Sentences with phrase «draw and paint portraits»

I applied some self help and spiritual books and focused myself to draw and paint portraits.

This is a 28 page comprehensive guide / presentation for drawing and painting portraits for KS4 and KS5 ART students.

For Billy Sullivan, the art on view presents photography capturing spontaneous moments, drawings and painted portraits culled from his life, especially times lived in the seventies in New York City.

Not exact matches

Madden, who has covered baseball for New York's Daily News for 32 seasons, draws upon his extensive personal history with the Boss — as well as from more than 150 new interviews and the previously unmined tape - recorded diaries of former team president Gabe Paul — to paint a vivid and entertaining portrait of the marine - transport scion who, after he and a group of investors bought the club for $ 8.8 million in 1973, vowed, «I'll stick to building ships,» and then did anything but.

She draws and paints the most beautiful portraits using photos straight from your IG feed if you want.

I draw figures and portraits mostly and my favorite mediums are pencil, colored pencil, charcoal, pastels and any kind of paint.

I have a lot of interests including drawing portraits, painting, going to auctions and craft shows.

The game's various hand - drawn and painted worlds are trippy masterpieces torn from some lost issue of Heavy Metal magazine and character portraits, while not animated, are bursting with personality.

I was the artist, painting the landscape, drawing their portraits, sketching in the light and the shadows.

This powerpoint and worksheet task tackles the understanding of portraits and allows students to understand that a portrait can be more than just a drawing / painting of a face.

Yet Holly sees enough in him to paint his portrait again and again over the years, while Dom, as an early teen, is drawn to him like steel to a magnet.

The Portrait Gallery's collection is an exceptional national resource of some 3,000 paintings and sculptures, 25,000 prints and drawings, and 38,000 photographs.

For 2018, there's an esteemed group of expert judges to decide the finalists and Overall Winner, including Peter Brown NEAC (British Figurative Painter), Luci Noel (Director of the Affordable Art Fair Hampstead and Battersea, Autumn Collection), Jacqui McIntosh (Exhibition Manager, Drawing Room Gallery), Siska Lyssens (Freelance Arts Writer), Mark Roscoe (Portrait Artist and Winner of the Jackson's Open Painting Prize 2017) and Karl Bielik (Abstract Painter).

The blog, simply called Drawings 365, paints an intimate and charming portrait of a couple very much in love but with all the usual, everyday things we've come to expect from our relationships.

Abramowitz writes: «As is typical of his paintings, [Auerbach's] drawings often show many layers of built - up re-workings until there is a dense mangle of lines, each mark thought through, erased and re-considered until he is satisfied... His working process results in portraits that are both an expression of his reaction to the sitter, and his own idiosyncratic way of working, creating, destroying, and creating anew.»

Minutes before that 500 - year - old piece hit the block, a two - year - old Kerry James Marshall painting, Still - Life with Wedding Portrait, went up for sale and drew strong bidding, eventually selling for $ 5.04 million with buyer's premium, a new record for the artist at auction, and a figure well above the $ 1.5 million high estimate the auction house had tagged to the piece.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

Exhibited alongside the 35 early to mid career paintings of portraits, adolescents and companion cats in striking interiors are 40 black and white ink drawings from the book Mitsou.

You can see more of the artist's portraits, as well as her still life paintings, ink drawings, and political posters on her website and Instagram.

Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.

«Mie: A Portrait by 35 Artists» includes paintings, sculpture, drawings and video.

Scheiblermitte has opened an exhibition of paintings and drawings by Alice Neel including portraits, landscapes and still lifes.

Chris Ofili @ New Museum, New York Oct. 29, 2014 - Jan. 15, 2014 (extended to Feb. 1) One of the most anticipated exhibitions of the season, «Night and Day,» Chris Ofili's first major solo museum show in the United States opens Wednesday, Oct. 29 and will feature more than 30 large paintings, watercolor portraits, Afro Margin drawings, and sculpture produced over the past two decades.

This stunningly illustrated survey encompasses works from the late 1950s to the present — photo - paintings, abstractions, landscapes, seascapes, portraits, color charts, grey paintings, glass and mirror works, sculptures, drawings and photographs — providing the definitive account of Richter's achievements.

The exhibition includes more than 125 paintings, drawings, watercolors, and sculptures by O'Keeffe as well as selected examples of Alfred Stieglitz's famous photographic portrait series of O'Keeffe.

Wiley's signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives.

Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of autheDrawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authedrawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.

Standout artists in the show include Tomashi Jackson, who uses Josef Albers's 1963 text Interaction of Color to explore the history of racial segregation in her painterly assemblages; David Shrobe, who creates surreal portraits by combining his figurative paintings and drawings with found materials; and Kennedy Yanko, who makes abstract sculptures by blending rubbery skins of poured paint and crumpled paper with bits of marble and scrap metal.

