Not exact matches
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs
and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic
and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions
and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions
and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt
and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator
and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media
and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of
Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John
and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
Previous rounds have been broad in scope
and concept, ranging from topics of activism to architecture,
and including disciplines such as design, media arts,
drawing, film, installation, intervention, literature, painting,
performance, photography,
print making, sculpture,
and others, such as scientific field work.
The range of creative output is astounding,
and, in addition to paintings,
drawings and prints, the book includes photographs, videos, installations
and performances by such artists as Araki, Robert Mapplethorpe, Bruce Nauman
and Pipilotti Rist.
Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt
and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator
and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media
and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of
Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John
and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
Nous Vous will exhibit
drawings,
prints, paintings
and objects, producing new artwork in on - site open studios
and working with a selection of other artists to deliver a programme of
performances and workshops.
The resulting
print records a twenty - two - foot tread mark, about three revolutions of the wheel.2 In the decades since its creation, Automobile Tire Print has been interpreted as a monoprint, a drawing, a performance, a process piece, and a primary example of Rauschenberg's use of indexical m
print records a twenty - two - foot tread mark, about three revolutions of the wheel.2 In the decades since its creation, Automobile Tire
Print has been interpreted as a monoprint, a drawing, a performance, a process piece, and a primary example of Rauschenberg's use of indexical m
Print has been interpreted as a monoprint, a
drawing, a
performance, a process piece,
and a primary example of Rauschenberg's use of indexical marks.
This includes film, video, painting, assemblage,
drawing,
prints, photography, photograms
and performance.
You might know Ann Hirsch for her video
and performance work, but she makes
drawing, sculptures,
and prints as well.
The Museum of Modern Art in New York will receive a group of works in media
and performance, photography, painting, sculpture,
prints,
and drawings that will add to the Museum's already significant Latin American art collection.
Her process also includes
drawing,
prints,
and photo -
performances.
Outcomes
and studies might include — but are not limited to — various forms of sound, writing, sculpture, translation,
drawing,
prints, artist books,
performance, short films,
and collaboration.
The show includes a live
performance at 2 p.m. Feb. 8 as well as large - scale installations,
prints,
drawings,
and video works.
Coming from a conceptual point of view is Bruce Nauman, with his photographs, video works,
drawings, neon pieces,
prints and performances.
This exhibition — his first retrospective in the United States — examines each stage of Graham's career through his photographs, projects for magazine pages, films, architectural models
and pavilions,
performances, video installations,
prints,
drawings, writings,
and his work with musicians Sonic Youth, Glenn Branca,
and Japanther.
Cory Arcangel is an artist who works in a variety of different mediums, including
drawing,
print, video,
performance,
and video game modifications.
Arcangel is celebrated for his modifications of popular video games, a series of which were on view in that show; he also reuses appropriated gradient patterns from Photoshop, YouTube videos,
and other bits of digital pop culture to craft
prints,
drawings, musical compositions, videos,
and performance works.
Best known as a sculptor, Long uses a variety of media in his work which includes photography,
drawing, painting,
print making, installation,
and personal
performance.
The retrospective «Robert Rauschenberg: Among Friends» at MoMA spans the 60 years career of the artists bringing together over 250 works, integrating Rauschenberg's astonishing range of production across mediums including painting, sculpture,
drawing,
prints, photography, sound works,
and performance footage.
Bringing together over 250 objects in mediums including film
and video, painting, assemblage,
drawing,
prints, photography, photograms,
and performance, the exhibition will be on view at MoMA (July 3 to October 2, 2016), SFMOMA (October 29, 2016, to January 22, 2017),
and the Museo Nacional Centro de Arte Reina Sofia in Madrid (February 21 to May 22, 2017).
