Sebastian Stan hits a career high - water mark with this performance, working so well not just in
dramatic scenes with Evans and Downey but also demonstrating deft comedic timing with Anthony Mackie.
He can play the cocky comedic one - liners in one moment, kick serious ass in the next, and then have touching
dramatic scenes with Pepper in an another scene.
Laurence impresses as Leila, effectively holding her own on the screen with her shared
dramatic scenes with Gyllenhaal.
Deleted: two talks between Tango & Caz (I feel like there's an homage to a Sylvester Stallone / Kurt Russell film in those names) and
a dramatic scene with Hawke's family (including another Lili Taylor appearance).
Beautiful beaches backed by these mountains — many with waterfalls — create
a dramatic scene with something to see everywhere the eye can look.
Not exact matches
That visit, following the
dramatic encounters
with the seven sons of Sceva and the mob
scene incited by Demetrius over the goddess Artemis, extended to three years The other Pauline letters were provoked by something that went wrong — wrong thinking or bad behavior.
Samuel Eliot Morison, a canny sailor himself and judicious historian of Columbus, describes Irving's
dramatic scenes of Columbus in argument
with the learned doctors at the University of Salamanca as «pure moonshine.»
Nonetheless it is remarkable to find these ancient authors employing all the modern devices of the literary craftsman, surprise and suspense, rapidity and delay, humor and solemnity, vividness, realism, untempered callousness,
dramatic shift of
scene — all permeated
with their feeling for what is intrinsically interesting, what makes a good story.
The psychological resonances are
dramatic, but Rowling portrays the
scene with classical restraint.
Whilst following Lewis Hamilton, one fan collided
with another stationary fan, causing both to roll over in
dramatic scenes which completely overshadowed Hamilton's championship celebration.
I try not to turn it into a big
dramatic scene or a game of chase - setting him up
with a toy (preferably a chew - safe one) definitely helps.
Dramatic, painful
scenes,
with desperate wailing and pleading, typically occur at the time of separation.
Emily Blunt (below) creates a
dramatic scene in her hair
with her dark feathered piece.
Showtime Boxing: The British sensation Anthony Joshua burst onto the global
scene with a
dramatic knockout of long - reigning heavyweight kingpin Wladimir Klitschko in the universally acclaimed 2017 Fight of the Year.
In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the
scenes into the
dramatic and intense preparations of fight week
with Mexican superstar Canelo Alvarez and Cuban southpaw Erislandy Lara, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.
In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the
scenes into the
dramatic and intense preparations of fight week
with Floyd Mayweather and Marcos Maidana, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.
After eight years of staring at a particularly noticeable Daft Punk - shaped hole in the electronic dance music industry, Random Access Memories arrived, and Daft Punk made a
dramatic return onto the
scene with an album... that seemed to lack any electronic dance music.
He is provided not only
with action sequences but
scenes of intense
dramatic power.
All Access: Quest for the Stanley Cup, Season 1, Episode 5: Go behind the
scenes with final top two teams in Game 6, the San Jose Sharks, who look to extend the
dramatic Final to a Game 7
with a victory, while the Pittsburgh Penguins attempt to capture their 4th Stanley Cup since 2009.
In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the
scenes into the
dramatic and intense preparations of fight week
with pound for pound king Floyd Mayweather and Marcos Maidana, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.
The fact of such an episode is highly doubtful, so if the director wanted to play fast and loose
with history, for
dramatic effect he also might have included a fierce confrontation
scene between the two Queens, although they never actually met.
One of the most impressive things of Bahrani and Bahareh Azimi «s script is that it sets up
scenes which could have followed into much more
dramatic outcomes but the writers chose to take the road less traveled and in an odd way, by taking the less
dramatic approach, the film removes itself that much further from the majority of indie films that concern themselves
with cramming the most amount of drama into the least amount of time.
If that sounds too brittle a
dramatic core, Berg tempers the spartan ideal
with some pretty hokey but probably authentic touches: the soldiers quote Ron Burgundy, bellyache about domestic chores back home, Skype their families and, in a
scene that is later echoed darkly, argue over whether to shave off a comrade's eyebrows as a forfeit.
With such a farfetched plot already in place, this is the sort of film that could have easily degenerated into a muddled farce with a one - note stand - up comic as the lead, but with a good comedic and dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each sc
With such a farfetched plot already in place, this is the sort of film that could have easily degenerated into a muddled farce
with a one - note stand - up comic as the lead, but with a good comedic and dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each sc
with a one - note stand - up comic as the lead, but
with a good comedic and dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each sc
with a good comedic and
dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each
scene.
This might have been a savvy satire on today's celebrity - struck media culture, but Niccol unfolds the story at a lumbering pace, peppered
with not - funny gags and
dramatic scenes that build little emotional power.
The cast all deliver capably, from the seasoned adults to the child actors, though Eric Lloyd has a little trouble pulling off an overly
dramatic scene that details his personal angst, but the problem lies more
with a weakness in the screenplay.
