Sentences with phrase «drawing by painter»

Approach Series 1 is an original abstract drawing by painter Margaret Neill.

«Drawings by Painters,» Long Beach Museum of Art, Long Beach, CA; Mandeville Art Gallery, San Diego, CA; Oakland Museum, Oakland, CA: 1982.

A wonderful set of photographs by Tacita Dean record the slightly obsessive marks drawn by the painter Giorgio Morandi to fix the position of objects for his famous still lifes, and alongside Margarita Gluzberg's new work shows abstractions of shop displays that are projected onto graphite screens.

The bibliophile publication assembles Danto's essays on Scully's body of work for the time in one volume, and combines them with select illustrations — paintings, photographs, and drawings by the painter.

Not exact matches

The collection was inspired by the beautiful drawings of Bakst — the Russian painter and in particular the exotic and richly coloured costume designs for which he designed for the Ballet Russe.

Geometric patterns are trending right now, which is perfect for DIYers because you can re-create them using just painter's tape, or by drawing and then tracing in paint.

Often times drawing inspiration from the «painter of black» Pierre Soulages, the designer creates a dark silhouette by balancing vulnerable nudity with radical structuring.

The most architectural silhouettes were conceived by Ellery for its fall collection this season as the clothes that would be worn by expressionist painter Egon Schiele's models in his famous nude drawings.

The plot itself is drawn from some 800 letters written by the artist himself, with director Dorota Kobiela enlisting the services of over 100 trained painters to bring the story to life in the post-Impressionist style.

The film, directed by Richard Laxton, plays out as a love triangle that isn't — Ruskin is a nonparticipant — as Effie becomes drawn to the painter Everett Millais (Tom Sturridge).

By third grade, he had drawn a mural attracting much of the town and was even fortunate enough to pose for painter and illustrator Norman Rockwell.

The thing that drew you to it: I'm fascinated by these early painters who, some 40,000 years ago, created these lasting works of art.

The woman reading on her smartphone was painted by Andrew Stevovich, Austrian - born figurative painter, particularly drawn to the Italian Renaissance and Expressionist paintings.

As for the artwork, Lovecraft Tales will feature hand - drawn 2D environments inspired by 19th century art, i.e. the works by the German painter Caspar David Friedrich.

With a world created by Robert Kurvitz as ongoing source material and visual assets drawing on an oil painting look from Russian Realist painters, what have been the challenges in uniting these varied elements, and which parts «clicked» the fastest?

An essay on Bonnard's drawings, the first in an occasional series featuring important but under - known writings by the painter Sargy Mann (1937 - 2015).

Surely the little boy diligently working away on his crude drawing is learning through imitation; initiated by a master painter, he himself will become one of the masters of the future.

Painter Paul Behnke tours several painting exhibitions in Brooklyn including: Louder Milk: Tom Burckhardt at Pierogi Gallery (closed May 8, 2011), One Dozen Paintings at The Journal Gallery (with work by Peter Coffin, Jacob Kasssy, Sam Moyer, Joshua Smith, Sarah Braman, Olivier Mosset, Tauba Auerbach, Dan Walsh, and Leif Ritchey - through May 20, 2011), Bezold Effects: Molly Herman at b. conte (through May 11, 2011), and Drawing Into Paint: Margrit Lewczuk at Janet Kurnatowski Gallery (through May 29, 2011).

The artists chosen by von Heyl span a period from a 1928 drawing by Isobel Steele MacKinnon, a Chicago painter who studied in Munich with Hans Hofmann, to a 1968 frottage by Dominick Di Meo, a recent assemblage by Wuppertal - based musician / artist Peter Brötzmann, film posters by Josiah McElheny, a new painting by Molly Zuckerman - Hartung, and much more.

This exhibition showcases work by four New York painters, James Howell, Winston Roeth, Kate Shepherd and Joan Waltemath that draw on this American tradition.

Canada stacked up works by both established and emerging painters — including a new figurative work by Katherine Bradford — and a small set of broccoli drawings by Adrianne Rubenstein.

This gives him almost the same freedom as an abstract colour - field painter, or possibly even more, since his colour is largely relieved of its space - making duties by the figuration of his drawing.

This exhibition gathers Freilicher's paintings and drawings, as well as two videos by Rudy Burckhardt, and features four vitrines containing photographs, book covers, letters, and manuscripts — some poems with lines crossed out and handwritten additions in the margins — that point to the interrelated friendships between painter and poets, and to the development of work at hand.

