Sentences with phrase «drawing and sculpture masks»

Architecture Art using found and recycled objects Color theory Abstraction Conceptual art Drawing styles Figure drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of work provides a lesson by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to thinking skills.

Not exact matches

The catalogue chronicles Grotjahn's series of Butterfly paintings and drawings, in which he combines varying schemes of one - point perspective and a systematic investigation of color to mesmerizing effect; his penetrating flower and face paintings; and a recent series of «mask» sculptures that extend Grotjahn's idiosyncratic investment in process and ritual in painting into three dimensions.

Jamie's two dark - underbelly - of - suburbia videos led the popular vote for the show, which included photographs, masks, wall - mounted and freestanding ceramic sculptures, drawings, and books — enough art to fill galleries on two floors.

The exhibition includes story quilts, tankas, prints, oil paintings, drawings, masks, soft sculptures, and original illustrations from the book Tar Beach.

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

Eisenman has made brutal free - standing sculpture and more leisurely drawing, but she has a greater reputation for mask - like faces in paint.

The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of traditional Noh masks to create contemporary sculptures whose subjects are drawn from such iconic European paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.

Whereas the sculptures are based on central characters from his recent films and include papier - mâché heads and multi-faced masks composed from printed steel, the drawings and dioramas depict these new players standing besides figures from the artist's earlier repertoire, as if posing for a group portrait of his ever - expanding roster of protagonists past and present.

He works across a vast array of media using cardboard boxes, masking tape, film, sculpture and marker pens to create an array of work from stylish minimalist drawings, including a wall of prints made with halved heads of broccoli, to a room filled to the point of claustrophobia with white balloons.

In both the sculptures from the mid-1990s, and the new drawings created for the exhibition Players, Huma Bhabha reinvents the human head, deconstructing and reconstructing an archetype in which she gathers and transforms various art - historical typologies: from the African, Oceanic and carnival masks to those worn by the actors / dancers in the Indian theatre, from the grotesque faces of Expressionist painting to the demonic, hybrid features we may find in the characters of science - fiction movies or the Marvel comic books.

Such events have included mask - making, wire sculptures, watercolor still lifes, and sidewalk drawings.

How many people could fit in Matisse's studio, never mind the RA's Sackler Galleries, where the crowds will be joined by 65 of Matisse's paintings, sculptures, drawings, prints and cutouts, as well as 35 objects — African masks, a Roman torso, Chinese porcelains and North African textiles, many of which appeared in the artist's paintings.

Giants, round - eyed masks like the heads of robots and versions of triumphal arches (he calls them «gates») recur throughout Houseago's work» not just in his sculptures, but with bronze, wood, hemp and pencil drawing.

Also this fall, The Huntington acquired the following works of American art by gift and purchase: Cypress Tree, Point Lobos (ca. 1930), a colored crayon drawing on paper by Henrietta Shore (1880 — 1963); Mask of Elizabeth Laroque (1926), a terracotta by Jo Davidson (18830 - 1952) to complement the sculpture of the subject already in The Huntington's collections; and Shanty Town (1935), a woodcut by African - American artist Hale Woodruff (1900 — 1980), purchased with funds provided by longtime Huntington donors Hannah and Russel Kully.

«This artwork represents three different avenues I've been exploring: 1) small humorous drawings sometimes using text, 2) my «moving drawings», with slots, tabs, pulleys, etc., that can be manipulated to alter the drawing or reveal new areas; and small sculptures that are an extension of my love of mask and puppet - making.»

Works by living artists include two large colour photographs by Karin Bubaš, five text drawings in charcoal by Steven Shearer, a double - sided projection by Kevin Schmidt, two masks by Beau Dick, a small multiple by Rodney Graham, a mixed - media diptych by Mina Totino, a video by Euan Macdonald and a mechanical sculpture by Richard E. Prince.