The core of the Davids»
drawing collection focuses on the human figure.
Not exact matches
The library's
collection focuses on 4th - 20th Western traditions and includes info about paintings, prints, sculptures, illuminated manuscripts and
drawings.
This museum puts an emphasis on graphics, with an extensive
collection of prints,
drawings and posters, along with exquisite textiles and fabrics (with a particular
focus on Danish developments in the field over the past 300 to 400 years).
This
focused exhibition brings together sculptures and
drawings from private
collections and the museum's holdings to explore the artist's creative process and his narrative skill.
The series
focuses on works
drawn from the
collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw, who is also an honorary trustee of the Metropolitan Museum of Art, and his wife, Clare.
Featuring a comprehensive introduction by MoMA Chief Curator Emeritus and AICA - USA member John Elderfield, this
collection of 29 essays that range widely, from Cezanne's
drawings to Walter de Maria's Lightning Field,
focusing in particular on the varieties of artistic response that Downes's preferred subject matter — landscape — provokes.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of
Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's
collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow
Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art
Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown,
focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
Drawn primarily from the extensive
collection of works on paper in the Grunwald Center for the Graphic Arts, the exhibition is one in an ongoing series of exhibitions
focusing on the Hammer's permanent
collections.
Drawing from the National Museum of Women in the Arts
collection, this show features photography and video works by 17 artists
focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.
MoMA PS1 presents Modern Women: Single Channel, a group exhibition
drawn from the
collection of The Museum of Modern Art
focusing on the work of eleven women artists in single - channel video.
Drawn largely from the Guggenheim Museum's permanent
collections, Moving Pictures
focuses on the variety of approaches utilized by artists working with film, video, and photography today.
[1] The primary
focuses of the main
collections are works on paper, including modern and contemporary art including
drawings, prints and photographs.
This month, DAF is pleased to be giving away a copy of the newly released book English Graphic by Tom Lubbock (1958 - 2011) English Graphic is a
collection of essays on the subject of illustration,
focusing entirely on English artists using «graphic media»:
drawings, prints and watercolors.
Focusing on the Museum's
collection of modèles, the first and only set of bronzes cast from the artist's original wax and clay statuettes, Taking Shape considers the affinities among sculpting, painting and
drawing in Degas's oeuvre.
A primary
focus of the permanent
collection is works on paper, including modern and contemporary art including
drawings, prints and photographs.
Taking
drawings specifically as the
focus — the skill they most admired in each other — this exhibition brings together works from the two single - artist
collections at Watts Gallery and Leighton House for display in parallel.
This edition of NOW also features work by five further artists investigating themes of the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald and Catherine Street, alongside a group display
drawn from the National Galleries of Scotland
collection focusing on the body and fragmentation including works by Miroslaw Balka, Alex Dordoy, Alexis Hunter and Jonathan Owen, amongst others.
One exhibition
focuses on Raden Saleh and Juan Luna, two significant artists from Southeast Asia who were active in Europe during this period, and will be the first major survey of their works,
drawing from
collections around the world.
Featuring works from an array of artists in a variety of media, the
collection maintains a strong
focus on established local artists who live in and
draw inspiration from the Hamptons including Eric Fischl, David Salle, Clifford Ross, Donald Sultan and Peter Dayton.
The works are
drawn from the Barjeel Art Foundation
collection of modern and contemporary Arab art, and the final display of a year - long series at the Whitechapel will
focus on the theme of what the press release calls «mapping geographies» which examines «the notion of statehood and exploring how artists engage with the rapidly expanding cities of the Arab region.»
This installation,
drawn from the Museum's
collection of paintings by Ad Reinhardt and Mark Rothko,
focuses specifically on the fertile years between the late 1940s and the early 1960s, during which each artist identified the style and format that would engage him for the rest of his career.
March 7, 2008 — ongoing This installation,
drawn from the Museum's
collection of paintings by Ad Reinhardt and Mark Rothko,
focuses specifically on the fertile years between the late 1940s and the early 1960s, during which each artist identified the style and format that would engage him for the rest of his career.
Collecting Calder, one of two permanent
collection displays on the Museum's fifth - floor mezzanine, presents a selection of Alexander Calder sculptures and
drawings, giving equal
focus to the two major aspects of the artist's oeuvre: Calder's Circus and his later work in abstraction.
To celebrate the 20th anniversary of the Ringier
Collection, two exhibitions both
focused on
drawings (the core of the
collection) and works on paper, have been organized there.
Líšeň Profile (2010)
drawings on paper Museums Sheffield's current
focus for the visual art
collections is the broad theme of identity.
Now, in an exhibition that takes its name from one of Pope.L's «Skin Set»
drawings, «BLACK PEOPLE ARE THE WINDOW AND THE BREAKING OF THE WINDOW» (2004), the Studio Museum provides a
focused look at current and historical expressions of protest through works of art primarily
drawn from the Museum's
collection.
This display
draws works from public
collections in the North West of England and
focuses on the relationship between industrialisation, art and social reform between 1880 and 1940.
