Some of the most
dramatic scenes in the movie show Schindler literally snatching his workers from the maw of death.
Not exact matches
The court
scene reflected the worldwide interest
in the Silk Road affair, which included numerous ripped - from - an - action -
movie elements, including the FBI's
dramatic 2013 takedown of Ulbricht
in a San Francisco library.
Pearce has also written a well - carpentered screenplay; there are some very big
scenes and big moments here — sometimes too big — but he gives us a carefully crafted
dramatic setup, an intriguingly curated selection of suspects for the crime and all of it building to a fascinating, finely balanced ambiguity
in the
movie's climactic stages.
The
movie elides and truncates history for
dramatic purposes and can not resist a very amusing
scene in which Raleigh brings tobacco and potatoes from Virginia.
Purportedly a heist film — we know almost immediately that the story is headed
in this direction — the
movie surprisingly has most of its
dramatic tension
in the first half, during the
scenes between Gal and Logan.
Fenton also conducted the show
in other cities around the world (including LA, at the Hollywood Bowl) and it became so popular itself that it inspired the show's producers to combine some of the most
dramatic scenes into a
movie to be released
in cinemas, Deep Blue (this time with narration from Sir Michael Gambon).
So when it came time to shoot one of several
dramatic scenes in their new
movie, «This Is Where I Leave You,» they felt far from sure - footed.
The handling of the BDSM sex play is dreadfully cliched
in terms of structure (3 heated romps and a final
dramatic one); however, the actual presentation of the «love
scenes» recalls the style of director Adrian Lyne (Unfaithful, Nine 1/2 Weeks), favoring artsy close - ups of human form, curve and the intimate sensations of touch, feel and response, rather than the raw carnality seen
in something like Basic Instinct (my generation's landmark erotic thriller
movie).
Ultimately, the
movie needed a stronger overall structure and more defined
scenes to allow the
dramatic beats to come through the improvised dialogue more clearly (akin to Mike Leigh, another British filmmaker, who shoots fully realized scripts built through improvisation
in the rehearsal process).
It wouldn't be Sundance without an Ethan Hawke
movie or two, but he's behind the
scenes on this one, co-writing and directing a film
in the U.S.
Dramatic Competition category.
From laughing at a funny
scene, to empathizing with a character's plight, indie game stories include all of the
dramatic ups and downs found
in other media such as
movies or TV.