Similar to «Foxcatcher» two years ago, there are lengthy
dramatic pauses in between most of the lines of dialogue.
Not exact matches
After initially saying she stood behind the documentary, Couric issued a statement on Monday admitting that the
pause was inserted after the fact,
in an attempt to create a certain «
dramatic effect.»
Working for change and women's progress «doesn't have to be
dramatic — you don't have to run for office,» Clinton said during a speech
in Silicon Valley,
pausing for a coy smile and thunderous applause, «although if you do more power to you.»
It's embarrassing to watch, and Dignam's clunky, stilted dialogue — which the actors (including Jean Reno and Jared Harris
in supporting roles) struggle
in vain to rescue via
dramatic pauses — only makes matters worse.
In Mad Men, Elisabeth Moss has given perhaps the finest female dramatic performance on American television this side of Edie Falco in The Sopranos, and this simple exchange contains everything that makes her Peggy so fascinating and affecting — the unexpected cadences and pauses, the precise line readings, and her face, on the cusp of either smile or frown, dominated by her wide, soulful eyes, which seem constantly to search for, connect with, and then avert those of her scene partne
In Mad Men, Elisabeth Moss has given perhaps the finest female
dramatic performance on American television this side of Edie Falco
in The Sopranos, and this simple exchange contains everything that makes her Peggy so fascinating and affecting — the unexpected cadences and pauses, the precise line readings, and her face, on the cusp of either smile or frown, dominated by her wide, soulful eyes, which seem constantly to search for, connect with, and then avert those of her scene partne
in The Sopranos, and this simple exchange contains everything that makes her Peggy so fascinating and affecting — the unexpected cadences and
pauses, the precise line readings, and her face, on the cusp of either smile or frown, dominated by her wide, soulful eyes, which seem constantly to search for, connect with, and then avert those of her scene partner.
In particular, students learn how key features such as
dramatic irony,
dramatic tension,
pauses, hesitations, and stage directions can aid the creation of original and engaging playscripts.
While he did declare a winner
in terms of who is currently doing the best job of getting the reading experience right (click HERE to read his article), he gave a very sound argument for what is lacking
in digital children's reading, namely that necessary
pauses that come from the page turns
in order to teach children effect storytelling and
dramatic effect.
It's probably worth
pausing for a moment to reinforce how
dramatic the roughly 2 % difference
in annual returns between these sets of portfolios is.