Things You Shouldn't Understand is the newest in a series of drawing books by Los Angeles — based painter Michael Williams (born 1978).

Through the members of the surrealist movement, Motherwell later met Chilean painter Roberto Matta, who is credited with teaching the American artist the technique of «automatic» drawing, a process of freely rendering lines and forms by tapping into one's unconscious.

See more than 90 paintings and drawings by the French modern master, Henri Matisse, and one of the greatest post-war American painters, Richard Diebenkorn.

In May 2013, federal authorities announced that a trove of paintings and drawings by artists like Jackson Pollock, Barnett Newman, Robert Motherwell, and Richard Diebenkorn, many of which had been sold through New York's Knoedler Gallery for millions of dollars, were in fact the work of Pei - Shen Qian, a 73 - year - old Chinese painter in Queens.

Like painters from the Renaissance to Thomas Eakins, Gorky finished his most famous full - scale drawing by overlaying a grid, for transfer to canvas.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.

By drawing on top of already painted surfaces, and sometimes impulsively pressing down newspaper onto wet paint and then pulling it up to leave behind the accident of reverse type ink marks, de Kooning opened up a whole new territory for painters to explore.

Kline's small - scale rendition of a moving train draws the viewer into the painter's challenge as he tries to capture the essence of an object that defies, by its transformational movement, any such representation.

Inspired by Paul Cézanne, the nineteenth century Post-Impressionist painter, Turshen layers delicate oil colors on graphite drawings, giving the work character and depth.

Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the «flatter» surfaces of Barnett Newman's work and the «target» paintings of Jasper Johns.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

Mr. Childish was a former classmate and pal of star painter Peter Doig, and both artists were drawn to and influenced by the transcendent post-impressionist works of Van Gogh and Munch early on and it shows.

David Hockney, the amazing painter of our time, is represented by a lovely drawing named Mark, Bella Vista Hotel, Macao.

By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.

NO BOUNDARIES: ABORIGINAL AUSTRALIAN CONTEMPORARY ABSTRACT PAINTING The current interest in abstract Aboriginal painting is underscored by this show, drawn from a single collection, of nine male painters, who are also community leaders.

An important drawing by the French Impressionist painter Edgar Degas has been donated to the nation under the Acceptance in Lieu scheme, overseen by the Arts Council.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, ParisPainters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Parispainters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

1954 Arte Contemporanea, Museu de Arte Moderna, Sao Paulo, Brazil 25th Anniversary Exhibition, Museum of Modern Art, New York, NY 61st Annual Exhibition Paintings and Sculpture, Art Institute of Chicago, IL 12th National Exhibition of Prints, Library of Congress, Washington, DC 14 Painters - Printmakers, Kraushaar Gallery circulated by American Federation of Arts Annual Exhibition Contemporary Watercolors and Drawings, Whitney Museum of American Art, New York, NY 8th Annual Print Exhibition, The Brooklyn Museum, Brooklyn, NY Graphic Arts - USA, University of Illinois, Champaign, IL 2nd Invitational Print Exhibition, University of Minnesota, MN Exchange Exhibition of Prints, National Academies of Rome, Bologna, Carrara, Venice, Milan and Turin

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

fascinated by the geometry of folders for the drawings of architects, painters and students, ronan and erwin bouroullec created a large portfolio with bright blue and yellow leather detail gussets.

It consisted very largely of drawings from life by a selection of figurative painters of that time and was explicitly intended to reassert the importance of a figurative and humanist art in the face of what Kitaj saw as the increasing dominance of abstract, minimalist and conceptual art.

The journal's name refers to the school's motto Nulla Dies Sine Linea or «No Day Without a Line,» traditionally attributed to the famous Greek painter Apelles by the historian Pliny the Elder, who recorded that Apelles would not let a day pass without at least drawing a line to practice his art.

Stamos produced very few works in this genre (automatic drawing is closely associated with Surrealism) and most of these were influenced by an early 20th century American painter Arthur Dove.

In the 1880s and 1890s, there were a few sporadic accessions of drawings by Hudson River School painters.

After the reading of a story on the steps we were joined by painter Julie Torres and sculptor Wendy Klemperer who brought all kinds of new ideas and inspiration to our drawings.