Sentences with phrase «drawing and sculpture highlight»

Not exact matches

The Bronx Council on the Arts presents Graffiti: Spirit of an Age @ 40 x 10, highlighting works by artists who began their careers as teens creating graffiti art, having now expanded to drawing, painting and sculpture.

Highlights include videos from Bill Viola's immersive Martyrs series, about the endurance and infliction of suffering for beliefs (Earth Martyr, Air Martyr, Fire Martyr, and Water Martyr, 2014); The Propeller Group's sculptural freeze - frames of bullets fired into ballistics gel designed to simulate the effect of wounds (Universe of Collisions series, 2015); Liza Lou's hovering, gatelike sculpture covered in millions of gold - plated beads and providing no real protection (Barricade, 2007 − 8); and a commissioned wall drawing by Tirtzah Bassel (Concourse, 2016) that examines how familiar emblems of airline travel — freedom, adventure, global connection — have become entangled with notions of vulnerability and disempowerment.

Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.

Inside the house, Craig - Martin highlights sculptures from the Devonshire Collection, and selects particularly engaging portraits for the Old Master Drawings Cabinet, including drawings by Hans Holbein, Annibale Carracci and Domenico GhirDrawings Cabinet, including drawings by Hans Holbein, Annibale Carracci and Domenico Ghirdrawings by Hans Holbein, Annibale Carracci and Domenico Ghirlandaio.

Highlights include a focus on «experimental» drawing with individual displays by artists such as Eduardo Basualdo, from Argentina; Mateo López and Nicolás Paris from Colombia; deconstructed painting and sculpture with largescale displays by Brazilian artists Leda Catunda, Adriano Costa, Maria Nepomuceno, Erika Verzutti and Cuban artists Los Carpinteros, among others; and a strong emphasis on street art and urban culture, with largescale participative installations by Os Gêmeos and Paulo Nazareth from Brazil, and individual displays by Mexican artists Pedro Reyes, Moris, and Edgardo Aragón.

Home» Articles» Exhibition Recommendations» Frieze highlights Paintings, Sculpture and Drawings

The exhibition will showcase a multitude of mediums including drawing, painting, collage, mixed media, knit, ceramic sculpture and installation in an effort to highlight human rights issues and promote equality, compassion, and transparency in both the political and public sphere.

Featuring paintings, sculpture, films, and drawings by a wide range of artists, this exhibition retrieves Dwan's singular contributions and reexamines the important history she made, highlighting in particular the increasing mobility of the art world during the late 1950s.

This major survey show at the Serpentine Gallery highlighted Jimmie Durham's multi-dimensional practice, including sculpture, drawing and film.

Other highlights from the exhibition include Michelle Ramin's figurative, watercolor and colored - pencil on paper works and Joo Lee Kang's animalia works of ink on paper drawings, wallpaper installation and large - scale sculpture.

This exhibition highlights the artist's diverse range of art making since relocating from Milan to the United States in 2009, bringing together 40 recent graphite drawings and a selection of works on paper and ceramic sculptures.

Yet while the official art - historical narrative of that generation — Basbaum's peers include Beatriz Milhazes, Leonilson and Barrão, who came of age during the emergence of Brazilian democracy — highlights an almost postpolitical identity in which art is primarily a mode of self - expression as opposed to a form of social consciousness, Basbaum's sculptures, drawings, photographs and actions see the artist tie self - affirmation to the notion of the (still) political subject.

Featuring over 80 works, and a new installation never previously exhibited, the survey will highlight Orozco's substantial production of sculpture, photography, drawing and painting.

News from Nowhere features sculpture, drawing, print, photography and film from the early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments in modern science and technology on the artistic imagination.

Comprised of drawings, sculptures, and architectural interventions, the exhibition highlights the contradictory desires and fears underpinning such movements.