At 201 Chrystie Street the
focus is on a very personal
collection of gouache on paper
drawings entitled Lonely Chair
drawings, which are the primary subject of the accompanying exhibition catalogue.
The sixteenth presentation in the ARTMATTERS series
focused on contemporary art, this exhibition surveys a range of John Fraser's exquisitely crafted objects,
drawn from the McNay's
collection, the artist's studio, and select museum
collections.
The
collection of paintings, sculpture and
drawings focus on bullfights, matadors and the myth of the minotaur.
The Botín Foundation's
collection is
focused primarily on contemporary fine art and comprises paintings,
drawings, sculptures and installations by renowned international artists such as Miroslaw Balka, Tacita Dean, Carlos Garaicoa, Mona Hatoum, Joan Jonas, Jannis Kounellis, Julie Mehretu, Antoni Muntadas, Gabriel Orozco, and Juan Uslé, among others; pieces from the
collection are usually showcased through thematic temporary exhibitions in the galleries on the upper floor of the west wing.
Lines / Edges
focuses on Stella's four decade - long adventure in printmaking and
draws entirely from the Pizzuti's
collection of works on paper.
The Cut, Halesworth, Suffolk, UK Contemporary Masters from the East of England 36 works
drawn from the
collection of 21st Century British Painting,
focusing on the East of England 25th April to 27th May 2017
His Sheep
drawings and prints are the
focus of this exhibition, which comes entirely from the Foundation's
collections.
Harvard Art Museum This encompasses three centres: the Fogg Art Museum, concentrating on Western Art of the Middle Ages to the present (notably early Renaissance, British pre-Raphaelite, 19th - century Impressionist and post-Impressionist works, and an important
collection of Picasso's works); the Busch - Reisinger Museum, specializing in fine art from Central and Northern Europe (notably 20th century German Expressionist painters); and the Arthur M. Sackler Museum, which
focuses on ancient, Islamic and Asian art (notably archaic Chinese jades and Japanese surimono, as well as
drawings, paintings and calligraphy from Iran, India, and Turkey, along with Greek and Roman sculpture).
Her latest series of
drawings focuses on Abbot's Pool, a historic
collection of fish pools once frequented by the mediaeval monks of St Augustine's Abbey, now Bristol Cathedral.
Whether artists of the past or the present; whether full - scale surveys or smaller and more
focused projects; whether mostly
drawn from the permanent
collection or borrowed, they were far more likely to consider male rather than female artists.
Inspired by the multifaceted relationship of these two artists, MCA DNA: Warhol and Marisol presents a
focused selection of their works, side - by - side,
drawn primarily from the
collection of the Museum of Contemporary Art Chicago.
March 20 - December 8 This exhibition,
drawn from LACMA's permanent
collection, presents an introduction to Egyptian art with a
focus on myth and funerary practice.
This
focussed exhibition presents a selection of recently acquired
drawings from the sculpture
collection of Leeds Museums & Galleries, which is managed in partnership with the Henry Moore Institute; a collaboration that has built one of the strongest public
collections of sculpture in Britain.
Even the museums most successful at attracting them vary their schedules with smaller exhibitions
drawn from their permanent
collections,
focused on single artists, themes, historical moments or whatever idea seems worthy of exploration.
For this project, architectural collective Assemble and artist Simon Terrill have used archival materials,
drawings and photographs from RIBA's
Collections to create an interactive installation that raises questions over design for play, from both a historic and contemporary perspective, with a
focus on the element of risk.
This exhibition will
focus on the fastest growing area of the Museum's
collection, which is modern and contemporary art including paintings,
drawings, prints, and sculpture by such artists as Joseph Beuys (1921 - 1986), Robert Cottingham (b. 1935), Sam Gilliam (b. 1933), Adolph Gottlieb (1903 - 1974), Philip Guston (1913 - 1980), Keith Haring (1958 - 1991), Dame Barbara Hepworth (1903 - 1975), Sol Lewitt (1928 - 2007), Diego Rivera (1886 - 1957), and David Smith (1906 - 1965).
This exhibition,
drawn mainly from the permanent
collection, will
draw upon this strength and
focus on images of astronomy.
The
focus of the exhibition is on prints and
drawings from the British Museum's
collection, alongside a few loans from the V&A, the Ashmolean, Tate Britain and the British Library.
This exhibition of 30 photographs is
drawn from VMFA's
collection and highlights the artist's early career in Hungary while also
focusing on seminal moments during the sixty years when he worked in Paris and then New York City.
A new show
drawn entirely from OCMA's permanent
collection focuses on works by 16 women whose art in the 1990s underwent a transformation, from overtly political to something more poetic and personal.
The AGSA also possesses a wide
collection of Australian prints,
drawings and photographs, with a special
focus on South Australian works.
The
collection features 3 - dimensional representational pieces
focused on the human figure plus
drawings by sculptors and abstract works.
Drawing on a number of high - end corporate
collections such as Inflexion, Aspen, Argent, Eagle Place, the talk will
focus on how the Contemporary Art Society works with corporate
collections including the commissioning process, the impact art and design has on the corporate space, and the importance of companies investing in great art.