Fenton also conducted the show in other cities around the world (including LA, at the Hollywood Bowl) and it became so popular itself that it inspired the show's producers to combine some of the most
dramatic scenes into a movie to be released in cinemas, Deep Blue (this time with narration from Sir Michael Gambon).
Not exact matches
Source critics long ago divided the
scene of the
dramatic crossing (14:10 - 31)
into J and P (F figures here insignificantly if at all):
I try not to turn it
into a big
dramatic scene or a game of chase - setting him up with a toy (preferably a chew - safe one) definitely helps.
Oh sure, the «estranged dad vs. embittered daughter» material is supposed to be the meat of the meal, which is why we're treated to so many extra
scenes of people chit - chatting by firelight, but the
dramatic push should come from the kidnapping story, and that chase just gets shoved
into the background whenever the characters feel like conversing — yet again.
In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the
scenes into the
dramatic and intense preparations of fight week with Mexican superstar Canelo Alvarez and Cuban southpaw Erislandy Lara, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.
In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the
scenes into the
dramatic and intense preparations of fight week with Floyd Mayweather and Marcos Maidana, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.
The shoe - leather dimension of reporting has always been more
dramatic than contemporary
scenes of investigators staring
into their computer terminals.
We are treated to one
dramatic scene about his family, but other than that there is never any insight
into what makes his character tick.
In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the
scenes into the
dramatic and intense preparations of fight week with pound for pound king Floyd Mayweather and Marcos Maidana, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.
One of the most impressive things of Bahrani and Bahareh Azimi «s script is that it sets up
scenes which could have followed
into much more
dramatic outcomes but the writers chose to take the road less traveled and in an odd way, by taking the less
dramatic approach, the film removes itself that much further from the majority of indie films that concern themselves with cramming the most amount of drama
into the least amount of time.
Although Reynolds rises above the rest as a father consumed by sadness and anger, «The Captive» quickly devolves
into scenes that feel like stilted
dramatic re-creations demanding a noirish voice - over by «Cold Case Files» host Bill Kurtis.
With such a farfetched plot already in place, this is the sort of film that could have easily degenerated
into a muddled farce with a one - note stand - up comic as the lead, but with a good comedic and
dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each
scene.
She is completely fascinating in her first
scene, performing a
dramatic monologue about immigration while standing inside a corporate grocery store, and just as curious in the next, silently mashing her face
into a pile of cheese curls while filming herself with an iPhone.
The episode is fairly rife with humor, but it opens up
into more
dramatic territory near the end in an extended
scene that reveals much about a brother and his insecurities and maturation.
Even without any proper
dramatic scenes, this swirling collage of a movie draws us
into its story and situations, revealing deep truths about relationships.
Apart from the opening
scene, which incorporates special effects to help create a massive dry dock that serves as a prison (the prisoners hauling a ship
into it with lines as thick as tree trunks), and a few brief establishing shots, which include
dramatic rises and falls of the camera through space and time as each new stage of the story begins, Les Misérables keeps us in close — sometimes very close — proximity to the actors.
She pours plenty of emotion
into Katja from the opening
scene to the
dramatic conclusion.
Perhaps Schumacher, knowing how Prince's vision so impressively transitioned between
scenes and scenery with almost - cinema - ready fluidity, felt more attention needed to be paid to streamlining the libretto
into a screenplay, and he indeed corrects some structural and
dramatic issues with Lloyd Webber and Richard Stilgoe's book.
dark arts Camera hacks,
dramatic editing, and extra
scenes captured in - game translate the series
into weird, beautiful cinema.
In the final
scenes, a brilliant mix of contrivance, intimacy, distance, and
dramatic closure peered
into like a voyeur, questions of performance and spontaneous action are tossed to the wind in a moment of emotional power.
Williams, who only breaks
into his spastic brand of humor in one
scene, makes one of his better
dramatic turns here and Perry, Hawke, Hansen, Charles, and Smith are all believable and effective in their respective roles.
Colors pop against
dramatic black backgrounds as these truly exquisite cutouts transform
scenes from the beloved tale
into striking silhouettes.
dark arts Camera hacks,
dramatic editing, and extra
scenes captured in - game translate the series
into weird, beautiful cinema.
Working initially as a painter of surrealistic carnival
scenes and cityscapes, he later came
into contact with Abstract Expressionists like Willem de Kooning, which ushered in a
dramatic shift in his practice towards purer abstraction.
Roxa Smith's intricate paintings transform intimate interior
scenes into dramatic formal arrangements of line, color, and pattern.
Landscapes transmute
into dramatic cloudscapes, while the introduction of modern imagery, such as cars,
into scenes that might otherwise echo landscapes of the past, bring the viewer
into the present.
A specialist in landscape, he traveled to remote places to sketch majestic
scenes unfamiliar to his American audience that he could turn
into dramatic, large - scale paintings.
«We went for a
dramatic design and we love the feeling it gives you of walking
into a woodland
scene.