Sentences with phrase «drawing experiences around»

The 13.5 - inch touch display is outstanding, and you can bet inking with the Surface Pen is one of the best drawing experiences around.

Not exact matches

Set in and around a suburban backyard, it illustrates why space travelers experience time more slowly than we do back on earth with the help of a bowl of popcorn, a minivan, homegrown special effects and a hand - drawn diagrams.
Since the book draws from the imagery of the seven sacraments — baptism, confession, communion, holy orders, marriage, healing, and confirmation — stories that center around those experiences are much more likely to strike a chord with where I'm at creatively with this project.
He has time on his side and plenty of talent at his disposal but he must shake off this bizarre, meek «Mourinho - Lite» version of himself and draw on all his experience in order to turn this slump around.
If your child does experience uncomfortable pressure around their legs while sleeping, let him or her know that drawing the legs up next to them while they sleep can make it feel better.
The experience: The treatments draw on massage and healing techniques from around the world.
By saying «I loved travelling around India last year» you stand a good chance of drawing in someone who has had a similar experience.
Hittman was open about how she drew from the experiences of people around her for It Felt Like Love, but she was more circumspect this time.
Although today's video - fluent filmgoers experience something very much akin to fragmented narratives every time they flip around the channels on the TV, I still felt it was essential that beneath its braided structure, Poison's central themes were clearly drawn.
So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.
I'm joking around of course, but yes, Project CARS draws upon all our experience, knowledge, and pedigree of making racing games over the last 10 years.
Drawing on our experience in North America, HCDC is eager to help build a broader movement to achieve breakthrough outcomes for children around the world.
So here, in this collection, I have drawn from various sources and experiences over time and around the world, ideas from inspectors and their reports, leadership training course tutors and candidates, school improvement ambassadors, union officials, faculty leaders, headteachers and principals in all their guises, governors, government officials, civil servants, councillors, parents, students, current, aspiring, ex and retired teachers, in the public, private, Academy, Charter, free, not - for - profit, voluntary and charitable sectors.
Drawing on his research, Carpenter details the potential benefits of these experience, such as personalized, on - demand availability; motivational factors; the ability to connect teachers around the world; and increased leadership opportunities.
The Academy draws on CEL's more than 15 years of experience in bringing effective, research - based instructional leadership professional development to educators around the country.
New teachers will take the three - year course around their day - to - day jobs, and draw on their own practical experience in the classroom with support from mentors.
The report draws on experiences with contract schools in 20 countries around the world, highlighting key lessons learned in multiple countries» attempts to provide low - income communities with high - quality, affordable schools.
As we consider potential non-academic indicators, policymakers and thought leaders should draw upon the research around positive youth development which states that positive experiences, relationships, and environments contribute to many desired youth outcomes.
The authors draw upon the most recent scientific studies, the best theories, site visits carried out around the country, and their own extensive experiences to describe approaches to social and emotional learning for all levels.
Main Specifications of Subaru VIZIV Performance Concept Body size (overall length × width × height): 4,630 × 1,950 × 1,430 mm Wheelbase: 2,730 mm Tire size: 245/40 R20 Seating capacity: 5 persons Design Features To express the distinctive enjoyment of driving a Subaru, the VIZIV Performance Concept draws on previous models symbolizing the Subaru driving experience: the Legacy, which defined Subaru as a drivers» car, the Impreza, which took the World Rally Championship by storm, and the WRX, which still dominates motor racing around the world.
The occupation drew media headlines around the world, but the inhabitants soon experienced the hardships of living on The Rock.
PX Digital Exchange (PXDX), an online outreach and exchange program drawing on the latest technology to engage the Bay Area tech community and extend the PX experience around the world.
Part of AccorHotels, a world - leading travel & lifestyle group and digital innovator offering unique experiences in more than 4,000 hotels, resorts and residences around the globe, Raffles is proud to draw on the timeless essence of Raffles — to deliver thoughtful, personal and discreet service to well - travelled guests.
By drawing on the experience of our team of 18,000 Travel Experts from around the world, we've been delivering amazing travel experiences for over 40 years.
Players move their team of five around ever - larger dungeons and areas, fighting enemies, gaining experience and levels and, my favorite part, drawing their own maps.
Secondly, Miiverse has been added to the 3DS, which means players can connect with gamers around the world and share game tips, experiences, and amazing drawings with each other, just like Wii U owners have been doing for some time now.