Quinn's sculpture, paintings and drawings often deal with the distanced relationship we have with our bodies, highlighting how the conflict between the «natural» and «cultural» has a grip on the contemporary psyche.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

1999 Afterimage: Drawing Through Process, Museum of Contemporary Art and The Geffen Contemporary, Los Angeles, CA Contemporary Classicism, Neuberger Museum of Art, State University, Purchase, NY Intimate Expressions: Two Centuries of American Drawings, Columbus Museum, Columbus, GA Rendezvous North Carolina: 20th Century Sculpture and Sculptors» Drawings from the Weatherspoon Art Gallery and the Ackland Art Museum, Ackland Art Museum, Chapel Hill, NC Drawn Across the Century: Highlights from the Dillard Collection of Art Paper, Weatherspoon Art Gallery, Greensboro, NC Chronicle, School of Visual Arts, New York, NY

WSU School of Art and Design 12th Faculty Biennial September 3 - October 18, 1998 This exhibition highlights recent work by Art & Design faculty and features a variety of media including painting, drawing, ceramics, sculpture, photography, and printmaking.

The exhibition highlights programs of the department and includes a wide range of media, such as, ceramics, design, drawing, painting, photography, printmaking, sculpture and visual communications.

The exhibition demonstrates how Russian icon painting and folk art influenced the artist's visual language, and highlights the variety of his oeuvre through the presentation of a vast number of oil paintings, gouaches, drawings, and sculptures.

This retrospective of nearly two hundred works includes sculptures but highlights Raetz's delicate works on paper (drawings, sketches, prints, watercolors, and notebooks), borrowed from public and private collections as well as from the artist ’s

Out of Line highlights nearly thirty historical works — including painting, drawing, works on paper, and sculpture — by thirteen artists, primarily South American, who spent the greater part of their lives investigating the language of reductive abstraction during one of its most fertile periods, from the late 1940s through the early 1980s.

Featuring nearly 200 drawings, paintings, and sculptures ranging in date from the 1930s to 2010, this exhibition highlights twenty - seven artists who worked outside the boundaries of the modern and contemporary art world.

Her sculptures, drawings and photographs break space apart and rearrange the pieces to highlight the banal and the over-looked, revealing hidden substructures and questioning established functions of common objects.

Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.

Two highlights of the exhibition will be a monumental sculpture comprised of seven panes of glass suspended in an aluminum framework — each pane containing words, which form an abstract radial constellation — and a large - scale site - specific wall drawing that Khan will be creating at the gallery.

The exhibition is composed of an entirely new body of work in animation, sculpture, and drawing, highlighting new directions in her creative process.

Interweaving highlights from the Museum's seven curatorial departments — Painting and Sculpture, Drawings, Prints and Illustrated Books, Photography, Architecture and Design, Film and Media — this volume presents a broadly chronological overview of the most innovative, provocative and fascinating art of the past quarter century.

Highlights will include rare Max Beckmann prints from the 1910s and 1920s, large - scale Eye Paintings created between 1963 and 1964 by Ernst Wilhelm Nay, wall sculptures by Canadian artist Liz Magor, apart from rare collages and drawings by the artist and filmmaker Stan VanDerBeek.

Arbeiten auf Papier.: Galerie Rohloff, Karlsruhe, Germany On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts Texas Draws, Contemporary Arts Museum, Houston, Texas House of Sculpture, Modern Museum of Art, Fort Worth, Texas; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico Some Kind of Wonderful: Part I, Barry Whistler Gallery, Dallas, Texas Street Life, Project Row Houses, Houston, Texas First Decade: Highlights from The Contemporary Museum's Collection, Contemporary Museum, Honolulu, Hawaii The XMAS Project, Kent Gallery, New York, New York New Acquisitions, Dallas Museum of Art, Dallas, Texas

As the title suggests, the exhibition highlights not only the sculpture for which Claire Falkenstein (1908 — 1997) is best known, but also her paintings, drawings, etchings, lithographs, jewelry, glass, and watercolors, which have never been displayed together in a major museum exhibition.

The wide - ranging responses enacted throughout Lower Manhattan highlighted in the exhibition include the institutionally - supported erection and eventual removal of Richard Serra's large - scale sculpture Tilted Arc; Keith Haring's radiant subway drawings in the space of everyday transit and their lasting impression on street art culture; and Jenny Holzer's conceptual texts focusing on social and political commentary wheat pasted in heavily populated public spaces, among others.

Featuring painting, drawing, installation, video, sculpture, and performance, the exhibition highlights artists whose work both draws on and challenges traditional artistic approaches to the natural and built environments.

