Sentences with phrase «dramatic scenes in the film»

Not exact matches

Years later, Anders confessed that he had expected a more dramatic scene, thanks mostly to the spectacular moonscapes depicted in the film 2001: A Space Odyssey, which he'd seen before the flight.

Cinematographer Niels Thastum leans in on a docu - style approach to filming, allowing for subtle dramatic scenes and loving recreations.

One of the most impressive things of Bahrani and Bahareh Azimi «s script is that it sets up scenes which could have followed into much more dramatic outcomes but the writers chose to take the road less traveled and in an odd way, by taking the less dramatic approach, the film removes itself that much further from the majority of indie films that concern themselves with cramming the most amount of drama into the least amount of time.

Having built up to what promises to be a dramatic, fitting finale, the film's final scenes seem to be more interested in shocking the audience and subsequently leaving them freewheeling rather than providing catharsis.

With such a farfetched plot already in place, this is the sort of film that could have easily degenerated into a muddled farce with a one - note stand - up comic as the lead, but with a good comedic and dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each scene.

She is completely fascinating in her first scene, performing a dramatic monologue about immigration while standing inside a corporate grocery store, and just as curious in the next, silently mashing her face into a pile of cheese curls while filming herself with an iPhone.

You might plan for the one moment where Ruth Negga's proud woman rises from silence to shout down her oppressors, or you might picture all of the dramatic build - up of the film coming to a head in a jubilant courtroom victory scene circled by shouting protesters on both sides.

The wheelchair - bound grandmother, who delivers the film's most affecting line in the midst of its most dramatic scene of confrontation, is played by Shults's grandmother, Billie Fairchild.

Emily has been filming the thriller in New York, and admits she struggled to sleep after shooting a particularly dramatic fight scene.

Rosalyn is the focus of the film's most memorable scenes, from her confrontation with Sydney (Adams) in a bathroom, to the house microwave on fire and the dramatic «I don't like change» scene that sealed the deal.

Purportedly a heist film — we know almost immediately that the story is headed in this direction — the movie surprisingly has most of its dramatic tension in the first half, during the scenes between Gal and Logan.

Like those earlier films (both directed by Roland Joffe), there is a strong social consciousness and political content, but Menges also brings a subdued dramatic atmosphere and rich visual sensibility to the film, layering scenes with telling details that illustrate the conditions of life in this place and time.

With over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the film.

And it's in the final scenes of the film — in which Jenkins knows he's laid the groundwork, trusts his actors and allows the emotions of what's unsaid to provide the dramatic thrust — that «Moonlight» makes its greatest impact.

It is part an indictment of the ludicrous mandatory sentence drug laws, and part dramatic thriller, while only delivering on one big action scene late in the film involving Matthews trying to drive a semi containing a shipment of cash through the border to Mexico, while trying to avoid men with machine guns driving cars trying to take him down.

The scene in which she writes the title song for and about Johnny is the film's dramatic and musical high point.

His biggest risk was allowing Joseph Gordon - Levitt (who is quite convincing as Petit in the dramatic and conversation scenes) to narrate the entire film.

The big dramatic in - fighting scenes — the film's set pieces (an argument is more compelling than a storm hitting the boat)-- are fantastic.

Then there is the unobtrusive cinematography by Sam Levy, which also has moments of fancy in overhead shots but can also keep a distance in movingly dramatic scenes that allow the actors all the space they need to perform, which may be a bonus about having an actress at the helm of the film.

Included in the deleted scenes section is a much longer version of the film's climactic swim meet, which does a better job of building the dramatic tension and offers a far more satisfying and affecting resolution to the team and individual characters» journeys than the rushed, montage - heavy version that hit the big screen.

Winchester, as indicated earlier, is largely Dr. Price and Sarah Winchester's story and their scenes together (be they dramatic or scary in nature) are easily the strongest in the film.

, which also has moments of fancy in overhead shots but can also keep a distance in movingly dramatic scenes that allow the actors all the space they need to perform, which may be a bonus about having an actress at the helm of the film.

Deleted: two talks between Tango & Caz (I feel like there's an homage to a Sylvester Stallone / Kurt Russell film in those names) and a dramatic scene with Hawke's family (including another Lili Taylor appearance).

The film's two best scenes sublimely meld music to dramatic context: in one, Porter seduces an actor by teaching him how to sing «Night and Day» properly; in another, Porter serenades Linda with a final love song.

And while there are a few compelling sequences here and there - something that's particularly true of the scene in which several characters engage in a dramatic confrontation while carnival music plays in the background - the film is generally crushed under the weight of the overly familiar storyline and unreasonably slow pace.

Rarely has the seemingly unstoppable evil force in a comic - book superhero film been given such a richly dramatic background and so many scenes in which there's actual dialogue and not just CGI - laden battle sequences.

Typifying the film's dramatic inflation is Daniels» choice to shoot the riot scenes in slow - motion and making the flames of the Ku Klux Klan look like hellfire.

Production on Woody Allen's 2017 film wraps its third week, and we have more photos of stars Kate Winslet and Juno Temple, in what looks like very dramatic scenes.

It wouldn't be Sundance without an Ethan Hawke movie or two, but he's behind the scenes on this one, co-writing and directing a film in the U.S. Dramatic Competition category.

The DBS has starred in some of the franchise's most adrenaline - soaked driving scenes — a dramatic, seven - roll crash in «Casino Royale» and the thrilling opening sequence of the follow - up film, «Quantum of Solace.»

This beautifully unspoilt stretch of dramatic coastline was used to film scenes set at the Dothraki camp, after Khal Drogo collapsed in episode nine.

As such, composing for film or television will often involve more dramatic ups and downs in the music to closely match the scene whereas in video games, the composer is usually composing music layers (ambient exploration music, combat music, tension music etc.) that will transition between one another,» he noted, adding, «Trailer music is unique in that the music needs to make a very immediate and direct impact on the audience in a short amount of time.

In the 1960s Lichtenstein also created many works of dramatic scenes inspired from film and comic books depicting women in love affairs in dialogue with their husbandIn the 1960s Lichtenstein also created many works of dramatic scenes inspired from film and comic books depicting women in love affairs in dialogue with their husbandin love affairs in dialogue with their husbandin dialogue with their husbands.

The films coincide, at the mid-point in terms of time, with the tragic murder scene, and the visual doubling this produces lends an extremely monumental quality; the extreme deceleration of events and the lack of an acoustic give the individual image a directness that has a dramatic effect on our perceptions.