Granted, at the core of the experience, you'll still be running around a map to install various attack towers to dispel the coming threat of beasts, but the old hand - drawn aesthetic has been scrapped in favour of a 3D, almost Claymation-esque approach.
Simultaneously drawing upon the world around her and her own experiences, Dumas reflects on contemporary anxieties about love and death, gender and sexuality, and mass media and celebrity.
Like Sol Lewitt's Incomplete Open Cubes or Rachel Whiteread's negative casts of library book shelves and house interiors, Wulffen draws our attention to the structures and spaces in and around objects (and experiences) that help define their meaning.
Donna Huanca's work draws attention to the body and in particular the skin, which is simultaneously the surface on which our personhood is inscribed and the surface through which we experience the world around us.
For more than a century, HBS faculty have drawn on their research, their experience in working with organizations worldwide, and their passion for teaching to educate leaders who make a difference in the world, shaping the practice of business and entrepreneurship around the globe.
«We toured Leonardo da Vinci's Salvator Mundi around the world, and at every stop crowds of people were drawn to this painting, wanting to stand in front of the picture and experience it in person.
This approach also disservices the original exhibitions, drawing arbitrary lines around what constitutes an optimum experience with the works.
The site - specific installations by Judith Saupper and Lionel Favre, redefine the art of drawing, requiring the viewer to walk around, into, and even crawl under the works to fully experience them.
Derived from hand drawings and digital processes combined with chance operations, found materials and printing from discarded laser cut plates from architectural models, the result is a generative series of colorful, haptic and playful works intended to express ideas about the anxieties, fears, and instability experienced around the world.
, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, Udrawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, UDrawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.
At the same time, Boswell draws on her own experience of the art world to explore how anxieties around immigration and Blackness still resonate in the UK today.
He draws from his own experiences as a well - travelled Kenyan citizen to structure narratives around migratory identity, specifically how legal documentation and its powers of «legitimisation» can be literally «re-pulped» to make new material cartographies.
Ronny Quevedo's drawings represent an on - going project around the charting of migratory experiences.
Drawing on personal experiences and research on these subjects, as well as history and popular culture, Rakowitz creates illustrated objects, installations and performances that invite viewers to contemplate their complicit relationship to the political world around them, recognizing that hospitality and hostility are interlinked.
Drawing on the formula employed by popular, immersive cinema - cum - theater experiences like Sleep No More, visitors to «Infinite Mix» rove freely around the building in order to find each work.
Drawing upon his work experience as a maze illustrator and architect, Aiba uses stone clay, epoxy putty, copper line, plastic, resin and various recycled items to create imaginary landscapes around his small trees.
By effectively drawing a line around academia and calling it «science» and persuading all the press, politicians, etc. to see those inside as legitimate to speak on subjects like climate and those outside as therefore illegitimate, it means that no matter how qualified or experience we skeptics are, that we will always be deemed as illegimate.
Drawing on her experiences in Hollywood and regional planning, Razani works to create a new narrative around decarbonization that both inspires and motivates us to act more aggressively to reduce emissions.
The ALFA International model enables Stewart McKelvey to use its local expertise to deliver highly effective legal solutions while drawing upon the collective wisdom and experience of other member firms within the United States and around the world as needed.
«Drawing on over 10 years» experience of advising on corporate PPAs around the world we were able to put together this guidance to bring companies up to speed on the growing opportunities in the sector as they look to move towards a greener supply chain.
Drawing on the experience and insight of our lawyers around the world, we assist in providing integrated advice on virtually every legal aspect of complex cross-border transactions as well as domestic projects for clients in Romania.
The ALFA International model enables Sills Cummis & Gross to use its local expertise to deliver highly effective legal solutions while drawing upon the collective wisdom and experience of other member firms within the United States and around the world as needed.
Drawing on his past experience as a United States patent examiner and his extensive legal knowledge of intellectual property laws, David Crowe has helped many clients build virtual IP fences around new products as they are being developed, when they launch and as they grow.
The Hybrid J.D. program, in which students earn a degree by studying both online and in - person, draws students from a variety of life experiences and from around the world.
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