «Colossal» but that he really gets to live in here.

Johnson and Heyman have a script here that deserves Best Original Screenplay consideration, almost simply for how well they've created a quartet of characters (Burrell and Wilson's supporting players don't behave as these sorts of characters would in other films), though the balance of both comedic and dramatic emotion is tremendously done as well.

The best dramatic film I saw at Sundance was easily «Like Crazy,» and, because I saw it near the end of my run here, it had the inadvertent force of an epiphany.

With the film's other characters casting yearning, middle - aged glances in her direction, Ms. Tyler carries a heavy dramatic burden here and acquits herself with grace.

Tilton demonstrates in this video game score that he has all the hallmarks of someone who would be a great film composer — not just the composition itself (which is beyond reproach — the orchestration in particular is so impressive) but also his dramatic sense, which is honed to provide a gripping narrative here.

Phillippe has established himself as a credible dramatic actor in films like Igby Goes Down and Breach, but he regresses here to the kind of sneering playboy roles he vacantly inhabited before he proved he could act.

Sarandon shows here how hilarious she can be while still giving a committed and full - out performance, which works really well in the more dramatic moments of the film.

From impressive physicality in Marvel's Avengers universe to solid dramatic chops in a film like Rush, Hemsworth is a great leading man in the right role - but here he seems miscast (because most hackers have NFL physiques), off - balance (what accent are we going for?)

She (and, for that matter, Cooper) is mostly seen in vignettes taken from the book (yes, there is indeed some adaptation going on here), but the film's twists afford Streep an opportunity to display her dramatic and equally formidable comedic chops all at once.

And while there are a few compelling sequences here and there - something that's particularly true of the scene in which several characters engage in a dramatic confrontation while carnival music plays in the background - the film is generally crushed under the weight of the overly familiar storyline and unreasonably slow pace.

, and all the films of David Cronenberg since Dead Ringers, including eXistenZ; the focused dramatic intensity associated with these later movies is found only sporadically in It Happened Here and Winstanley, which are relatively studied and distanced by comparison.

From here on, the film amounts to a series of revelations designed to blow people's minds, but Cahill unveils each twist in such dramatic slow - motion that viewers seem to be ahead of him every step of the way.

The film tries to balance dramatic themes and dark comedy, and although that certainly works for some films, it does not work here.

Oh, here we go: «At no point does this seem like new territory, but outside of being about ten minutes too long, it's a film that works despite its rather traditional dramatic nature.»

Reitman's new film, Men, Women & Children (read Matt's review here), is a dark, dramatic tale of human relationships in the internet age, and while the technology angle is the hook, the film isn't really about that at all.

I feel like the film was lost in the editing room, for there seems to be the raw material here for a truly great contemporary Western and a grand, dramatic meditation on the soul of an American hero.

In 1962, Harald Reinl's German - language spaghetti western, The Treasure of Silver Lake, was filmed here, and whilst much of Reinl's direction has been criticized, this dramatic setting elevates the quality of the movie spectacularly.