Teaching Experience Figure Drawing, Washington Art Association, Connecticut, 2007 • Figure Drawing, Washington Art Association, Connecticut, 2006 • Plein Air Painting, Washington Art Association, Connecticut, 2005 • Portrait and Figure Drawing, Washington Art Association, Connecticut, 2005 • Plein air Painting Workshop, The Gunn Memorial Museum, Connecticut, 2003 • Drawing, Syracuse University, 1983 - 85

Jimmie Durham's wryly humorous sculptures, paintings, and drawings can be seen as the composite self - portrait of a man with a contentious relationship to all ethnic and national identifiers.

Some of Lichenstein's greatest works evolved from imagery drawn from popular culture: advertising images, war - time comics, and pin - up portraits, as well as traditional painting genres such as landscapes, still lifes, and interiors.

Carter's own show currently on view at Sauvage includes photography, painting, and drawing in unexpected combinations: Carter displays a sheet of geometric tattoo flash she's designed, and also includes her black - and - white self - portrait in which she turns away from the camera to display one of the tattoos on her shoulder.

Intimate portraits snapped by friends Jean Cocteau, Cecil Beaton and Man Ray, and an array of paintings, drawings and sculptures suggest further parallels between the camera and his art.

From his portraits and images of Los Angeles swimming pools, through to his drawings and photography, Yorkshire landscapes and most recent paintings — some of which have never been seen before in public — this exhibition shows how the roots of each new direction lay in the work that came before.

Kline's pastoral line - drawings, portraits, and watercolors, transitioned in the mid 1940s to energetic abstractions, then to grand architectural black and white paintings and abstractions similarly structured, but more atmospheric color works.

The accompanying catalog is similarly satisfying, showcasing Ofili's most important bodies of work over the past two decades, including his Afromuse watercolor portraits, Afro Margin drawings and layered glittery 1990s paintings with cheeky cultural references.

The portrait of Pugin by his friend J.R. Herbert, painted in 1845, shows him drawing, with compasses in his right hand and a ruler in his left.

During the years 1882 — 1887 she studied mainly drawing, and portrait - and landscape painting.

DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd Century BC to the 20th Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler

These include paintings, portraits and text - based works inspired by the Palm Island Riot and the stunning 3D installation of competition surfboards, adorned with traditional combat shield designs from North Cairns on the face and excerpts from a James Baldwin's article («Unnameable Objects, Unspeakable Crimes», 1966) on the obverse, through to two extraordinary and enormous drawings «Lynching I» and «Lynching II» which, placed either side of the large picture window, eloquently emphasise the dark side of Sydney's pre-eminence as the starting point of colonisation in this country.

The body of work ranges from his early portraits of Los Angeles swimming pools up to drawings and photography of Yorkshire landscapes and most recent paintings.

A rising star represented by the talent - spotting dealers David Kordansky (in Los Angeles) and Anton Kern (in New York), Jonas Wood creates his visually punchy portraits and still lifes by taking copious photographs of the scene he wants to depict and then cuts and pasts the results together for a Cubistic collage effect — and then he painstakingly transfers these compositions into paintings, drawings, or prints.

Joffe introduces an element of abstraction into her figurative works, evincing a distinct style of painting that draws on bold lines and geometric forms to create powerful human portraits.

The angular forms of the figure in this drawing recall his portrait paintings, and the vertical, architectonic marks also reference his cityscapes and nonrepresentational abstractions.

In the images above, you'll see photos of Jill Nathanson's painting class, Josef Zutelgte's portrait drawing session, and photos from the reception and exhibition at the end -LSB-...]

It includes landscape and self portrait paintings, drawings, wall text and a podcast downloadable from her website, www.sharynfinnegan.com.

Among the highlights are his mid-1960s Portrait Drawings, never before exhibited in New York, and paintings from the last decade using synonyms appropriated from the latest edition of Roget's Thesaurus.

In between, we discover paintings on canvas and ink drawings of larger - than - life heads, full - length nudes, Ms. Dumas's daughter as a young child, raunchy strippers, political commentary, and more, from early experiments with a variety of conceptually based approaches to an idiosyncratic, continuing series of portraits of «Great Men.»

These images often served as the basis for his commissioned portraits, silk - screen paintings, drawings, and prints.

Inspired by the moody manipulation of light and shadow that characterises the paintings of Dutch masters such as Rembrandt and Vermeer, these photographers create emotionally charged portraits that draw attention to the liminal nature of contemporary life.