Sentences with phrase «draw upon art»

Other works explicitly draw upon art history, such as Cy Amundson's paintings that ironically reference the history of figurative painting, and David Ording's oil paintings that reinterpret canonical portraiture.

A master of color and movement, Tyler draws upon our art historical forefathers of Abstract Expressionism, the Sublime, and Minimalism.

Fred Tomaselli (New York, NY) draws upon art historical sources and Eastern and Western decorative traditions to create works that explode with mesmerizing patterns through the layering of resin, pharmaceuticals, and organic materials.

Drawing upon art historical sources and Eastern and Western decorative traditions, Fred Tomaselli's works explode in mesmerizing patterns that appear to grow organically across his compositions.

· Hannah Starkey (b. 1971 Belfast; lives London) will draw upon the Arts Council Collection's photography holdings from the 1970 - 90s, and will consider ideas such as photography as art versus art as advertising, identity, gender, consumerism, rhetorics of the image, and the role of the individual in society.

Drawing upon an art historical lineage, Roy recontextualizes Goya's colossus as a cipher for the insatiable search for ultimate knowledge.

The inaugural exhibition, a sprawling affair of some 280 works drawn upon the art of several centuries and a world of cultures, lays out a kind of history of futures, a survey of a broad range of understandings of cosmological design.

Her most recent body of work, Portraits and Landscapes, combines the two genres, drawing upon art historical references such as old master paintings.

Conceived by the internationally renowned artist Karen Finley, this intensive draws upon art currently on view.

Not exact matches

To be honest, I'm rarely drawn to football t - shirts, pictures and posters, but when looking at the range on Art of Football — I liked a few items in particular and upon arrival, they have not failed to impress.

Yoga is such an art of holistic physical and mental wellbeing which draws the attention of the practitioner upon the most important standard of physical stamina — your breath.

Drawing upon what she learned from students in a New York museum's activist art class, Dewhurst provides art educators with strategies to incorporate activist art projects in their teaching.

A new study from the RAND Corporation finds that nearly every teacher in America — 99 percent of elementary teachers, 96 percent of secondary school teachers — draws upon «materials I developed and / or selected myself» in teaching English language arts.

Along with Arzu Mistry, I developed an experimental design charrette drawing upon ideas from design - based thinking and arts education.

In its early days, Christian art was eclectic and drew upon «multiple artistic traditions from a wide range of cultures.»

Upon entering the lobby, attention is immediately drawn to a stunning original work of art that majestically spans the length of the welcome desk.

While you're there, let your eyes feast upon the gorgeous hand - drawn art and plunge your earholes in this YouTube music video that tells the tale of the Jengo.

Disney Art Academy is the latest in a series of games from Nintendo that use the touch screen of either the Nintendo 3DS or the Wii U Gamepad as a canvas upon which to learn to draw.

Drawing upon the roots of the series with such features as beautiful 2D pixel art, job - driven character growth, additional scenarios in which to inherit the jobs of your adventuring companions, and a classic story of light, darkness, and crystals, FINAL FANTASY DIMENSIONS delivers the best of FINAL FANTASY, retro and fresh alike, directly to your smartphone.

Before I played a Final Fantasy game it was the art work which most drew me in, the cover art is so unique and cryptic for each entry in the series, only upon playing the game can you really understand the true meaning behind the official logo.

FINAL FANTASY ® DIMENSIONS ™ Platform: iOS, Andriod Available: Summer Drawing upon the roots of the series with such features as beautiful 2D pixel art, job - driven character growth, additional scenarios in which to inherit the jobs of your adventuring companions, and a classic story of light, darkness, and crystals, FINAL FANTASY DIMENSIONS delivers the best of FINAL FANTASY, retro and fresh alike, directly to your smartphone.

Double Cross will also feature a «slick 2D HD art that draws upon traditional gaming and anime style and will let players custom tailor their play - style through «Upgradiums» that they can collect and use to level up and get a RIFT agent gear.

Her early «landscape» (art genre) paintings draw upon a more famous motif by Gustav Klimt, titled «Tree of Life».

So pronounced was his talent, reports Vasari, that when his master, Ghirlandaio, absented himself momentarily from his work in Santa Maria Novella, and the young art student took the opportunity to draw «the scaffolding, trestles, pots of paint, brushes and the apprentices at their tasks» in this brief absence, he did it so skillfully that upon his return the master exclaimed: «This boy knows more than I do.»

