Sentences with phrase «drawing exhibitions like»

In only two years as Director of the Fine Arts Museums of San Francisco, he presided over crowd - drawing exhibitions like «Casanova: The Seduction of Europe» and «The Summer of Love Experience: Art, Fashion and Rock & Roll,» while also reigning in the institution's unbalanced budget.

Not exact matches

The red carpet, under the dome of the Shanghai Exhibition Center, also drew a range of designers, from Sacai founder Chitose Abe to Nina Ricci creative director Guillaume Henry, along with a swarm of supermodels like Karlie Kloss, Sean O'Pry, Liu Wen, Du Juan and Anja Rubik.

Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.

Alongside original sketches, drawings and manuscripts, the exhibition also showcase artefacts like a Christopher Robin nursery set that was presented to Princess Elizabeth in 1928 and lent to the show by the Queen, as well as photographs, cartoons, ceramics and fashion items.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

Maybe the exhibition title suggests that the works are only just at the point of gesture, like the Andrea Madjesi - Jones painting, where gesture seems to be included in a wider pictorial strategy, or perhaps that they have arrived at the point of gesture having set out from some other place, Clem Crosby's work, for example, coming out of the monochrome tradition to a reconsideration of the role of drawing.

He humorously describes the potential of the drawn line beyond its basic use for language and communication, a line that has a sense of humour and a personality, like the artists included in the exhibition.

Jana Gunstheimer's Mental Duels is part of a series of exhibitions at the GEM featuring artists like Marcel Dzama and Marcel van Eeden, all of whom take drawing as the starting point for the creation of entire worlds.

Part of «Venus Drawn Out» is formed of an exhibition of drawings by artists (from the unknown to the highly acclaimed), in which works by the likes of Anni Albers and Helen Frankenthaler are displayed without a clear chronological or thematic order.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

The exhibition includes about 50 paintings, as well as drawings and films, all of them created with an eye to masters like Goya and Manet.

Though it is the artist's figure drawings, like the selection prepared for this exhibition, where we truly celebrate Tworkov's unique, intimate, and nuanced hand and where the artist's conflict between the real and the imagined, the abstract and the representational appears to resolve with some terrific intent.

So far, Muir has nearly tripled the number of ICA patrons, according to The Art Newspaper, and has been drawing crowds with shows of popular artists like Jacob Kassay and the provocative new drawing exhibition «Keep Your Timber Limber,» which brought out 1,200 visitors to its opening earlier this week.

This solo exhibition by London - based, Kenyan - born artist, Michael Armitage, brings together a new body of work that draws on the chapel - like qualities of the SLG's main space.

A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

The show belongs to him and to the museum's own history, like recent exhibitions of Abstraction Expressionist New York and German Expressionist drawings from the collection.

Curatorially, this kind of reconsideration has already been applied to recent exhibitions like «A Revolutionary Impulse: The Rise of the Russian Avant - Garde,» which covered the period of artistic innovation between 1912 and 1935 and included projects in painting, drawing, sculpture, prints, graphic design and architecture.

Bela Shayevich's large - scale drawings here, in the compact exhibition «Serial Killer Land,» suggest off - kilter cityscapes and public spaces like restrooms, airports and parking lots.

MTW He's not joking when he says the exhibition is «a lesson in how to be a real artist», and things like, «Great drawing has to be done from life» — and, «She's looking in the mirror and striking a pose, just like the old masters did.

This exhibition presents a whimsical selection of paintings and drawings of abstracted machines that have a human - like presence, all of which were made by Sterne between 1947 and 1951.

Notable exhibitions include his large - scale overlapping line drawings of nudes for his series Water Paintings shown at the 1999 Venice Biennale, and his 2006 solo show Cave Paintings at White Cube, which featured marble tableaux of collaged stones set together like tectonic plates.

Like Chase - Riboud's work, Falkenstein's «linear drawing in space» — as she called her wire constructions — incorporates exhibition space as a sculptural medium.

Not only are its 11 works superb for the most part (each is drawn from the gallery's permanent collection), the exhibition evokes an era when painting was still top dog, bestriding the then - narrow art world like a Colossus.

SCMA's drawing by Lovell, Run Like the Wind from the Kin series, inspired the Museum's recent exhibition More Than You Know: Works by Whitfield Lovell (January 28 — May 1, 2011).

Drawn by the magazine's founder Joseph Keppler, the caricatures, like Glackens» and Sloan's cartoons, made light of innovative art being shown in highly publicized exhibition: the Society had been founded in protest to the conservatism of the National Academy of Design, and its inaugural exhibition was highly anticipated and heavily reviewed in the press.

Like the exhibition from which it is drawn, the Saving Washington unit presents two important narratives.

Drawing more than 50 paintings from museums like the Art Institute of Chicago and the Musee d'Orsay, the exhibition will look at the work of an artist whose career may have been overshadowed by his role as a patron and collector of his contemporaries.

2018 will offer a variety of exhibitions to cater for everyone's taste in art from spending time with modern masters such as a year in the life of Picasso, Monet's relationship with architecture, drawings by Klimt and Schiele, through classical artists Ribera and Murillo to contemporary greats like Tacita Dean and Joan Jonas not to mention Frida Kahlo's iconic wardrobe.

The first exhibition failed to draw positive criticism, driving the artist to give up painting in 1921, but the second exhibition received strong support from critics, including Henry McBride of The New York Sun, who, admitting his own delay in recognizing Eilshemius» talent, wrote «Suddenly, like another St. Paul, I see a great light and the scales drop from my eyes.

