Not exact matches
Thelma comes to us from the director of Louder than Bombs, which showcased Joachim Trier
experience in unconventional narrative
storytelling within the confines of the
dramatic genre.
While he did declare a winner in terms of who is currently doing the best job of getting the reading
experience right (click HERE to read his article), he gave a very sound argument for what is lacking in digital children's reading, namely that necessary pauses that come from the page turns in order to teach children effect
storytelling and
dramatic effect.
Having concluded her narrative of epic drawings about the coming of an apocalypse to a vulnerable world populated with little men in track suits, O'Neil now searches to create imagery less concerned with
storytelling as with capturing the sense of mystery and confusion as
experienced within the
dramatic spaces of the natural world.