She is completely fascinating in her first
scene, performing a
dramatic monologue about immigration while standing inside a corporate grocery store, and just as curious in the next, silently mashing her face into a pile of cheese curls while filming herself
with an iPhone.
The episode is fairly rife
with humor, but it opens up into more
dramatic territory near the end in an extended
scene that reveals much about a brother and his insecurities and maturation.
It's almost as if director Ron Howard used the novel as a shooting script,
with a majority of the
scenes remaining intact, and only a few minor changes made for pacing and
dramatic effect.
The film is filled
with well - crafted, well - acted, beautifully shot
scenes, that ultimately add up to the same thing,
with little
dramatic thrust.
Let's be clear: the characters of The Big Short are constructs
with no dimension beyond their surface quirks and McKay, who has the chops for ensemble comedy and visual humor, hasn't any idea how to stage or shoot a
dramatic scene.
«Adult» is a brutally honest comedy
with a backbone, largely provided by Oswalt in his surprisingly
dramatic scenes.
And Leslie Mann, famously known for her throw up
scene in «The 40 Year Old Virgin,» gets in a few
dramatic scenes to go along
with her soon to be famous Thai food toilet
scene.
His voiceover sets the
scene, and it's so archly dismissive of an attempt to even feign some sense of
dramatic reality, that he may as well be saying, «blah, blah, blah, then some random shit happened, deal
with it.»
In key
scenes (Sahmi's meeting
with the General, the montage sequence showing Houshang's attempts to raise money using repetitive framing devices, and several of Parviz's key
scenes, which often function like
dramatic monologues) the performances appear often to be slightly stylized and theatrical, offering, I believe, a degree of distanciation (in the Brechtian sense), somewhat in the manner of, say, Rainer Werner Fassbinder.
Benedict Cumberbatch takes control from the get - go
with a narration over a sequence of increasingly
dramatic scenes.
Woz is played by Seth Rogen, who gives the most memorable and
dramatic performance of his career, going toe - to - toe
with Fassbender in some great, showy
scenes.
The short featurette «Behind the Wheel of Happy - Go - Lucky» (4:23) covers the movie's driving
scenes, paying attention to their
dramatic value and then showing us how they were filmed (
with a car full of cameras, sound equipment, and heavy duty batteries actually driving around London).
Nighttime jungle sequences creep onto the screen
with dramatic contrast while daytime
scenes startle
with vibrant greens.
Apart from the opening
scene, which incorporates special effects to help create a massive dry dock that serves as a prison (the prisoners hauling a ship into it
with lines as thick as tree trunks), and a few brief establishing shots, which include
dramatic rises and falls of the camera through space and time as each new stage of the story begins, Les Misérables keeps us in close — sometimes very close — proximity to the actors.
From Ben romping through a supermarket liquor section in the brilliant first shot to his hyper -
dramatic, gross overtures to random women, assorted humiliations, and the brutal, bluntly sexual and heartbreaking final
scene with Shue, Cage shows us both the temporary fun of drunkenness and that his grief - destroyed ex-family man is suffering from a gruesome illness.
EGOYAN: By dealing
with it as a
dramatic scene.
The piece primarily focuses on the technical and
dramatic design of one darkly - lit
scene between the Choat parents, giving it an «Anatomy of a Scene» feel that concludes with the sequence itself played in
scene between the Choat parents, giving it an «Anatomy of a
Scene» feel that concludes with the sequence itself played in
Scene» feel that concludes
with the sequence itself played in full.
Rosalyn is the focus of the film's most memorable
scenes, from her confrontation
with Sydney (Adams) in a bathroom, to the house microwave on fire and the
dramatic «I don't like change»
scene that sealed the deal.
Like those earlier films (both directed by Roland Joffe), there is a strong social consciousness and political content, but Menges also brings a subdued
dramatic atmosphere and rich visual sensibility to the film, layering
scenes with telling details that illustrate the conditions of life in this place and time.
Fenton also conducted the show in other cities around the world (including LA, at the Hollywood Bowl) and it became so popular itself that it inspired the show's producers to combine some of the most
dramatic scenes into a movie to be released in cinemas, Deep Blue (this time
with narration from Sir Michael Gambon).
But that is squandered, for the
scene climaxes
with Cinque making a
dramatic outburst that can best be described as a perfect example of the cloying sentimentality that often mars Spielberg films.
With over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the f
With over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked
with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the f
with superb cinematographers, his films consistently show a
dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action
scenes — particularly the storming of the fortress at the end of the film.
Perhaps Schumacher, knowing how Prince's vision so impressively transitioned between
scenes and scenery
with almost - cinema - ready fluidity, felt more attention needed to be paid to streamlining the libretto into a screenplay, and he indeed corrects some structural and
dramatic issues
with Lloyd Webber and Richard Stilgoe's book.
From
scenes filled
with raging fires to quieter, more
dramatic moments between the men and their families, the story is made even more powerful and immersive in Dolby Vision ™ and Dolby Atmos ®.