Those drapey paintings, though I've only seen them online, at least look more revolutionary than this crop.
Gilliam's
drapey paintings of the late 60s have a softness of color and form that puts the two artists side - by - side, but gives Gilliam a lyrical advantage.
Gilliam is best known for the paintings that came at the tail of this body of work, these big
drapey paintings tie - dyed with color and hanging loosely off the wall, often made with some site specificity in mind (or so I'm told).
Not exact matches
, and even medium (are
drapey installations kind of like
painting?).