One Mile Film (5,280 feet of 35 mm film negative
and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed,
drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe
prints of all kinds
and put gum on the filmstrip — it was driven on by baby stroller
and trash can wheels
and was traced by art students — people wrote messages on the film
and drew animations, etched signs, symbols
and words into the film emulsion lines
drawn down much of the filmstrip by visitors
and Jwest with highlighters
and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings
and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour
performances by Thomas Dolan
and Vertical Jimenez — running on rooftops by Deb Berman
and Jwest — film taped, rolled
and explained on the High Line by art students
and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative
and film
print transferred to high - definition video, no sound Commissioned
and produced by Friends of the High Line
and the New York City Department of Parks
and Recreation
Organized by Stuart Comer, Chief Curator, Department of Media
and Performance Art; Roxana Marcoci, Senior Curator, Department of Photography;
and Christian Rattemeyer, Associate Curator, Department of
Drawings and Prints; with Giampaolo Bianconi
and Martha Joseph, Curatorial Assistants, Department of Media
and Performance Art.
My practice as a visual artist includes fabricated objects,
drawings and prints, video, installations,
and performances.
Uri Aran (b. 1977, Jerusalem) produces installations combining
drawing, sculpture, collage, text,
printing,
performance and video.
We host installations,
performance,
and thematic group exhibitions of works on paper, including photography,
drawing, painting,
and limited edition
prints.
This comprehensive survey is comprised of woodblock
prints, visceral cement sculptures,
drawings, installations,
and politically - charged
performances and film,
and spans over five decades of the artist's career.
Other engagements of note with Edmonton's arts community include his limited edition woodblock
print accompaniment to the Society of Northern Alberta Printmakers» spring 2014 edition of SNAPline,
and his
performance Custodial Walk (2014, in collaboration with Émilienne Gervais), presented by The
Drawing Room.
In his obituary in 2012, Roberta Smith of The New York Times wrote that while working as a private dealer selling
prints,
drawings and multiples, Mr. Leiber «bought 21 boxes of ephemera relating to the
performance - oriented Fluxus art movement of the early 1960s, the Beat
and Concrete poetry movements
and the 1960s counterculture,»
and «after a year of sorting
and organizing the material, he had a new field of expertise: the ephemeral.»
Taking a comprehensive view of Arcangel's diverse practice, the exhibition includes videos, video game consoles, film, photographic
prints, sculpture,
drawings, web - based work, sound,
and performance.
While most recognized for his sculptures, Oldenberg is also celebrated for his
drawings,
prints,
performances and writing.
This large - scale survey covers Maiolino's extraordinary oeuvre from the early 1960s to the present, bringing together expressive woodblock
prints, visceral cement sculptures, politically - charged films
and performances, fluid
drawings,
and monumental installations of unfired clay.
As reported by Robin Pogrebin in a recent New York Times article, the Museum of Modern Art is planning a move that would have been unthinkable just a few years ago: reinstalling its permanent collection outside of the museum's traditional hierarchy, which placed painting
and sculpture at the top of the pyramid, with
drawing,
prints, photographs,
and illustrated books playing supporting roles,
and film,
performance, digital media, architecture,
and design as outliers of varying importance.
His practice includes
drawings,
prints, paintings, sculptures, videos, photographs, texts, installations
and performances — Please Touch is Mourão's first solo exhibition in New York,
and was specifically conceived for the Bronx Museum's North Wing Terrace.
Conner, a shapeshifting boundary - tester whose oeuvre includes film
and video, painting, assemblage,
drawing,
prints, photography, photograms,
and performance, was recently the subject of a 50 - year retrospective, Bruce Conner: It's All True, at the Museum of Modern Art (MoMA) in New York.
The 2014 vintage is strong on
performance, painting,
print and drawing with relatively little sculpture
and photography, but all with a clear bias towards a concern with materiality
and a notably tactile quality, with many patterned
and closely worked surfaces in evidence.