Poetry magazine and the Poetry Foundation would like to thank Tibor de Nagy Gallery for making available their exhibition and catalog, from which this portfolio and our concurrent exhibition are drawn.

Born in 1972 in Sydney, Australia, Del Kathryn Barton has participated in many group exhibitions that include: Like - ness, albertz benda, New York, USA, (2016); Dark Heart, Adelaide Biennale of Australian Art, Adelaide, Australia, (2014); Theatre of the World, Museum of Old and New Art, Tasmania, Australia, (2012), Lightness and Gravity, Gallery of Modern Art, Brisbane, Australia, (2012); Freehand: Recent Australian Drawing, Heide Museum of Modern Art, Melbourne, Australia, (2010/11); 2009 Wynne Prize for Landscape, Art Gallery of New South Wales, Sydney, Australia, (2009) Half a World Away: Drawings from Glasgow, Sao Paulo and Sydney, Hallwalls Contemporary Arts Centre, Buffalo, New York, USA (2002).

During the event on January 14, families will explore our current exhibition, Clyfford Still: The Works on Paper, create in the DRAWING Room, and participate in other family activities like the Detail Detective and Family Sketchbook.

Born in 1972 in Sydney, Australia, Del Kathryn Barton has participated in many group exhibitions that include: Like - ness, Albertz Benda, New York, USA, (2016); Dark Heart, Adelaide Biennale of Australian Art, Adelaide, Australia, (2014); Theatre of the World, Museum of Old and New Art, Tasmania, Australia, (2012), Lightness and Gravity, Gallery of Modern Art, Brisbane, Australia, (2012); Freehand: Recent Australian Drawing, Heide Museum of Modern Art, Melbourne, Australia, (2010/11); 2009 Wynne Prize for Landscape, Art Gallery of New South Wales, Sydney, Australia, (2009) Half a World Away: Drawings from Glasgow, Sao Paulo and Sydney, Hallwalls Contemporary Arts Centre, Buffalo, New York, USA (2002).

Like many artists in the exhibition, Deana Lawson (American, born 1979) draws upon the tradition of the family portrait and snapshot for much of her work, whether her photographs depict her own family members or that of others.

Words and names erupt from nowhere like a William Burroughs cut - up, clouds collide and paper seems to mutate into abstract sculpture before your very eyes in this major exhibition of the American artist's drawings

Much like the exhibition itself, «Orange Crush» is a dreamscape of disparate elements — feathers, flowers, books, baby dolls, blowup animals — that comes together in one work that draws viewers in with humor initially, then bathes them in a sort of «Buddhist peacefulness,» as Dorn puts it.

The McNay, it turns out, has one of the largest collections of Diller drawings anywhere - more than 40, spanning his career from the 1930s to the mid -»60s - and Burgoyne Diller: Abstract Pioneer, an elemental exhibition of about 30 Diller works in the intimate Lawson Gallery, is a revelation - sort of like discovering an artistic missing link.

The exhibition «Early Man» includes a series of synthetic, CNC routed rock sculptures with ridged surfaces like geologic strata, pencil and gouache drawings reminiscent of Möbius strips, and a snake - like ceramic sculpture.

Like all previous editions of Traces, the current exhibition sets out to map contemporary practice in the field of drawing in Israel; to outline directions and inclinations, while emphasizing the conceptual and thematic transformations that occurred in this dynamic — traditional, yet constantly renewing — medium in recent years; and to sustain a dialogue with the previous biennials.

2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England

To critics who question the corporate nature of Mr. Zwirner's operation, Mr. Zwirner said they have only to look to the art — namely the acclaimed exhibitions the gallery has presented in just the last year — like the show of Yayoi Kusama's Infinity Rooms that had people lining up around the block in the cold; the exhibition of Alice Neel's paintings and drawings; and the quirky installations of Mr. Gonzalez - Torres.

As we continue to highlight Edgar Degas «multiple interests and subjects we'd like to draw your attention to a small exhibition now on view at the Morgan Library and Museum.

A major international loan exhibition of approximately 120 works, Like Life will draw on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Their textured surface bears similarity to the fresco - like quality found in his quintessential large - scale wall drawings and murals, currently on view in an extensive 25 - year exhibition at the Massachusetts Museum of Contemporary Art (Mass MoCA, North Adams.)

This exhibition features five of her recent animations and numerous paintings, both small and large scale, along with a jewel box - like installation of drawings.

At first sight, his tottering towers of spun discs, or unbalanced stacks of plates, seem totally abstract; but in this exhibition, his drawings reveal their figurative origins and send you back to look again and notice the distorted faces, like people trapped in the warped material, that spookily populate his restless universe.

Heated by lamps projecting bright red light, sixteen edible drawings are installed in the museum's basement floor like recently discovered specimens in a science experiment, literally transforming the exhibition space into a quirky laboratory.

In the red Arena theater, designed (like the rest of the exhibition) by architect David Adjaye, there was a wonderfully lulling Charles Gaines musical performance drawn from his «Notes on Social Justice,» followed by the continuing marathon reading of Das Kapital, the undercurrent of this topical show.

The exhibition features 70 pieces from the artist's personal collection, including examples of Katz's signature mural - like canvases, oil sketches, working drawings, collages, prints, and cut - outs.

It did not have the feeling of a hard - fought, intensely argued list — and the exhibition, perhaps driven to draw glances from the metropolitan media, resorted to what seemed like cheap attempts to revive the shocks of yesteryear.