Sentences with phrase «dramatic texts from»

Students analyze the physical, emotional, and social dimensions of characters found in dramatic texts from various genres and media

Not exact matches

It's immediately dramatic and compelling, and it's instantly distinguishable from the mass of nearly identical, text - heavy fundraisers that barraged my inbox around the same time.

He writes: «Another dramatic text arrived from Paddy [Ashdown]: «This is not going well.

«From its inception to now, the proposed text amendment tells the story of Build it Back's dramatic progress under Mayor de Blasio's leadership: the idea for the amendment came out of a community - level meetings in Queens, it was produced with collaboration across agencies, and it is being passed to help homeowners who were stuck because of burdensome regulations so that they can begin rebuilding their homes and making their neighborhoods more resilient,» said AMY PETERSON, Director of the Mayor's Office of Housing Recovery.

But the dramatic strain of trying to level the playing field only makes the film's pro-Israeli bias — evident in everything from the opening text to the demonization of the PLO — feel perniciously covert.

Students create consistent characters from classical, contemporary, realistic, and nonrealistic dramatic texts in informal and formal theatre, film, television, or electronic media productions

Higher Drama Essay Question: As a director, choose a character from your selected text and describe in detail five ways in which this character helps to create dramatic tension.

The BMA presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based artist that examines the relationship between abstraction and representation through layered and fragmented texts and images sourced from the artist's personal library.

Highly regarded British artist Richard Wentworth and the poet Victoria Miguel have made a dramatic joint work which celebrates a shared love of language by suspending sheets of their intermingled texts from 6oo metres of heavy - duty steel chains looping through the cavernous expanse of a former galvanizing factory.

In designing posters, event graphics, programmes and other printed materials, The Partners created hand - drawn typographic illustrations from the complete text of each monologue, «referencing the dramatic telling of the stories on stage, and how the event rings a unique focus and emotional power to children who would otherwise have no voice,» the agency explains.

2013 Oh Christmas Tree, Dommuseum zu Salzburg, Salzburg One Foot in the Real World, Irish Museum of Modern Art, Dublin More Love: Art, Politics and Sharing since the 1990s, Cheekwood Botanical Garden & Museum of Art, Nashville White Light / White Heat: Contemporary Artists & Glass, The Wallace Collection, London Mak Hix: The Collection Exhibition, Cock «n» Bull Gallery, London Art from Britain and Poland from 1990, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw (con) TEXT, Sharon Arts Centre, Peterborough, New Hampshire Stedelijk @ TrouwAmsterdam: Contemporary Art Club, TrouwAmsterdam, Amsterdam Mad, Bad & Sad: Women and the Mind Doctors, Freud Museum, London Frayed: Textiles on the Edge, Time and Tide Museum, Great Yarmouth Be Dramatic, Bechter Kastowsky Galerie, Vienna Ballet of Heads: The Figure in the Collection, Berkeley Art Museum & Pacific Film Archive, California Writings Without Borders, Lehmann Maupin, Hong Kong do it, MU artspace, Eindhoven do it, Manchester Art Gallery, Manchester Ordinary / Extra / Ordinary, The Public, West Bromwich Fail Better, Hamburger Kunsthalle, Hamburg Postcard Narratives, Room Artspace, London Arthouse, Museum of St Albans All You Need is Love: From Chagall to Kusama and Hatsune Miku, Mori Art Museum, Tokyo Looking at the View, Tate Britain, London Contemporary Magic: A Tarot Deck Art Project, The Dali Museum, St. Petersburg Contemporary Magic: A Tarot Deck Art Project, The Virginia MoCA, Virginia Beach More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina Economy, Stills Gallery, Edinburgh & CCA: Centre for Contemporary Arts, Glafrom Britain and Poland from 1990, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw (con) TEXT, Sharon Arts Centre, Peterborough, New Hampshire Stedelijk @ TrouwAmsterdam: Contemporary Art Club, TrouwAmsterdam, Amsterdam Mad, Bad & Sad: Women and the Mind Doctors, Freud Museum, London Frayed: Textiles on the Edge, Time and Tide Museum, Great Yarmouth Be Dramatic, Bechter Kastowsky Galerie, Vienna Ballet of Heads: The Figure in the Collection, Berkeley Art Museum & Pacific Film Archive, California Writings Without Borders, Lehmann Maupin, Hong Kong do it, MU artspace, Eindhoven do it, Manchester Art Gallery, Manchester Ordinary / Extra / Ordinary, The Public, West Bromwich Fail Better, Hamburger Kunsthalle, Hamburg Postcard Narratives, Room Artspace, London Arthouse, Museum of St Albans All You Need is Love: From Chagall to Kusama and Hatsune Miku, Mori Art Museum, Tokyo Looking at the View, Tate Britain, London Contemporary Magic: A Tarot Deck Art Project, The Dali Museum, St. Petersburg Contemporary Magic: A Tarot Deck Art Project, The Virginia MoCA, Virginia Beach More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina Economy, Stills Gallery, Edinburgh & CCA: Centre for Contemporary Arts, Glafrom 1990, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw (con) TEXT, Sharon Arts Centre, Peterborough, New Hampshire Stedelijk @ TrouwAmsterdam: Contemporary Art Club, TrouwAmsterdam, Amsterdam Mad, Bad & Sad: Women and the Mind Doctors, Freud Museum, London Frayed: Textiles on the Edge, Time and Tide Museum, Great Yarmouth Be Dramatic, Bechter Kastowsky Galerie, Vienna Ballet of Heads: The Figure in the Collection, Berkeley Art Museum & Pacific Film Archive, California Writings Without Borders, Lehmann Maupin, Hong Kong do it, MU artspace, Eindhoven do it, Manchester Art Gallery, Manchester Ordinary / Extra / Ordinary, The Public, West Bromwich Fail Better, Hamburger Kunsthalle, Hamburg Postcard Narratives, Room Artspace, London Arthouse, Museum of St Albans All You Need is Love: From Chagall to Kusama and Hatsune Miku, Mori Art Museum, Tokyo Looking at the View, Tate Britain, London Contemporary Magic: A Tarot Deck Art Project, The Dali Museum, St. Petersburg Contemporary Magic: A Tarot Deck Art Project, The Virginia MoCA, Virginia Beach More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina Economy, Stills Gallery, Edinburgh & CCA: Centre for Contemporary Arts, GlaFrom Chagall to Kusama and Hatsune Miku, Mori Art Museum, Tokyo Looking at the View, Tate Britain, London Contemporary Magic: A Tarot Deck Art Project, The Dali Museum, St. Petersburg Contemporary Magic: A Tarot Deck Art Project, The Virginia MoCA, Virginia Beach More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina Economy, Stills Gallery, Edinburgh & CCA: Centre for Contemporary Arts, Glasgow

Negotiations on reducing emissions from deforestation and degradation in developing countries (REDD) ended in dramatic disarray at the most recent talks in Bangkok three weeks ago after a key provision - safeguards against the conversion of natural forests to forest plantations - vanished from the negotiating text on the final Thursday of the session.

If Twitter was around at the time George Orwell was writing the dystopian fiction Nineteen Eighty - Four, I wonder whether he might have borrowed some text from Schmidt's tweets, particularly when words like, «procedures correct» refer to mathematical algorithms reaching out to «nearby» locations that are across the Coral Sea and beyond the Great Dividing Range to change what was a mild cooling - trend, into dramatic warming, for an otherwise perfectly politically - incorrect temperature series.