This presentation is organized by Martino Stierli, Philip Johnson Chief Curator of Architecture
and Design,
and Ann Temkin, The Marie - Josée
and Henry Kravis Chief Curator of Painting
and Sculpture,
and: Luke Baker, Curatorial Assistant, Department of Architecture
and Design Starr Figura, Curator, Department of
Drawings and Prints Michelle Millar Fisher, Curatorial Assistant, Department of Architecture
and Design Samantha Friedman, Assistant Curator, Department of
Drawings and Prints Laura Hoptman, Curator, Department of Painting
and Sculpture Ana Janevksi, Associate Curator, Department of Media
and Performance Art Juliet Kinchin, Curator, Department of Architecture
and Design Thomas J. Lax, Associate Curator, Department of Media
and Performance Art Cara Manes, Assistant Curator, Department of Painting
and Sculpture Sarah Meister, Curator, Department of Photography David Platzker, Curator, Department of
Drawings and Prints Paulina Pobocha, Assistant Curator, Department of Painting
and Sculpture Yasmil Raymond, Associate Curator, Department of Painting
and Sculpture Katerina Stathopoulou, Curatorial Assistant, Department of Photography Sarah Suzuki, Associate Curator, Department of
Drawings and Prints
The range of art on display includes painting,
drawing,
print - making, sculpture, video, artist ‟ s books, installations
and performance art, everyone is welcome to attend
and it ‟ s free.»
Utilizing the space on, above,
and beneath a six - foot table, participating artists show
prints, paintings,
drawings, photographs, sculptures,
and small installations;
performance, sound,
and spoken word may also be included.
In recognition of today's increasingly diversified art scene, The London Group Open welcomes innovative, challenging works in any medium, including painting, sculpture,
drawing,
print, photography, digital, audio, mixed media, installation, video
and performance.
This survey includes approximately sixty paintings, sculptures,
drawings,
prints, photographs,
and videos, including documentation of
performances, spanning 1963 to 1974.
From Tom Burtonwood's 3D
printing, to A.P. Vague's
performance art, as well as a Java applet by Patrick LeMieux,
and photocopier
drawings by The Creators Project's own Noémie Jennifer, these innovative artists have appropriated preexisting standards
and created their own to generate entirely new artworks
and explorations of technology, agency,
and humanity.
IMMA Collection: A Decade includes many of the wide range of media represented within the IMMA Collection: painting, sculpture,
drawings and prints, photography, film, video, installation
and performance giving you a sense of the huge variety of artistic practice in contemporary art.
The diversity of approaches in the exhibition —
drawings, watercolours,
prints, paintings, texts, videos,
performance,
and photographs — attests to the expanded view of landscape for today's artists.
The exhibition includes many of the wide range of media represented within the IMMA Collection; painting, sculpture,
drawings and prints, photography, film, video, installation
and performance and include works by both Irish
and international artists, giving you a sense of the huge variety of artistic practice in contemporary art.
Running until August 3, 2014 at Moma this retrospective is the first to encompass the eclectic range of mediums that Polke worked in during his five - decade career, including painting, photography, film, sculpture,
drawings,
prints, television,
performance,
and stained glass.
But, alongside snapshots of friends, we have a collage by Henrik Olesen, a
drawing by Mark Dion, an early work by Danh Vō, a
print by Monica Bonvicini
and a small
print of us cross-peeing in a park, which was the first
performance piece we ever did together, back in 1995.
Afshin Matlabi is a Montreal - based visual artist who works in
print media,
drawing,
performance, video,
and digital imaging.
Working in Romania since the 1960s, Brătescu's vibrant practice has darted between
performance, textiles, collage,
print - making, photography, installation,
drawing, film
and more.
Between the two venues, the show features photographic
prints,
drawings, large oil paintings, video, sound installation
and performance with a focus on youth culture.
About the artist Cory Arcangel (b. New York, 1978) works in various mediums, ranging from
drawing,
print, video,
performance and video game modifications.
It is a central
and repeated symbol in General Idea's vocabulary, appearing (either implicitly or explicitly) in paintings,
drawings,
performances, photographs, sculptures,
prints, videos
and costumes spanning the group's existence.