He depicts these notions through the use of found domestic and utilitarian objects and materials to form sculptures, drawings, and prints that generate visual puns and cultural overtones, while also aiming to highlight how these objects portray and mimic language, specifically Spanglish — the rhythmic convergence of two languages spoken in Latin - American homes.

Featuring works acquired within the past two years and created since 1970, the exhibition highlights video, installation art and photography, and also includes drawing, painting, and sculpture.

Highlighting the American phenomenon of the road trip, Road Show includes paintings by Chester Arnold, Jim Barsness, Jose Bedia, David Sandlin, Andrew Lenaghan, James McGarrell, and Elizabeth Saveri; drawings by William Beckman, George Boorujy, Enrique Chagoya, Dimitri Kozyrev, Lordy Rodriguez, Peter Saul, Richard Shaw, HC Westermann, and Joseph Yoakum; a ceramic sculpture by Margaret Dodd; videos by Guy Hundere and Paul Ramirez Jonas; and photographs by Rudy Burckhardt, Robert Frank, Arthur Leipzig, Mary Ellen Mark, Ramon Muxter, Joel Sternfeld, and Thomas Tulis.

Highlights include three new acquisitions of major works by Mark Bradford, the Los Angeles artist who will represent the United States at the next Venice Biennale; a somber drawing - cum - sculpture that seems to predict a stormy future, which David Hammons «drew» with a bouncing basketball and graphite; and a solid stainless steel «Sleeping Woman» by Charles Ray, all gleaming dead weight anchoring the gallery around it.

A selection of black - and - white drawings featuring expressionistically painted images of bulls and men, which were exhibited in Caro's retrospectives at the Museo Correr, Venice (2013) and the Yale Center for British Art, New Haven (2012), highlight the linear qualities of the steel, bronze and brass sculptures on view.

Highlights include works by: Darren Almond (British, b. 1971) works in a variety of media, including video, drawing, photography, and sculpture to explore themes of how time and universal symbolism effect the human experience.

Specially selected to highlight themes of metamorphosis, this collection spans video, sculpture, photography and drawing and includes a new site - specific installation.

Nazgol Ansarinia's solo exhibition entitled «Demolishing buildings, buying waste» which includes new sculptures, drawings and videos, highlights Ansarinia's interest in Tehran's changing architectural landscape and its relationship to collective consciousness.

Other highlights include Yinka Shonibare RA's six metre high colourful wind sculpture in the RA Courtyard, and Farshid Moussavi RA's unique focus on construction coordination drawings in the Architecture Gallery.

JOSEPH BEUYS: BACKREST FOR A FINE - LIMBED PERSON OF THE 20TH CENTURY AD, 1972 - 1982, AND EARLY DRAWINGS: Located in the Chapel Gallery on the first floor of Ely House, this exhibition brings together a series of early drawings alongside an important sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long - standing relationship to the artist'sDRAWINGS: Located in the Chapel Gallery on the first floor of Ely House, this exhibition brings together a series of early drawings alongside an important sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long - standing relationship to the artist'sdrawings alongside an important sculpture by German artist Joseph Beuys, highlighting Thaddaeus Ropac's long - standing relationship to the artist's oeuvre.

While guests can definitely plan to see more established artists like Cindy Sherman, Sue Williams, and Deborah Kass, the Collection is also highlighting the work of local artists Cristina Lei Rodriguez and Cara Despain, who works in a variety of media including painting, drawing, and sculpture.

This biennial exhibition highlights the extraordinary talent in Wisconsin art featuring paintings, drawings, sculpture, prints and photography by the state's best known contemporary artists.

Drawn from the Brooklyn Museum's renowned American art collection, this exhibition features 57 paintings and sculptures that highlight changes in American art and culture during the fascinating half - century from 1910 through 1960.

White has organized two eclectic series of small shows to highlight individual artists and recently - acquired or promised works — including sculptures by Leslie Hewitt, drawings by Trenton Doyle Hancock, objects from Claes Oldenburg's «Maus Museum» project and prints by Dorothea Tanning.

Organized chronologically, this international loan exhibition explores key themes through selected masterpieces that highlight Bouchardon's strong commitment to life drawing, his investigation of the relationship between drawing and sculpture, and his passion for ancient art.

The exhibition is built around four moments, ranging from sculpture, audio - visual installation, drawing and photography, highlighting Bartolini's ability across different media.