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson

The exhibition draws upon the Wolfonian's collection to explore issues of identity — personal, corporate and national — as well as the impact of cultural displacement on the history of design and the role of commercial art in the modern city.

While Aho works from his impressions of the landscape, he also draws upon major pillars of art history — such as works by De Kooning and Goya — to define his compositions.

Often drawing upon autobiographical, art historical or sociological sources, Ruby's work is frequently referred to as «post-humanist» — a term that broadly describes a society which, thanks in part to technological advancement, has evolved beyond fixed categories of being (e.g. time / place), or predetermining classifications (e.g. animal / human).

Perhaps initially something of a dilettante, De Keyser began painting seriously in his mid-30s after a brief journalistic career, becoming associated with the East - Flanders» «New Vision» group whose proponents drew upon post-war American painting, most notably Abstract Expressionism, Minimalism and Pop Art.

Because figurative art has been in existence prior to the Egyptians, there is a deep well of experience for contemporary artists to draw upon.

Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth - century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography.

1998 Sunday, Cabinet Gallery, London Freaked Out, The Kitchen, London New Contemporaries 98, Camden Arts Center, London; The Tea Factory, Liverpool; The Hatton Gallery, Newcastle University, Newcastle upon Tyne Surfacing — Contemporary Drawing, Institute of Contemporary Art (ICA), London

Her art draws upon her fascination with the laws of the physical universe and investigates the astonishing mysteries of light, form and interior space.

Architects by trade, Benjamin Aranda and Chris Lasch, have found a sweet spot in their signature forms that draw upon natural matter to create stunning furniture and works of art.

Best known for large - scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth - century abstraction, as well as other sources such as the comic book and the muralist tradition.

Through defining emergent networks and layered instructions, he has defined a unique area of visual experience that builds upon concrete art, conceptual art, experimental animation, and drawing.

Throughout, Miller draws upon his seemingly inexhaustible knowledge of art history, theory and popular culture.

Highlighting, and perhaps bridging, the gap between dissimilar realms, Pruitt draws upon black popular culture as he employs strategies of conceptual art and conventions of art history.

Drawing on EAI's extraordinary archive, and building upon ICA's history of engagement with media art since 1975, Broadcasting will foster a dialogue between early innovators and contemporary practitioners, such as Ulysses Jenkins, Shigeko Kubota, Tony Cokes, and Kristin Lucas.

Drawing upon a number of works, the presentation asks not what theory does for art but what art does for theory, in the lure of what Chris Kraus calls an «atmosphere of meaning.»

Drawing loosely upon the American Realist tradition, Sherald subverts the medium of portraiture to tease out unexpected narratives, welcoming viewers into a more complex debate about accepted notions of race and representation, and situating black heritage centrally in the story of American art.

They draw upon a broad range of sources, including folk art and the art of Northwest Coastal Indians.

The Joyner Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by African and African Diasporan artists, and Four Generations draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuriArt is widely recognized as one of the most significant collections of modern and contemporary work by African and African Diasporan artists, and Four Generations draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuriart in the 20th and 21st centuries.

This exhibition will assemble 135 works of art, from the ancient to contemporary and from around the world, that draw upon the epic.

Emerging with the New York City graffiti and street art movement of the 1980s, Scharf's imagery draws upon pop icons, media advertising and consumer culture of the 1960s, including TV cartoon characters such as the Flintstones and the Jetsons.

Four Generations: The Joyner Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by artists to the evolution of visual art in the 20th and 21st centuriArt draws upon the collection's unparalleled holdings to explore the critical contributions made by artists to the evolution of visual art in the 20th and 21st centuriart in the 20th and 21st centuries.

This exhibition is part of Warhol x 5, a series of exhibitions in 2018 organized by five academic art museums in the region and drawing upon each other's collections.

People are Beautiful is part of Warhol x 5, a series of exhibitions in 2018 organized by five college and university art museums in the region and drawing upon each other's collections.

She produced an array of paintings and drawing built upon her belief that «art comes from artificial.»

Beyond the common superficialities of the two spaces, both artists» work draws heavily upon autobiographical elements, contradicting society's expectations of women's art and women artists, through the communication of their most intimate experiences.